Selasa, 22 Desember 2015

> Download PDF The Ascendant Stars (Humanity's Fire), by Michael Cobley

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The Ascendant Stars (Humanity's Fire), by Michael Cobley

War erupts in the depths of space...

Battle-ready factions converge above Darien, all with the same objective: to control this newly discovered planet and access the powerful weapons at its heart. Despotic Hegemony forces dominate much of known space and they want this world too, but Darien's inhabitants are determined to fight for their future.
However, key players in this conflict aren't fully in control. Hostile AIs have infiltrated key minds and have an agenda, requiring nothing less than the destruction or subversion of all organic life. And they are near to unleashing their cohorts, a host of twisted machine intelligences caged beneath Darien. Fighting to contain them are Darien's hidden guardians, and their ancient ally the Construct, on a millennia-long mission to protect sentient species. As the war reaches its peak, the AI army is roaring to the surface, to freedom and an orgy of destruction. Darien is first in line in a machine vs. human war -- for life or the sterile dusts of space.

  • Sales Rank: #438017 in Books
  • Published on: 2012-11-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.75" h x 1.25" w x 4.25" l, .50 pounds
  • Binding: Mass Market Paperback
  • 512 pages

Review
Praise for the Humanity's Fire trilogy:

"Proper galaxy-spanning Space Opera ... a worthy addition to the genre"―Iain M. Banks

"The invention is endless"―SFX

About the Author
Michael Cobley was born in Leicester, England and has lived in Glasgow, Scotland for most of his life. He has studied engineering, been a DJ and has an abiding interest in democratic politics.

His previous books include the Shadowkings dark fantasy trilogy and Iron Mosaic, a short story collection. Seeds of Earth, The Orphaned Worlds, and The Ascendant Stars, books one, two and three of the Humanity's Fire sequence, were his first full-length forays into space opera.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Book 3: Out-of-the-Blue Heroics (paperback edition)
By 2theD
***Not from "audible edition" but because there is no alternative, I'll have to post this review for the "audible edition" even though I read the physical book, itself.***

I had read Book Two in about 4-5 days and had little problem following the braided plot threads. The day after I finished Book 2 I started Book 3 and finished it in three days. It would be logical to think that I had a flawless grasp as soon as I laid my eyes upon page 1... and yet, I was shaking my head and putting the book down again and again through the first 150 pages (of 467 total pages). It was a very frustrating 1-star beginning that held little hope of rising from its own ashes. Somewhere along the remaining over-sized and somewhat bloated pages, a dwarf of a phoenix rose and whimpered.

The first third of the book is bogged down by the compound difficulties in trying to understand the character fragmentation of Robert Horst and Julia Bryce and their respective plunges into the hyperspace-tiers/Godhead and the tiernet/Glow. The physical/virtual and embodiment/disembodiment of the two characters in these bizarre landscapes is most frustrating. Eventually, Julia's plot thread begins to become a little clearer while Robert's thread maintains its reality detachment until the very end. If you can follow those two threads alone, then the rest of the book is a cakewalk. Just be prepared for the last second heroics of Kao Chih and Henry and the late and abrupt predictable deaths of two adversaries (will be most displeased). And if you usually have difficulty in following plot lines, don't worry- it seems as if the plot is recapped every chapter as the character perspective is shifted.

Greg is in orbit around Darien for most of the book, trying to out-think various intruders, making alliances with numerous orbital participants and trying to survive the ever-growing military presence of the Hegemony. Theo and Rory are still hunkered down in and around Tusk Mountain while the Knight of the Legion of Avatars sits quietly around his fortress awaiting the arrival of his cybernetic counterparts from the depths of hyperspace Abyss. Kao Chih plays a very limited role in the plots unraveling but the Roug bring their technological prowess to the table to help out here and there. Chel and Kuros, too, play smaller roles while Cat sits upon her moon readying herself for the inevitable battle.

The prologues for Book 2 and Book 3 held a tantalizing clue about the Hyperion AI 150 years ago and its involvement with the great AI presence in the plot. I thought the prologues would eventually be woven into the greater scope of things but, in the end, the prologues were merely bits of interesting data relating to the early strike of the Darien colony. I had high hopes.

Like Book 2, Book 3 has symptoms of "deus ex machina" with the unforeseen, miraculous unveiling of the space-fold bomb (also later unhyphenated as "spacefold bomb") and the Roug smartgun. Not only are a few technological wonders dropped onto the scene, also small-bit but big-moving players are dropped in right as the most incredible moments.

Book 3 is a tad more consistent than Book 2 except for a few things which caught my meticulous eye: sometimes subspace is used to describe a communications network but hyperspace is used for transportation... are the two one-in-the-same? Why can a hyperdrive descend to Tier1 hyperspace but unable to go further to Tier2, and how can an impromptu adjustment allow it to descend even further? Regarding the Enhanced and referring to page 27, how could the Enhanced "undergone genetic engineering in the embryonic stage" yet still be "either an orphan or signed over"? If the engineering was done prenatally, then the Enhanced were obviously pre-selected, thereby they wouldn't have to be orphaned or signed over. Minor, I know.

One additional miff is found on page 127 where Captain Velazquez says he, "Lost over a seventh" of this complement (one-seventh = 14.28%). If the loss was more than one-seventh, why not just say one-sixth (one-sixth = 16.66%) which is a mere 2.38 percentage points more than one-seventh? One-seventh is a strange fraction to use, when "one-sixth" or "half of one-third" would have been equally as useful (sometimes I hate being the author of math textbooks).

Ascendant Stars isn't an out-right dud, a shame I rarely bestow upon any novel I can finish. If you can follow the first 150 pages better than I can AND not mind the continuation of the deus ex machina, then you'll probably enjoy the book more than I did. I look forward to seeing some more science fiction from this author. A one-off, all inclusive novel would be great to see, something which allows for a greater control over consistency in word usage, dialogue, historical background and fraction usage :p

4 of 4 people found the following review helpful.
Fitting end to the trilogy, despite slow start
By Cobus Kruger
I thoroughly enjoyed the first two books and may have started reading this concluding instalment with my expectations set too high. Or perhaps there really are parts of this book that are simply too slow and parts that are too complex, but various things seem to have gone wrong in the earlier chapters. For one, a few of the story lines started in Orphaned Worlds are taken apart early on. Also, a wholly new concept of artificial sentients transporting themselves across data networks is introduced and Cobley struggles to find ways to describe what's going on in a way that is really convincing. But as the story progresses it does regain momentum and when the powers of the Legion, Segrana, the Godhead and the Roug are finally unleashed (after hyping some of them up since Book 1), Cobley doesn't disappoint. A series of truly epic battles conclude the trilogy and Cobley manages to ambush the reader with many surprises along the way. If you like space opera and a complex, weaving storyline, you should read the trilogy in order.

