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The 100 (The 100 Series), by Kass Morgan
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No one has set foot on Earth in centuries -- until now.
Ever since a devastating nuclear war, humanity has lived on spaceships far above Earth's radioactive surface. Now, one hundred juvenile delinquents -- considered expendable by society -- are being sent on a dangerous mission: to recolonize the planet. It could be their second chance at life...or it could be a suicide mission.
CLARKE was arrested for treason, though she's haunted by the memory of what she really did. WELLS, the chancellor's son, came to Earth for the girl he loves -- but will she ever forgive him? Reckless BELLAMY fought his way onto the transport pod to protect his sister, the other half of the only pair of siblings in the universe. And GLASS managed to escape back onto the ship, only to find that life there is just as dangerous as she feared it would be on Earth.
Confronted with a savage land and haunted by secrets from their pasts, the hundred must fight to survive. They were never meant to be heroes, but they may be mankind's last hope.
- Sales Rank: #74609 in Books
- Published on: 2014-03-18
- Released on: 2014-03-18
- Original language: English
- Number of items: 1
- Dimensions: 8.13" h x 1.00" w x 5.50" l, .0 pounds
- Binding: Paperback
- 336 pages
From Booklist
Dark and riveting, Morgan’s entry in the very popular dystopian, postapocalyptic YA subgenre blends science fiction, romance, and characters’ shadow sides with a mostly engrossing plotline. In a future lived on spaceships, long after the earth’s destruction, teenage delinquents are usually sentenced to die for their transgressions. Then 100 of them, who are deemed disposable guinea pigs, are instead sent to the ravaged earth in order to see if it is habitable for humans. Clarke, Wells, Bellamy, and Glass are the four narrators, through whose voices the story line sometimes glides and sometimes bumps along. The differing perspectives shed much light on the otherwise lightly drawn world setting, but it can sometimes be hard to leave one character for the next. Regardless, Morgan’s debut clips along at an easy pace because of its simple yet direct writing style. A mash-up of The Lord of the Flies, Across the Universe, and The Hunger Games this has already been tapped by the CW network for television production. It should appeal to fans of postapocalyptic novels seeking the next potentially big new thing. Grades 9-12. --Julie Trevelyan
Review
"It's easy to be drawn in by the Lord of the Flies-style tension that builds as the teens struggle to set up a new society on a battered Earth, and by the smoldering romances that hang in the balance."―Publishers Weekly
"Dark and riveting...A mash-up of The Lord of the Flies, Across the Universe, and The Hunger Games."―Booklist
"A mash-up of the hit TV reality show Survivor and traditional science fiction...Morgan's weave of pop-culture elements and politics make for a gripping read."―School Library Journal
"Likely to be a hit with readers who want their Pretty Little Liars mixed with Lord of the Flies."―The Bulletin
About the Author
Kass Morgan received a bachelor's degree from Brown University and a master's from Oxford University. She currently works as an editor and lives in Brooklyn, New York.
Most helpful customer reviews
49 of 49 people found the following review helpful.
Plot-driven sci-fi that isn't mind-blowing, but still hard to put down
By Karielle @ Books à la Mode
Having interviewed Kass Morgan last year and given the success of the CW series based on the books, I was plenty eager to give The 100 a try. While I haven't read a staggering amount of YA dystopian, the books in the genre that I have tried (e.g. classics like The Giver and the Uglies series), I absolutely loved; given my background, my initial impressions of the premise were highly anticipatory.
UPDATE: Since reviewing The 100, I've finished the first two seasons of the TV show, which I will say is almost completely different from the book series. I'm a glutton for dramatic teen TV shows, and since The 100 is produced by the same people as The Vampire Diaries, I was destined to fall in love with it! If you've seen the show and are inclined to try the book because you liked it so much... I'm sorry, but they will disappoint you sorely. Just stick with the TV show (A+ COMPLETELY RECOMMEND). The books, while similar enough in premise to serve as the foundation for the show, are much more slowly paced (the entire first book, The 100, is basically the time frame of the first episode of Season 1), and definitely less gracefully executed than episodes are. Just a little disclaimer.
REVIEW: The book is told from four different teenagers' perspectives—Clarke, Wells, Bellamy, and Glass. All narratives aside from Glass's are told in a concurrent timeline, through the eyes of the delinquents who have been forced to settle on Earth for the first time in centuries. While Glass's story, which takes place back on the mothership, was initially the least interesting, it eventually pans out to serve as an anchor—a tie to the surviving, but still unstable lifestyle back in space.
