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Etiquette & Espionage (Finishing School), by Gail Carriger
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It's one thing to learn to curtsy properly. It's quite another to learn to curtsy and throw a knife at the same time. Welcome to Finishing School.
Fourteen-year-old Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners--and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality.
But Sophronia soon realizes the school is not quite what her mother might have hoped. At Mademoiselle Geraldine's, young ladies learn to finish...everything. Certainly, they learn the fine arts of dance, dress, and etiquette, but the also learn to deal out death, diversion, and espionage--in the politest possible ways, of course. Sophronia and her friends are in for a rousing first year's education.
Set in the same world as the Parasol Protectorate, this YA series debut is filled with all the saucy adventure and droll humor Gail's legions of fans have come to adore.
- Sales Rank: #24734 in Books
- Published on: 2013-10-08
- Released on: 2013-10-08
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x 1.00" w x 5.50" l, .66 pounds
- Binding: Paperback
- 336 pages
Most helpful customer reviews
66 of 69 people found the following review helpful.
A great start for a what looks to be a great series
By Kim
Review written for and originally published at steamingenious.blogspot.com
I have been eagerly anticipating this first book in a new series by Gail Carriger, author of the fantastic The Parasol Protectorate series.
The book follows the exploits of 14 year old Sophronia Temminnick, a troublemaking youngest daughter of a middle class Victorian family. Not knowing what to do with a daughter interested in technology and books, her mother is only too happy to send her off to an exclusive finishing school. Except this finishing school teaches more than just deportment. It also teaches the arts of espionage and assassination.
This book has all the fun of the first Harry Potter novel; it shows an unsuspecting protagonist encountering a weird and wonderful boarding school, and, in fact, almost an entire new society of which she was previously unaware. So this book takes some pretty familiar "starting a new school" tropes and puts a nice spin on them. Sophonia is an extremely likeable character and her new school provides lots of opportunities for her to show off her daring.
This series takes place in the same world as the Parasol Protectorate series, but it's set several decades earlier, in the 1860s, I believe. So fans of that series will enjoy seeing some familiar characters pop up here and there. As for the steampunk elements, while I tend to think of the Parasol Protectorate as a predominantly supernatural series set in a steampunk world, this series seems to be a steampunk series set in a supernatural world. Meaning that this series seems to involve a lot more technology in more important roles than the previous series. There are also vampires and werewolves, but the supernatural elements don't drive the main plot and are pretty much incidental.
I don't want to spoil all the surprises of the book, but I will say that the steampunk elements include: airborne highwaymen in small balloons, a giant airship, a steam-powered dog, mechanical servants, airship pirates, a school for evil geniuses, aetheric communication devices, and a group who adorn their clothing with gears and their top hats with decorative goggles.
Ultimately, I loved this book. I found it totally charming, with its combination of polite manners, adventure, and emphasis on practical skills such as how to fake a faint without wrinkling your skirts. I would absolutely enroll in this type of finishing school.
My one and only complaint is that I wish it were longer. It's a young adult series, so it's fairly short. Otherwise there's no noticeable difference in language or style from Carriger's other books. There's no sex or any real romance in this one, which is another difference. (And can we take a moment to celebrate a YA book with a female protagonist that DOESN'T place any emphasis on romance?) I'm extremely excited about the potential for this to be a phenomenal series. I know the second book is already written and I think is supposed to come out later this year? I can't wait.
23 of 23 people found the following review helpful.
"Finishing School" isn't QUITE what it sounds like here...
By Cissa
I've enjoyed the "Parasol Protectorate" novels a lot, but this one was even more fun.
It's set in the same world, I think somewhat before the PP series, and focuses more on intrigue and steampunk, and less on the vamps and weres.
Plus- as an American who went to local public schools, I have always ADORED boarding-school fiction! And a boarding school on an airship??? with the companion school for boys devoted to developing Evil Geniuses??? What's not to love?
OK, the kids don't Save The World. What kids really can expect to? but they do rise to their challenges, outwit the adults, and have a grand time doing it.