0 of 0 people found the following review helpful.
Excellent book! Contrary to some opinions I noticed around ...
By Laurent
Excellent book! Contrary to some opinions I noticed around the web about this novel, I really think the trilogy picks momentum along the 3 books, so this last opus is extremely pleasant. The story, although quite standard in some aspects (it is typically a space opera!), offers also nice and enjoyable originalities (the different kinds of subspaces explored, the connection between all the players of the story, the way to deal with the conflict at the basis of the story, etc). And the fact that each chapter is more specically dedicated to the story of one of the heroes is definitely a good idea: it provides a very "dynamic" book/global story and it is "refreshing" to pass from one hero to another one, chapter by chapter. Moreover, I like the style of the author: it is sufficiently detailed to describe thorougly the action/drama/scenes and there is still enough room for our own imagination. Very enjoyable reading :-)

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Senin, 21 Desember 2015

^ Ebook The Last Dogs: Journey's End, by Christopher Holt

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The Last Dogs: Journey's End, by Christopher Holt

Canine heroes Max, Rocky, and Gizmo return in this exciting series finale! As the trio travel south, following a trail of beacons left by Dr. Lynn, they encounter a stampede of horses. The horses urge the dogs to turn back, warning about a "silver wall of doom" that lies ahead.
But the warning only serves to motivate Max. Could this be the wall from his dreams? The wall keeping Max from his family? Helped by animals along the way -- including bats and armadillos -- the dogs find themselves deep in the desert, where they face a new enemy: coyotes. They aren't the only danger, though. Dolph and his wolf pack lie in wait -- poised for a final showdown.
The Last Dogs: Journey's End is the final book in a thrilling series about three unlikely friends on an epic quest to find their people -- and bring them home.

  • Sales Rank: #41697 in Books
  • Published on: 2014-11-18
  • Released on: 2014-11-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.63" h x .88" w x 5.25" l, .0 pounds
  • Binding: Paperback
  • 320 pages

Review
Praise for The Last Dogs:
"With suspense, action-adventure, and some droll touches...[The Last Dogs] offers a fast-paced read."―Booklist

"Fans of animal adventure stories and mysteries will enjoy this exciting look at the resiliency and ingenuity of dogs."―VOYA

"A post-apocalyptic Animal Farm for young readers."―Kirkus Reviews

About the Author
Christopher Holt grew up in a house filled to the rafters with dogs. He draws on his memories -- of Salt, Pepper, Cupcake, Ariel, Shadow, Brandy, Sir Edmund Spunk, and Showtime Double Feature -- to create the four-footed heroes of The Last Dogs. He has worked other jobs -- most notably, selling gum balls and gum ball machines -- but began writing professionally at the age of eighteen. Christopher currently lives in Seattle, Washington.
Allen Douglas was educated at Syracuse University and has been freelancing as an artist for almost twenty years for many notable book-publishing and editorial clients. His artwork has been recognized by many prominent juried illustration competitions, including Spectrum: The Best in Contemporary Fantastic Art and the Society of Illustrators' Annual Exhibition. His studio is located in Rochester, New York.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Wonderful end to a wonderful series!
By The Kid Book Reviewers
A wonderful ending to a wonderful series! This book kept me invested and was by FAR better than the Long Road. However, I disliked Max at the end of the story, and though I expected Gizmo and Rocky to fall in love, I was kind of hoping they wouldn't. I saw Max, Rocky, and Gizmo as family, not just dogs in the relationship kind of love, and I thought it was sweeter if it stayed that way. Anyways, Max at the end... I liked how he was protective of his dog family, but growling and running away? If he was so smart, wouldn't he just communicate to Dr. Lynn that he was anxious about leaving Rocky and Gizmo?
Moving on from that, I just loved the dogs at DeQuincy - and, even though she wasn't a dog, TIFFANY! I loved her and hated her annoyingly awesomeness at the same time, although I'm sure I'm the only one. Tiffany just hit the spot, spunky, courageous, hilarious (that one especially), and just lovable, though I'm sure Max didn't think so. I also enjoyed the new threat of the coyotes, and how Max was struggling with bringing the humans back vs. giving up their journey. Again, though, I didn't get Dolph. Hmm. He's just generally a confusing character. All in all, though, I loved this series and will definitely read more Christopher Holt has to offer.

Also see this review at kidbookreviewer.weebly.com

0 of 0 people found the following review helpful.
Perfect for Animal and Adventure Lovers!
By Young Mensan BookParade
The Last Dogs, Journey’s End is the fourth book in a thrilling fictional adventure series. Max, the Golden Retriever, Rocky, the Dachshund, and Gizmo, the Yorkshire Terrier are on an epic quest to find their humans and bring them back home.
Their adventures were set in motion by a deadly virus with a mysterious past. The virus had mutated to become dangerous to humans, but did not affect animals in the same way. Since Max, Rocky and Gizmo were no longer a danger to humans, they can now track down their owners.

The dogs face many obstacles which they must overcome to reach their goal. These range from being chased by a pack of wolves, being ambushed by coyotes, and crossing a broken-down railroad track spanning a perilous gorge.
My favorite part of the quest was the railroad track crossing. The dogs showed bravery and overcame their fears to conquer this obstacle. Friendship and teamwork helped them support one another. Max was a great leader, and Rocky uses his wits to outsmart the wolves. The author does a great job describing this scene with tension and thrills.
I recommend this book to boys and girls ages 8-12 who like animals and adventure.