Kass Morgan creates a vivid high-tech world in The 100, where citizens are divided by social standing and resources are limited—of course, except to the upperclass. Back on Earth, the prospects are obviously grim, but it's still a thrill of a journey to follow Clarke, Wells, Bellamy, and the other 97, as they each rediscover a planet that they've only read about in books, yet have such a deep internal connection with. I appreciate the idea of providing different points of view, but think it was slightly too ambitious for the author to try to squeeze a Lord of the Flies-esque conflict AND a love triangle AND an undercurrent of radiation's aftereffects (say what?) into everything. It's all interesting until it just becomes too much; I'd have much preferred one central conflict with stronger relationship-building and more background insight.
While there is no one thing fatally wrong with any of the characters, all four of them are too generic, too idealized. Everyone loves having attractive/smart/clever characters to read about, but they all start to blend together when the author tries to make them all perfect, especially since everyone thinks in close third person. The unrealistic and unextraordinary characterization prevented me from developing any sort of attachment to any of them. The only one that seemed remotely human and believable was Bellamy, our resident rebel. But then again I've always been a sucker for bad boys with a past...
That said, the story itself is filled with drama and tension between the main characters (and secondary characters!) which makes The 100 exciting to read. The sheer nature of the resettlement of our planet is enthralling; Morgan does well with engaging readers to the surprises and twists scattered throughout the novel. There's definitely lots of action-filled scenes and, love it or hate, an INTENSE cliffhanger ending, that just leaves you thirsty for more.
Structurally, I found The 100 quite hard to work with. The constantly changing perspectives get a bit disorienting because it's not just a "he said, she said," but rather a "he said, she said, another he said, another she said." Kind of exhausting. On top of that, each of the narratives are very heavy on backstory which, in good fiction, is absolutely necessary. But when it takes up 50% of the book in the form of italicized flashbacks, it gets out of control.
Pros: Fascinating storyline and world-building // Engaging; keeps you hanging on constantly // Dramatic Earth-bound adventures and minor plot twists // Bellamy is a strongly written character // Ending makes me want to read the second book! That's what ultimately matters, right?
Cons: Abundance of flashbacks is annoying; causes disorder in the flow of the storytelling // Constant narrative shifts also gets chaotic // Stylistically unimpressive // All the characters are grossly idealized (i.e. sweet, pretty/handsome, kind, brave, etc.) and thus pretty forgettable (with the exception of Bellamy) // Cliffhanger ending may cause distress
Verdict: Despite my numerous quips with the lacking characters and structure of The 100, I found myself enjoying it while reading and left wanting more once finished. It's definitely a plot-driven sci-fi novel with lots of action and lots of suspense; if that's your thing, you should totally give it a chance. Kass Morgan's debut is one of those books that isn't mind-blowing, but is still hard to put down, so I definitely understand its appeal to mainstream young adult audiences. While unimpressive in a literary lens or by composition, The 100 is still a promising first installment in an exciting dystopian series.
Rating: 7 out of 10 hearts (4 stars): Not perfect, but overall enjoyable; borrow, don't buy!
Source: Complimentary copy provided by publicist in exchange for an honest and unbiased review (thank you, FSB Media!).
57 of 62 people found the following review helpful.
What I did love was that we got these flashbacks
By Nicole
So I had been dying to get to read it for myself, and I finally managed to do so, and I was pleasantly surprised, abet a little let down. I think I had built up too my hype for myself and that my friends who read the book before me did the same, totally not on purpose but it happened.
I think the biggest deterrent for me was the 3rd person 4 Points of View. I was a little lost at first, which is something that is standard, but what killed me was that the book wasn't long enough nor were the chapters. And some characters got 3 pages, while others got 10. It was a little lop sided which made it somewhat difficult to really connect with them.
What I did love was that we got these flashbacks. Each chapter was half real time and half this is what got them there. We learned what went down with Wells and why he and Clarke had such issues. We got to find out about Bellamy and Octavia and Glass and Luke and their past discretion and what landed them on this ship.
I am excited to check out the next installment to see what happens. What is also cool is that the CW has picked this up as a show, although I haven't decided if I'm going to watch it yet. I suppose I'll just have to wait and see.
47 of 56 people found the following review helpful.
Awkward and hollow--watch the TV show instead!
