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Growing up in South Dakota, Josh Garrett-Davis knew he would leave. But as a young adult, he kept going back--in dreams and reality and by way of books. With this beautifully written narrative about a seemingly empty but actually rich and complex place, he has reclaimed his childhood, his unusual family--and the Great Plains.
Among the subjects and people that bring his Midwestern Plains to life are the destruction and resurgence of the American bison; Native American "Ghost Dancers," who attempted to ward off destruction by supernatural means; the political allegory to be found in The Wonderful Wizard of Oz; and current attempts by ecologists to "rewild" the Plains, complete with cheetahs. Garrett-Davis infuses the narrative with stories of his family as well--including his great-great-grandparents' twenty-year sojourn in Nebraska as homesteaders and his progressive Methodist cousin Ruth, a missionary in China ousted by Mao's revolution. GHOST DANCES is a fluid combination of memoir and history and reportage that reminds us our roots matter.
- Sales Rank: #1836078 in Books
- Published on: 2012-08-21
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 1.25" w x 6.00" l, 1.00 pounds
- Binding: Hardcover
- 336 pages
Review
With Ghost Dances, Josh Garrett-Davis bursts on the literary scene like a fresh, punk-voiced Wallace Stegner, weaving the story of his own coming of age into the tangled history of the Great Plains. A familiar prairie past of sod houses and populists lives here alongside a modern landscape of broken families and alienated teenagers, Christian fundamentalists and Indian activists. Histories of failure and destruction weigh down the present and mute the possibilities for the future. But the Great Plains emerge here as a place of terrible beauty, explosive possibilities, and that most American of emotions - hope.―Martha A. Sandweiss, author of Passing Strange
Ghost Dances is beautifully open-spirited. Its ambition never steps on its sense of humor. Garrett-Davis reads his own life as an extension of a landscape that both nurtured and tried to stunt it. What I liked best was how he let the edges mingle: you weren't always sure if the book was about him or about the Plains, and neither was he. Here is a writer whose mind can intrigue us, and a first book that makes it fun to imagine what he might do.―John Jeremiah Sullivan, author of Pulphead
"A meditation on home and homelessness, Ghost Dances combines memoir, history, and vision into an evocative chronicle in the ocean of grass where Josh Garrett-Davis came of age amid loss, love, and the rituals of hope. A unique and moving book."―Brenda Wineapple, author of White Heat
"Alienation and authenticity commingle in this memoiristic meditation on American's lonesome midsection....Garrett-Davis writes evocatively of "the latent fury in this monotonous [Plains] landscape" and finds some juicy tufts of lore to graze on."―Publishers Weekly
"Josh Garrett-Davis has given us a tremendous memoir-as much a narrative about himself as the cradle of the Plains where he was born. He shows us that "proving up" often means letting go, and we meet all the noble, flawed, and resilient actors of the Plains here, including bison, punk rockers, Cather, Indians, Anglo homesteaders, and home wreckers, too. A wonderful read."―David Treuer, author of Rez Life
About the Author
Josh Garrett-Davis has an MFA from Columbia and is currently a PhD student in American history at Princeton.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Never trust a book reviewer who uses the word 'perforce'
By Booksmasher21179
It's not every day that I will pick up and buy a nonfiction book by an author I've never read before. But here's what bowled me over about this one; the historical and heavily researched aspects were incorporated organically, naturally -- so seamlessly that they served the story and moved it forward. Consider the bison that rumbles through the opening passage, and starts off the book with a narrative bang. Then consider the way Mr. Davis toggles back and forth between vulnerable memoir, field observation and historical observations. In lesser hands, those researched materials can come across as dry and stilted, like PowerPoint presentations. But Mr. Davis has taken the time to incorporate these elements gracefully so the reader just goes along for the ride. The Midwest -- denigrated for so many years as a 'fly-over' area -- deserves its due, and this year, there is a teetering pile of worthy books focusing on this neglected region. This book belongs at the top of the heap.
4 of 4 people found the following review helpful.
Bison, Drugs, and Cocoa Puffs: A South Dakota Punk Rock Manifesto
By Evan Carver
Garrett-Davis weaves his own story of growing up in South Dakota with that of some of his ancestors, inserting key moments from Great Plains history where he sees fit. The moments he chooses are ones where some experience of his own (e.g., his parents' divorce and his mother's lesbianism, his involvement in the punk rock scene, his political activism) bear some structural or metaphorical resemblance to some defining moment in South Dakota history (e.g., the Wounded Knee massacre, the fate of the American bison, the fight over a T. rex skeleton recovered on reservation land). Some of his metaphors and associations are belabored or over-reaching, but for the most part Garrett-Davis is earnest and sincere. If some of the sections on his ancestors drag, his recount of his own life is marked by affective introspection. In general, his attempt to reconcile his conflicted relationship with the Plains and the Plains' history of conflict and contradiction yields many insights. Readers of his generation (he is in his early 30s) in particular will find much to identify with here -- notably the music of the 80s and 90s. And all but the most widely-read students of the West will probably learn a lot of history. A rewarding read.
4 of 4 people found the following review helpful.
a great promise, but too personal a narrative flaws an otherwise worthy read.
By Margaret Bleyberg-forsman
As a child of the plains, I approached this book with very high expectations. The story of the First Nations has been updated recently in several best selling volumes. This one is a good introduction to the issues through personal experiences, interspersed with history. Perhaps someone new to the discussion would find it a good beginning point. I was disappointed as the focus shifted to the author and away from the people whose cultural survival and revival is one shining chapter in our cultural history. However, as a person who grew up between Sioux and Ojibway peoples, I recognize the author's mixed feelings of awe, respect, belonging and exclusion. Worthy of a read.
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