Review by Young Mensan Brooke Z., age 7, Delaware Valley Mensa

0 of 0 people found the following review helpful.
A beautiful end to a heartwarming series
By PokePonyPup
NO SPOILERS

As the journey reaches its end for 3 young dogs Max Rocky and Gizmo continue their quest to find all the humans. This finale to one of my faveorite series was beautiful. I couldn't recommend the last dogs more. If you are not familiar with the last dogs this series is about a world after it has been destroyed by a Mutated virus and 3 dogs who are determined to restore peace.Also if you are new to this series the books do not have the numbers on the cover, but on the side and if you are like me you might find it confusing about what the order is so I listed the order here
1)the vanishing
2)dark waters
3)the long road
4)journeys end
I hope this review was helpful and if you haven't already... READ THE LAST DOGS!!!

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Minggu, 20 Desember 2015

? Free Ebook Johnny Cash: The Life (Ala Notable Books for Adults), by Robert Hilburn

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Johnny Cash: The Life (Ala Notable Books for Adults), by Robert Hilburn

The national bestseller celebrated as "the ultimate Johnny Cash biography....Rock writer great Robert Hilburn goes deep." -- Rolling Stone

In this, the definitive biography of an American legend, Robert Hilburn conveys the unvarnished truth about a musical superstar. Johnny Cash's extraordinary career stretched from his days at Sun Records with Elvis Presley and Jerry Lee Lewis to the remarkable creative last hurrah, at age 69, that resulted in the brave, moving "Hurt" video.

As music critic for the Los Angeles Times, Hilburn knew Cash throughout his life: he was the only music journalist at the legendary Folsom Prison concert in 1968, and he interviewed both Cash and his wife June Carter just months before their deaths. Drawing upon a trove of never-before-seen material from the singer's inner circle, Hilburn creates an utterly compelling, deeply human portrait of a towering figure in country music, a seminal influence in rock, and an icon of American popular culture. Hilburn's reporting shows the astonishing highs and deep lows that marked the journey of a man of great faith and humbling addiction who throughout his life strove to use his music to lift people's spirits.

  • Sales Rank: #104936 in Books
  • Published on: 2013-10-29
  • Released on: 2013-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.50" w x 6.25" l, 2.19 pounds
  • Binding: Hardcover
  • 688 pages

Amazon.com Review
The Big Fall Books Preview 2013: To adequately describe Johnny Cash: The Life, it helps to begin with the author. For more than thirty years, Robert Hilburn worked as a music critic at the Los Angeles Times, rubbing shoulders with the greats of the industry--Dylan, Lennon, Joplin, Springsteen, U2, and many others. But this tenderhearted, penetrating biography stands as an argument that he knew Johnny Cash best. Cash was an unlikely artist, born in debt-poor Arkansas to cotton farmers. He began working (and singing) in the fields at the age of five; and from there, Hilburn--who counted Cash as a friend and was the only music journalist at the famous Folsom Prison concert--draws from his extensive personal interviews with the singer, as well as new material from Cash’s inner circle, to create a biography that is both compassionate and clear-eyed. As he details the stunning rises and tortuous stumbles of The Man in Black, Hilburn conveys an intimate, consuming, human portrait of the drama, the art, and the purpose that made the man a legend. --Chris Schluep

From Booklist
The bare bones of Cash’s story are widely known: the singer-songwriter’s childhood years as a farmer’s son longing to make music, his early hits, his descent into substance abuse, his tumultuous personal and professional life. Here, Hilburn, who covered music for the Los Angeles Times for more than 30 years, puts some meat on those bones. Did you know, for example, that when Cash moved to Memphis, he hadn’t heard of producer Sam Phillips, or Sun Records? And did you know that the lyrics of Cash’s early hit, Folsom Prison Blues, were lifted, not quite word-for-word, from Gordon Jenkins’ Crescent City Blues? The book is based on previously published material and on the author’s interviews, over the years, with numerous sources, including Cash and his family; Phillips; musicians such as Kris Kristofferson, Merle Haggard, Bob Dylan, and Tom Petty; and many of Cash’s friends and colleagues (each chapter is thoroughly sourced). It’s always tricky to call a biography definitive, but this one must surely come close. --David Pitt

Review
Named one of the Best Nonfiction Books of 2013 by Publishers Weekly

Named one of NPR's Great Reads of 2013

"A thorough and thoughtful portrait of the Man in Black and a deep appreciation of his artistry... Hilburn writes most powerfully about Cash's trajectory as an artist... His writing is as authoritative as it's engaging when he's discussing the singer-songwriter's music." -- Michiko Kakutani, New York Times

"An excellent biography.... A story that's both larger and more fascinating than the legend.... Hilburn has created the definitive narrative of this 'symbol of American honor, compassion and struggle.' It's a biography worthy of its subject." -- USA Today

"The result of Hilburn's wrestling with his subject's life and with his own moral compass is perhaps the richest biography of a musician I have ever read, and one of the best biographies I have read, period.... Hilburn knows how to organize a life in print skillfully.... Hilburn is a first-rate stylist. His sentences often sing." -- Atlanta Journal Constitution

Named one of this fall's hottest biographies by Kirkus

"Veteran music writer Hilburn...masterfully separates fiction from fact in an exhaustive, but never exhausting, biography of the legendary musician...The personal knowledge aided by extensive archival research and always compelling, accessible writing makes this an instant-classic music biography with something to offer all generations of listeners." -- Kirkus (starred review)

"Drawing on his own interviews and personal experience with Cash, former L.A. Times music critic Hilburn exhaustively chronicles, almost year by year, Cash's rise to fame from his childhood in Dyess, Ark., through his stint in the military, the peak of his success in the 1970s with the Johnny Cash Show, and on to his slow decline in health in the 1990s.... Hilburn is a spellbinding storyteller." -- Publishers Weekly (starred review)

"A comprehensive and thoughtful biography, cognizant always of how hard it is for heroes to make it in America...Hilburn does an artful, enviable job of reconciling all the facets [of Cash]...[and] writes with a remarkably steady hand...JOHNNY CASH is measured and mindful, allowing of all the paradoxical bits that constitute a human life." -- Los Angeles Times

"Hilburn's "Johnny Cash: The Life" is the big biography Cash's fans have been waiting for since the singer's death in 2003 and Hilburn doesn't let them down." -- Jeff Baker, The Oregonian

"The ultimate Johnny Cash bio.... Rock writer great Robert Hilburn goes deep...." -- Rolling Stone

"'Do we really need another Johnny Cash book?' Yes, we really do, as it turns out, because Johnny Cash is so very good.... Hilburn's work is far and away the most insightful, entertaining, comprehensive, and well-told Cash biography to date." -- Slate