A good ending, but with enough threads left that #2 can pick up nicely.
I think a lot of Harry Potter fans could love this, if they're OK with the focus being on GIRLS (the horror!).
Highly recommended. And for YA's, too!
33 of 38 people found the following review helpful.
Solid beginning to a promising series
By Amazon Customer
I have to say, I was equal parts excited and trepidatious* when my fave awesome person at Little, Brown asked me if I wanted to be part of the blog tour for this. I loved Carriger's Parasol Protectorate series, but was concerned about how she would make the transition to YA, especially after my friend Elizabeth's reaction... That gave me pause. FORTUNATELY, I have to (politely, maybe) disagree with E. on this one. Yes, it was a little heavy handed at first, and was missing some of the magic that came with Alexia's narration and her fabulous personality - but it worked, and in the end I quite liked it.
I'm a pretty firm believer that you don't have to change your style/writing much (if at all) when you change age levels - there's no need to "write down" to kids (especially in this case, as the Parasol Protectorate series was a highly popular cross-over - Pretty much remove the steamy Victorian sexytimes and you're good to go). But the beginning of the book seemed like Carriger was going to write down to her audience and point things out in a really obtrusive way (as if they couldn't possibly put things together all on their own...), and that has got to be my number one I-will-throw-you-against-the-wall-you-just-see-if-I-don't pet peeve. Even as a kid, I found it highly insulting; you've got to have faith in your audience, and faith in yourself as a storyteller that you're doing fine - you don't have to handhold, and if you do feel the need to, you're not telling it right. But either the handholding was just a brief blip, or I got used to it, because the rest of the book slipped into the quirky, upper-crusty, hilariously Missish storytelling I'd grown to love in the Parasol Protectorate.
Etiquette & Espionage - much like the PP series, or Sorcery & Cecelia , and others of its kind - thrusts readers into a strange** world, very like ours and yet decidedly not, and then relies on an irrepressible but pragmatic narrator to guide the ship*** and draw readers along on a whisper of curiosity and charm. After Elizabeth's unfavorable reaction, I did something I generally don't do, which is look into reviews of a book right before I'm set to read it. (I don't want to be biased, so I typically avoid them - but I had to know if it was going to be a dud! I needed to brace myself if that was the case...) One of the complaints I saw most about this book was about the characters, actually - a lack of connection to them, a dislike for them, etc. And though I can see a tendency toward stockness about them, I didn't ever find myself disliking them - especially Sophronia and some of her more unlikely companions. I loved her fearlessness-bordering-on-recklessness quite a bit, and her intelligence and composure, and I think she'd keep me entertained over the course of a series by dint of that alone. But beyond that, I found that the characters manage to be both well-suited to their AU Victorian England and to a modern audience looking for characters a little less demure and a little more spirited, and that's really all I could ask of them. I was curious, and I was charmed.
Etiquette & Espionage turned out to be a very fun, very YA-appropriate expansion of Carriger's world. Set earlier than PP, there are all sorts of little easter eggs for readers already familiar with the world (traditions, characters at a younger age, or before big events, etc.), which made it fun on a level that works without being obtrusive - readers who aren't familiar with the world won't feel confused or like they're missing anything, but will have bits of handy background should they choose to move on to the other series. The world of Carriger's steampunky England is expanded in some ways by this spin-off, though I think for the most part, as it largely takes place in such a very insular location (a boarding school on a dirigible, for realsies), some readers may feel the lack of variation and be disappointed. Personally, I liked being able to explore a more confined world in depth, and on the few instances when they went offship, plenty of hijinks ensued to balance it out. Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality was a good starting point, not overwhelming the reader with the alternate universe, but providing a good foundation for it. And while I'm not panting for the next books, as I was with the first few of the Protectorate, I look forward to seeing where the world expands from Mlle. Geraldine's over the course of the series.
* Spellcheck needs to stop telling me "trepidatious" isn't a word. If the OED says it is, then it is.
**Both from a historical and a contemporary point of view
***I'mma just go ahead and mix all the metaphors I can, mmmkay?
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