By The Compulsive Reader
First impressions: Why hello there, Star Trek-lookalike cover! You are pretty. And very Star Trek-like. Is that font trademarked? I mean, seriously? Okay, I actually really like the cover--it's sharp and edgy and it is full of promising sci-fi action! I like sci-fi action! Give me all of the sci-fi action! And the kissing!
Also, this premise. One hundred juvenile delinquents get sent to a nuclear-devastated Earth as punishment, and also to see if it's safe to return to Earth. But of course, there are secrets about Earth and about their space station and no one really knows what the hell is going on. Not an entirely unique premise, per se, but I like it. I want to go down this path. Also, re: prettiness of the Star Trek cover!
Characters: I love that Morgan tried to make this an ensemble story. It's like, Lost, if the island were Earth and the rest of the world were the Universe. You have a really varied group of characters who come from different social stratospheres and have committed a variety of different crimes (some aren't even crimes), and they're all thrown together and abandoned. Some people are dangerous. Some people just want to help. The problem? I never felt the connections between the characters. They all know each other fairly well, some are best friends up in space, but it's like the moment this book starts, they're complete strangers.
But! We have Lost characters!
The Doctor: Clarke is a medical apprentice until she's thrown into the slammer. She's an orphan, and she hates humanity's government. She can also sew people up, which is a useful skill when you get dumped on Earth without any supplies or food or anything.
The Golden Boy: Wells is the Chancellor's son and he always does what's right. And he is in love with Clarke, even though she hates his guts (there is history!). So he burns down one of the last trees on the space station (whatever, Earth has like a billion) so he can get to be with Clarke, even though she hates his guts. He is always trying to organize the 100, even though they all hate his guts because his father sent them to die on Earth. Poor Wells. Everyone hates him for things that aren't even his fault.
The Bad Boy: Because every ensemble YA piece needs one. Bellamy's desires are pure, though. He just wants to rescue his little sister Octavia! So what if he almost kills the Chancellor? The Chancellor is Wells' father, and as you may remember, no one likes Wells. Bellamy also was the only one who knew that everyone was being sent to Earth, so he had time to research survival skills. Even though he's kind of a bastard, he's also probably the best chance for the 100's survival.
The Troubled, Running Away From Her Past Girl: Glass is the wimp who panics over being sent to Earth, and so in a move that I still am trying to comprehend, she escapes? At the last minute? But no one else does? And hides out in the space station, pining over her ex and the being generally depressed over the fact that she was imprisoned in the first place and her ex has moved on. Really, Glass serves no purpose in this plot other than keeping the reader up to date on what's going on up in space.
So, our four protagonists struggle down their own separate paths. The funny thing about this book is that with so many protagonists and perspectives and the whole thing about them being plopped on Earth, the first humans that Earth has scene in centuries...nothing actually happens. I mean, seriously. They fight, and argue, they draw alliances, some people get sick, they need medical supplies and then BAM! Flashback to life on the space ship. Every. Damn. Time.
Now, I like a good flashback. A good flashback takes you to an essential scene or moment, builds an emotional connection with the reader, and reveals your world. There are maybe like three good flashbacks in this novel. This novel is also approximately 40% flashback. This. Is. A. Problem. It's clear to me that there is a story, a very rich, very important story, in life on the space station. That's where this series needed to start.
I suppose my most essential problem with The 100 is that it has all of the elements of a good story, but they are haphazardly thrown together without a thought to continuity, readability, and...well, common sense. I could easily peel apart the flashbacks and present action and build two books around each part. Two very good, interesting books that promise sci-fi action and kissing. Instead, they got all mashed together and sacrificed character development along the way. And that's sad.
Now, another interesting tidbit: I went into this book knowing that it was the product of Alloy, the book packaging company (which means that a bunch of people who work at Alloy came up with this idea they thought they could sell and then hired Kass Morgan to write the book). Sometimes I really like what book packaging companies come up with--there is a reason that they are in business, after all. So, I thought I'd give it a shot. And...it was a miss.
BUT. THE PLOT THICKENS! I was wasting time on BuzzFeed the other day and LOOK! The 100 is the CW's newest sci-fi show! And if you watch the trailer on YouTube--IT LOOKS AWESOME!
FINAL VERDICT: Check The 100 out from your library if you really want to know how the plot flows and don't want to sit through an entire season of slowly revealed secrets. Just be prepared for the cliffhanger, TV-esque ending. And don't expect a lot from the character development. My suggestion? (I can't believe I'm saying this, but....) Skip the book, check out the TV show when it premiers midseason (exact date not certain, sometime late 2013).
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