"Arguably the ultimate biography of The Man in Black." -- The San Antonio Current

"A riveting new biography of the Man in Black.... From Cash's birth in Kingsland, Arkansas, to his triumphant last decade, Hilburn covers it all through seven hundred pages of intimate and startling detail. It's the Man in Black in full." -- William Welch, Garden & Gun

"I listened to that stark unrelenting country as a kid. He was a hero of mine. I met him, finally, in a john at the Waldorf Astoria. He was taking a pee, and I broke out into 'Loading Coal.' We both zipped up and sung the final chorus together. One of my most cherished moments. You don't get much closer than that. Hilburn has written a brilliant story of an even more brilliant songwriter, warts and all." -- Keith Richards

"A definitive new biography of an American original.... How do you write an interesting biography of such a beloved figure? First, hire Robert Hilburn. He is a prodigious researcher, but he keeps a steady hand on the tiller, and never allows his research to swamp his narrative." -- The Economist

"More thorough, compelling and honest than even [Cash's] own two autobiographies." -- Minneapolis Star Tribune

"The perfect Cash biography, as simple, fast and lean as 'Folsom Prison Blues'... Such a monumental figure deserves no less than this caring treatment of his sin-stained greatness." -- People

"Johnny Cash was a man both extraordinary and ordinary. Every man could relate to him, no man could be him, and only one man could get inside his head like Robert Hilburn." -- Bono

"It's always tricky to call a biography "definitive," but this one must surely come close." -- Booklist

"Hilburn got as close to the Cash inner circle as any journalist could...The most authoritative and revealing portrait to date." -- Wall Street Journal

"Robert Hilburn displays a deeply felt affinity with his subject, illuminating Johnny Cash as the moral compass of country music." -- Patti Smith

"Hilburn writes in a clear, straightforward style... and fills in the outlines of Cash's life with meticulous detail... Cash is well-served by a biographer who finds a balanced approach to an often unbalanced life." -- Columbus Dispatch

"It's a rare gift to be given the opportunity to step far back from the confusing miasma of one's own childhood to see the entire soaring arc of a parent's life, and to be able to look clear-eyed at the puzzle of his character and the kaleidoscope of pain and beauty. This is the breathtaking gift Robert Hilburn has given me in a definitive biography of my father that is excruciatingly honest, rigorously researched, and has the depth and integrity that his subject demands. I had to take many breaks while reading this book to assimilate all the stories I knew, but had never put in a narrative context, being claustrophobically close to not only the events themselves but the resonance of those events. I felt dizzy from the sense of time travel and from the odd notion that Hilburn's masterful organization of the paradoxes and the fullness of who Johnny Cash was--and is--satisfies not only my father's family and fans, but himself as well. To those who fiercely cling to a one-dimensional view of my father to satisfy their own ideals--dark or light, saint or sinner, right or left--I challenge them to read this book and begin to understand a far, far more interesting and complex man: a truly great, visionary artist, a deeply flawed human being capable of experiencing inconceivable amounts of both love and pain, and a huge spirit who now belongs to the ages." -- Rosanne Cash

"Johnny Cash will be the definitive bio of the tortured, truculent but often generous singer.... Hilburn penetrates the heart of Cash's artistry.... The behind-the-scenes stories Hilburn unearths from those early days are engrossing for anyone interested in American roots music." -- Kirkus Reviews

"Johnny Cash and Robert Hilburn are two of the true blessings of my life. Both the best at what they do and each a gifted artist. It's a killer combination." -- Kris Kristofferson

"Assiduously researched and entertaining.... Hilburn rightly believes his subject's life is so extraordinary that there's no need for fanciful embellishment from anyone, including Cash himself." -- Entertainment Weekly

"The definitive work about Cash, a rich, engaging look at a very complicated man that is, by far, the best book ever about him and one of the best biographies, music or otherwise, that I've read.... It's a depiction of its subject that's as honest, revealing and resonant as The Man in Black himself." -- Lincoln Journal Star

"A deeply personal, multi-faceted portrait." -- Parade

"Between his love of music, his experience as one of the nation's leading music critics, and his long personal friendship with the subject, there is no one on earth more qualified to write this definitive book on the roller-coaster life of Johnny Cash than Robert Hilburn. Between the amount of research and the degree of detail he's put into this book, even Johnny would have learned something about himself if he were here to read it. Highly recommended!" -- Rick Rubin

"A definitive biography.... He tells, in great and sometimes harrowing detail, how Cash's professional advancement and personal decline blossomed simultaneously." -- The Washington Post

"A meticulous biography.... Hilburn gives a frank account of the singer's life...." -- The New Yorker

"Brilliant.... There are already over 50 titles written about or by Cash, yet Hilburn's work is a standout." -- Maclean's

"A thorough, compassionate and knowledgeable biography of an artist I knew well and admired tremendously... [Hilburn] pulls you into his story." -- Clive Davis

"The Man in Black's many fans will find this huge, sympathetic yet critical study of his serial rises, falls, betrayals and redemptions definitive." -- The Globe and Mail

"Full of information that will at once delight, depress, stimulate and surprise Cash's fans, Hilburn's admirable biography also evokes an image of the 'Man in Black,' staring ahead, somberly and slyly, and daring you to 'Figure me out, son.'" -- Tulsa World

"A library's worth of existing Johnny Cash volumes has finally gained a bio that depicts him as a fully-rounded human being.... No matter how many Johnny Cash books you've read, Robert Hilburn's Johnny Cash: The Life will be a different animal." -- CMT News

"While many others have tried to tell this story, including Cash himself with a couple of worthy autobiographies, Hilburn adds fresh and revealing details.... Quite simply, it's a monumental biography of a monumental American artist." -- Toronto Sun

"Hilburn humanizes the larger-than-life Man in Black in this evocative and surprising biography." -- Los Angeles Magazine

"Johnny Cash covers Cash's monumental highs and bottomless lows in unprecedented detail...The book is stuffed with warts-and-all revelations that might surprise you." -- Rolling Stone

"Hilburn's writing is simple, ego-free and casually magisterial. There's no bombast to it; he lets Cash and company supply all the pyrotechnics." -- The Washington Post

"Told with clear-eyed, riveting detail." -- San Antonio Express-News

"No doubt this long-awaited tome will go down as the definitive bio of the Man in Black - an epic befitting its subject." -- Vintage Guitar Magazine

"Excellent."―Andrew Martin, The New York Review of Books

"Hilburn writes passionately and respectfully....What Hilburn also does perfectly is present enough of Cash for you to love, hate and love him over and over again." -- Edge Media

"Undoubtedly a must-read for the completist, deep Cash fan." -- The Detroit News

"This is a very big and significant American life and this is a very big and thorough book about that life by a writer steeped enough in it to present a definitive version of the facts for years to come." -- The Buffalo News

"Hilburn's experience as a journalist and music critic yields a detailed, readable account, avoiding the overly stylized prose that sometimes undermines music biographies. His solid critical instincts offer insight.... Hilburn offers a straightforward sobering look at Cash's dramatic physical decline...." -- Pittsburgh Post-Gazette

"The definitive biography.... Hilburn is frank without indulging voyeurism... [and] manages the delicate balance of opportunity that a posthumous work provides.... Hilburn unflinchingly and humanely follows the long, rocky road to its end."―Kevin Lynch, No Depression Americana and Roots Music

Most helpful customer reviews

47 of 49 people found the following review helpful.
Excellent Book - Couldn't Put It Down!
By James A. Meyer
I've read Robert Hilburn for more than 35 years, and have always found his writing to be accurate, fair, and passionate. While I've never been a big fan of country music, I've come to appreciate Johnny Cash more and more over the years - especially his American Recordings albums with Rick Rubin.

I learned so much about the origins of Sun Records, Cash's passion for underdogs, his battle with addictions, his need for affirmation, and his physical ailments at the end of his life. As a Christian, I was interested to see how Hilburn handled Cash's faith, which was quickly glossed over in the film Walk the Line. In my view, Hilburn bent over backwards to represent Cash's faith and love for gospel songs in a way that would have pleased Cash no end. I didn't sense one syllable of ridicule for Cash's beliefs.

Hilburn's extensive interviews with Cash's family members, friends, and females were enlightening and contributed toward a well-rounded portrait of the man. Their commentaries on key events in Cash's life added emotion and insight to his sometimes erratic behavior.

But what I appreciated most about this book is that Hilburn continually focused on Cash's music, quoting Cash's lyrics at key junctures and letting Cash explain why he wrote and played certain songs. Cash was always at its best when he was authentic, which is why I love the American Recordings albums so much ... usually just the man and his guitar. Since there are hundreds of Johnny Cash albums available on CD - many of them compilations - Hilburn's recommended purchases at the end of the book will save readers much time as they seek to delve into his music.

I appreciated Hilburn's previous book Cornflakes with John Lennon and love this book as well. Because Hilburn respects both his subject and his audience, this book deserves a wide readership. I tried, but couldn't put it down ... and most likely, I'll pick it up again soon. Like its subject, this book is a winner.

72 of 80 people found the following review helpful.
"THERE WILL NEVER BE ANOTHER MAN IN BLACK." MERLE HAGGARD.
By Stuart Jefferson
"He is what the land and the country are all about, the heart and soul of it personified...". Bob Dylan.

"It's called country music and western music, but the truth is it's American music. It speaks in story about America in a way that speaks to all of us, north, east, west, and south." Richard Nixon at a White House concert.

With the holiday gift giving season fast approaching, there's no surfeit of books on musical artists. Books on Charlie Parker, The Beatles, Duke Ellington, Robert Plant, Jimi Hendrix, and no doubt others will be on the bookshelves. But certainly one of the best is Robert Hilburn's book on Johnny Cash.

Hilburn began this book in 2009 when Cash's manager told him "only about twenty percent" of Cash's life had been told. While previous books on Cash put his life and music in some kind of perspective, Hilburn takes a slightly different approach. He reveals not just Cash's life in and out of music, but why Cash matters. This book is a penetrating look at the man behind the "Man in Black" myth. And Hilburn never lets the myth get in the way of the facts. He has known, interviewed, and simply talked with Cash during his long (50 years) music career. Using interviews from both the past and present Hilburn has gone deeper into Cash's life, and has shone a light on both the real Johnny Cash and his music.

The book is broken into five parts, each dealing chronologically with a specific period and events from that period of Cash's life. Events like Memphis and Sam Phillips, Columbia Records, the tune "Big River" and pills, June Carter, drugs and Carnegie Hall, Folsom Prison and marrying June, losing the muse, Rick Rubin, and the final days are just a few of the many headings of events in the five parts chronicled in this book. There's 16 pages of b&w photographs from throughout Cash's life, including an early photo of Cash in his Air Force uniform playing a fiddle. And another photo from 1980, of Cash and his wife facing away from the camera--her arm around Cash's waste--his hand squeezing her buttock. Also included are 5 pages of a "Guide To Recordings And DVDs", 16 pages of Source Notes, and an Index.

The book begins early in Cash's life in Dyess, Arkansas and his rural 1930's upbringing. From there Hilburn, in a no nonsense, straightforward writing style, constructs Cash's life not only as a musician, but as a man with human failings, wracked with guilt. But also here is Cash "the practical joker", the man who wanted to buy his parents "...a nice place so they could have modern utilities...", the man with pressures in his personal life (which in one instance led to Cash's love song "I Walk The Line"), and the man who abused narcotics (and the price he paid for that). But Hilburn also notes Cash's other "addictions"--reading scripture everyday, his devotion to music, and a man who cared about his fans (Cash, learning of fans who had traveled far to see his concerts, would pay their room and board). As Marshall Grant said of Cash--"He'd give you the shirt off his back, and if he was straight, everything else he had in his possession."

Hilburn also notes Cash's guilt at not being a better father and husband. Roseanne Cash was very helpful, giving Hilburn a better look at her father--even to the detriment of Cash and the family. Cash was in a never ending circle of "wicked behavior" and then deep repentance. Cash wanted to redeem himself so others might feel they too could be redeemed. But there was also the father who named his daughter after pet names for his wife's breasts--"Rose" and "Anne". The author also weaves the Carter family into the picture and the their effect on Cash both musically and personally. He also reveals that June Carter had failings of her own to deal with.

In tandem with a detailed look at Cash the man, Hilburn has also delved extensively into the music side of Cash--using the same straightforward clear prose. For me the book is at its best when Hilburn goes into detail about the business side of Cash's life. He essentially begins with Cash going to Memphis and hooking up with Sun Records, and continues with his early recordings and hits, leaving Sun and signing with Columbia Records, Cash admitting that some of his albums weren't very good, recording gospel albums which took the pressure off Cash to write more secular songs (and hopefully hits), the many concerts he gave (including of course the Folsom Prison concert which Hilburn attended), being dropped by Columbia and not doing well on the Mercury label, worrying that his music would be forgotten, the fact that the 70's and 80's were not a good time for Cash, that Cash wrote approximately 1,000 songs, and his meeting Rick Rubin at a time when Cash felt his career over.

The book begins to wind down with Cash returning home because of his worsening Parkinson's Disease, and the passing of June Carter--as Rick Rubin said at the time--"I didn't know if he was going to make it past this." But not before Cash recorded a large cache of songs with Rubin as producer/facilitator, including "The Man Comes Around", and "Hurt". Hilburn gives the reader enough details that help put Cash's music in a much clearer light--from both Cash's and his fans perspectives. Nothing seems romanticized--everything rings sure and true, interesting, and informative. Having such attention to detail brings both parts of Cash's life into a sharper focus than in previous books.

While some previous books have done a good/adequate job with Cash's life story, none have really put everything in such clear terms--his life outside of music, and the music itself. Its Hilburn's leaving aside the myth, his attention to detail and his unflinching way of laying everything out--good and bad--that makes this book the one to read if you're interested in a look beyond the "Man in Black."

"His most enduring legacy is that his message continues to spread." John Cash, son of Johnny Cash.

33 of 37 people found the following review helpful.
The Man in Black
By H. P.
Biographers of musicians tend to face the same basic problem: outside of their music and antics, musicians tend to be as boring as anyone else (and for many the music isn't of much interest). Johnny Cash was different. He was an intelligent man, devouring books on history and religion. He was an iconoclast, when musicians' views are more often as predictable and conformist as they are simplistic. He had a deep abiding love for and commitment to gospel music, despite resistance from the music industry and a spotty record of church attendance. He did, like so many musicians, have serious drug problems, but Hilburn doesn't make that the focus of his biography. Rather, he keeps the focus exactly where it should be--on the music. It's a testament to the strength of Cash's songwriting that Hilburn can include so much of so many songs. They work as well as poetry as they do as songs, even the ones I wasn't yet familiar with.

Cash was a titan of music. What other musician could you write a 700 page biography on that would feel shallow in parts. Cash's career spanned across so many decades (from the 50s on) and trends in music (rockabilly to folk to outlaw country) and he interacted with so many other great musicians (from Elvis to Bob Dylan to Kris Kristofferson) and public figures (Nixon and Billy Graham) that inevitably something will leave you wanting more. Hilburn hits the most important points well, though, from the prison shows to Cash's passion for the downtrodden to his drug addiction (at too great length, that, but that's Cash's fault) to his triumphant final act with Rick Rubin. The book is packed with vignettes, like Cash being one of only three musicians to write Steve Earle a note while he was in jail for cocaine and weapons possession. Hilburn writes it all well and with a deep knowledge of the music (if with = a hint of snobbishness).

Disclosure: I received a complimentary e-copy of Johnny Cash: A Life via NetGalley.

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Jumat, 18 Desember 2015

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The Omega-3 Effect: Everything You Need to Know About the Supernutrient for Living Longer, Happier, and Healthier, by William Sears, James

We all want to live as healthfully as possible. In THE OMEGA-3 EFFECT, Dr. William Sears turns his attention to the critical role that omega-3s play in the body. Dr. Sears takes readers through each body system-including the brain, heart, joints, skin, and immune system-and demonstrates how omega-3s are essential to each. THE OMEGA-3 EFFECT also offers tips on what foods and supplements readers should incorporate into their diet, as well as several delicious recipes. Written in the wise, accessible tone that has made his books long-term bestsellers, Dr. Sears offers a practical and science-based approach to living a more healthful life.

  • Sales Rank: #364047 in Books
  • Published on: 2012-08-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .75" w x 5.50" l, .50 pounds
  • Binding: Paperback
  • 256 pages

Review
"Dr. William Sears has the unique gift of being both an excellent physician and a great communicator. In The Omega-3 Effect, he offers practical, easy-to-understand yet authoritative advice written with humor, intelligence, insight, and clarity. Dr. Sears is one of the few physicians who actually is well-versed in accurate nutrition information and always is a good resource for putting know-how into practice."―Elizabeth Somer, RD, author of Eat Your Way to Sexy and Food & Mood

About the Author
William Sears, MD, has practiced pediatrics for more than 40 years, and is an associate clinical professor at the University of California, Irvine, School of Medicine. He is the author of more than 40 books and lives with his wife in southern California. James Sears, MD, is a pediatrician and cohost of the popular TV show The Doctors. He also resides in southern California.

Most helpful customer reviews

15 of 17 people found the following review helpful.
Great information on a very important topic
By Nikki
There is so much information about Omega-3s out there that I was absolutely confused, especially about DHA and EPA, but kept hearing that it was important for our diet. Well, I am not confused anymore and understand the importance. This book was a good read and amazingly, Dr. Sears was able to take the most complicated scientific information and make it understandable in layman's terms, with some great analogies and illustrations. Most important, it gives a roadmap for getting the right balance of Omega-3s and Omega-6s for all types of people who want to just feel and think better.

7 of 8 people found the following review helpful.
Needs a bit of an update.but lots of good info in lay person friendly language
By Margaret Hess
It is a super useful educational source although much has been researched even in the short time since it was written - no mention of algal sources useful for vegetarians or the high ALA in Chia seeds (more than in flax seeds and more easily digested and absorbed. - tastes way better too). The drawings are fun. Lots of good chats, lists and references. If only fish he so highly recommends weren't contaminated just about everywhere and getting scarce.

Juliana

2 of 2 people found the following review helpful.
Fabulous book
By S. Schultz
I have become more aware of the benefits of Omega-3 fatty acids as they pertain to overall better health, and love how this book corroborates its information in making its priceless points. Both doctors have done a wonderful job explaining why this is so.

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Is This a Zombie?, Vol. 1 - manga (Kore wa Zombie Desu-ka?)From Yen Press

Life - or undeath? - isn't easy for Ayumu Aikawa. A seemingly normal high schooler, he is in fact a zombie who serves as a bodyguard to an introverted necromancer. But his already complicated existence becomes even more outlandish when he accidently steals the powers of a magical girl, transforming into one himself - complete with frilly dress and pink chainsaw!! How's a reanimated corpse supposed to keep his head on his shoulders with roommates like these girls around the house?

  • Sales Rank: #125062 in Books
  • Published on: 2012-03-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .50" w x 5.25" l, .34 pounds
  • Binding: Paperback
  • 160 pages

Most helpful customer reviews

7 of 8 people found the following review helpful.
Fans of the Anime, Rejoice
By Pi Guy
First off, I'd like to say that I'm a big fan of the KoreZom anime and light novels and that this manga adaptation is both funny and true to the original, at least thus far.

The story is hilariously absurd and follows one Ayumu Aikawa, a teenage boy turned zombie longing to find his murderer after having been brought back to life by a necromancer, but don't let the serious sounding plot fool you, while there is action and mystery this manga is most of all a comedy. The 3 main female characters are all memorable and begin to make Ayumu's life even more stressful as he gets sucked deeper into the world of magic and monsters. The art style is cute and fits perfectly, and while the fight scenes are cut down I've always felt that this series was more about comedy than fights. If you want longer fights you can always watch the anime, which, unlike the light novels, has been licensed and the first season should be released in English later this year. I recommend this series to anyone who liked the Anime or who wants a good laugh.

As one final note, know that the "zombie" in this manga isn't your typical George Romero zombie, but rather a resurrected corpse more the style of a Haitian zombie. So for those of you looking for a zombie apocalypse manga, look elsewhere like towards HighSchool of the Dead.

2 of 2 people found the following review helpful.
Is This a Zombie Volume 1
By Joseph Dart
Is This A Zombie was a recommended purchase for me, so I immediately bought the first three volumes on a whim. I have not seen the anime, nor have I read the light novels. This is one of the strangest manga I have ever read.

The story revolves around a school kid named Ayumu who is murdered, and brought back to life by a Necromancer named Eu. Eu doesn't speak, instead she writes her thoughts and responses on paper for Ayumu; this is because Eu's words become reality and anything she says may change the fate of the person she is speaking too.

Ayumu, while walking home from school, has a girl named Haruna fall on top of him out of the sky. Haruna is a 'Magikewl Girl' (even Ayumu thinks the name is stupid) from another world, here to destroy monsters known as 'Megalo'. As it turns out, Ayumu somehow managed to sap the magical energy from Haruna and she can no longer fight Megalo or return to her own world.

There's also another girl who appears named Seraphim, and is looking to take Eu back to her world to resurrect her tribe leader. When Eu refuses to go with her, she decides to stay with Eu, Ayumu, and Haruna.

The story has a lot of angles to follow, but never really goes anywhere past Ayumu looking for the person who killed him. The rest is typical harem scenes and situations. Many of the jokes that have been translated do not make sense in English, and should have notes added to describe why the sentence is a joke. Overall, it turns some of the conversations into complete incoherent ramblings. Some of the jokes refer to other anime, especially the Gundam series.

Is This A Zombie carries a parental advisory warning, but never shows any nudity and the language barely falls above a Teen or PG-13 rating. I'm not sure if the warning is there because of all the upskirt and panty shots; but every time there is someone naked, they are either covered or not detailed. Things that could have easily been changed to be deserving of the rating, or simply edited to not need it at all.

The first six pages of the manga are all full-color and glossy. The book came shrink wrapped (probably because of the Parental Advisory. The cover is a little light and bends easily, so be careful when reading. The pages are also slightly underweight and should be handled with caution (for anyone who likes a pristine collection). The book is inked well, and there wasn't any real examples of unused space between panels. It is fairly average quality manga.

Overall it will be interesting to see where the series goes from here, I am looking forward to reading Volume 2. If you are looking for something that just tries to be fun, look no further; if you are looking for something serious you will probably want to look elsewhere. I knocked a couple stars off from 5. One was for the overall quality of the manga is not worthy of anything more than average rating; the other was for the difficulty in following the manga at times. There are instances where a major part of the story is going on, and then it seemingly drops that part of the story and moves on without any closure or warning.

5 of 6 people found the following review helpful.
kore wa zombie desu-ka
By person
this was just an amazing book. It wasn't as long as i had hoped but it was still good. it was just freaking hilarious through out the whole book.If you like a good comedy manga i would highly recommend this book. although there were some serious part (hardly any though). Cant wait for the next one to come out.

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!! Download Drama City, by George P. Pelecanos

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Drama City, by George P. Pelecanos

Lorenzo Brown loves his work. In his job as an officer for the Humane Society, he cruises the city streets, looking for dogs that are being mistreated - underfed, unclean, trained to kill. He takes pride in making their lives better. And that pride helps Lorenzo resist the pull of easier money doing the kind of work that got him a recent prison bid.

Rachel Lopez loves her work, too. By day she is a parole officer, helping people - Lorenzo Brown among them - along a path to responsibility and advancement. At night she heads for the city's hotel bars, where she can always find a man who will let her act out her damage. She loses herself in sex and drink and more.

But Rachel's nights are taking a toll on her days. Lorenzo knows the signs. The trouble is, he truly needs her right now. There's an eruption coming in the streets he left behind, the kind of territorial war that takes down everyone even near it. Lorenzo needs every shred of support he can get to keep from being sucked back into that battleground. He reaches out to Rachel - but she may be too far gone to help either of them.

Writing with the grace and force that have earned him praise as "the poet laureate of the crime world," George Pelecanos has created a novel about two scarred and fallible people who must navigate one of life's most brutal passages. It is an unforgettable, moving, even shocking story that will leave no reader unchanged.

  • Sales Rank: #400063 in Books
  • Brand: Brand: Back Bay Books
  • Published on: 2013-08-06
  • Released on: 2013-08-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .75" w x 5.50" l, .57 pounds
  • Binding: Paperback
  • 288 pages
Features
  • Used Book in Good Condition

Amazon.com Review
The real test of an author's skill is sometimes to be found not in an unusually conceived work, but in his or her ability to create a consuming tale out of what, in outline form, might sound like an all-too-familiar or mundane plot line. In another novelist's hands, for instance, Drama City might have been a perfectly serviceable but regrettably unmemorable story of redemption and revenge set in the grittier districts of Washington, D.C. But with George Pelecanos at the reins, it becomes a poignant, profound yarn about men--the good, the bad, and the still undecided--trying to find their footing amid the centrifugal forces at play in a modern inner city.

Pelecanos's first standalone after four consecutive novels starring private eye Derek Strange (including Soul Circus and Hard Revolution), Drama City introduces Lorenzo Brown, a young, black onetime criminal enforcer who's recently returned to the streets after doing eight years in prison on a felony drug charge. Crime and criminals had always been fundamental to Lorenzo's existence. ("Y'all know how that is. I ran with some boys, one in particular, and when those boys and my main boy went down to the corner I went with 'em. They were my people, the closest thing I ever had to male kin.") Since his release, though, he's been serving as a Humane Law Enforcement Officer with the Humane Society, protecting animals from the panoply of domestic cruelty, trying to leave both the drugs and the thugs behind. This attitude has won him a few champions, notably Rachel Lopez, his striking half-Jewish, half-Latina probation officer and friend, who spends her days "telling other people that they need to stay on track," but then goes off the rails at night, haunting hotel bars, picking up inappropriate guys, always frightened by the idea of a relationship "where she was not in complete control." Of course, these delicate balances of individual behavior are only possible in the absence of the unexpected. When a seemingly inconsequential mistake incites a lethal turf battle between rival gang bosses Nigel Johnson and Deacon Taylor, and Rachel is stabbed in the chest by a volatile, hopped-up gunman, Lorenzo finds his killer instincts returning to the fore. He must decide how far he's willing to go--and how much he's willing to lose--in order to exact retribution.

A simple plot on its face, yet given high stakes and a heroic edge by Pelecanos's portrayal of Brown as a man-in-progress struggling to secure his liberty from the past, helped along by his unexpectedly sympathetic former boss, childhood friend Nigel Johnson. Less satisfyingly rendered is Lopez, whose acrobatic swings to the wild side provide merely arousing diversions, without adequate character development. Bearing soul as well as teeth, Drama City gives off the air of a Greek tragedy. You know things are going to get bad before they turn worse, but Pelecanos keeps you riveted throughout. --J. Kingston Pierce

From Publishers Weekly
Pelecanos's later fiction, set on the drug-saturated streets of ghetto Washington, D.C., is charged with the dark, unrelenting inevitability of Greek myth. In the author's 13th novel, "dog man" Lorenzo Brown, a street investigator for the Humane Society, has recently completed an eight-year stretch in prison for narcotics and is determined to stay clean and free. Rachel Lopez, Lorenzo's parole officer, spends her days chasing down clients and her nights getting drunk in bars and having rough sex with strangers. The ignition point for the violence that eventually engulfs these two fully realized, attractive characters—characteristics that in Pelecanos's world mark them as quite probably doomed—is a minor argument between local drug kingpins that inflates into a series of revenge killings. Pelecanos is known for his bleak, uncompromising outlook (Hard Resolution; Hell to Pay; The Sweet Forever) and while the death and destruction are still here in full force, some fans may question the turnaround in his ending. Might it be an attempt to hit the megabestseller stardom that fans think he deserves? Hope and redemption are fine subjects for many novelists, but it's the stark world of violence and despair that this author really owns.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Drama City is the author’s 13th entry in the canon of crime fiction. Pelecanos’s writing earns consistent praise, but his recent novels have changed. While they still pop with the language of the street, his writing is more sparse and his settings are highly modernized. This novel, many critics note, is downright slow, lingering on the everyday details of city life. It’s not a criticism, however. The careful details turn the relatively mundane plot into a persuasive character study, even if Rachel Lopez is a much less successful character than Pelecanos’s other creations, singled out by many reviewers as lacking plausible motivation. That aside, in true Pelecanos style, Drama City sticks to the streets, where grey areas abound.

Copyright © 2004 Phillips & Nelson Media, Inc.

Most helpful customer reviews

34 of 39 people found the following review helpful.
One Of Pelecanos' Best - Fantastic Protagonists, Great Plot!
By Jana L.Perskie
It's hard not to like a character who loves animals, even mean animals - the mad ones, the dirty, the underfed, the sick, vermin infested animals too, some trained to kill. Dogs, cats, parakeets, etc., they're Lorenzo Brown's thing. He's an officer for the Humane Society Law Enforcement team in Washington, D.C., and likes his job, a lot. Lorenzo figures if something is off with an animal, it's a human's fault, and is ready to paper offenders and serve search and/or arrest warrants if necessary. He saved his own dog, Jasmine, the night before her scheduled euthanization. She is the first pet he has every owned.

Brown is an ex-con, out on parole after 8 years in prison for a drug charge. He is determined to stay straight. Each morning, when he walks Jasmine, he passes the home of Nigel Johnson's mother. Occasionally, he will see Nigel there, along with a couple of young men wearing thick platinum chains. The troops lean against their rides - BMW coupes and sedans, a black Escalade, "tricked with spinners in the mix." The black GS430 with "dual pipes and aftermarket rims" belongs to Nigel, now a powerful drug kingpin, who is usually busy directing business, talking on his Nextel. Lorenzo and Nigel, both smart and ambitious as kids, had run the streets together, going back almost twenty-five years. Brown had done the righteous thing by his friend. He stayed silent when he was pressured to give Nigel up. Brown chose to serve his time instead. Now he has had enough of the life. His old friends don't quite get it, however.

Rachel Lopez also loves her work. She is Lorenzo's parole officer and one of the finest. She comes on tough initially and lays down the rules, but she wants all her people to make it. She has invested much of herself in their ultimate success. Rachel knows Lorenzo has committed crimes not included in his jacket. To have advanced in the game as far as he had, he probably did some violence, maybe even killed. She also knows that now, in the present, Lorenzo is not a bad man. But Ms. Lopez has problems of her own. Her own life is spinning out of control, and her late nights are taking their toll.

Officer Brown needs Officer Lopez' support right now. He needs all the help he can get. A stupid mistake concerning turf boundaries has triggered enmity between local gangs. A psychopathic youth is on the streets, looking for a way to escalate the problem; waiting for the slightest opportunity to kill. A war is about to go down and our man could very well be sucked into it.

I have long been a George Pelecanos fan. Over the years, I have read all his books, and to tell the truth, he has only written novels that I love, and others that I like a lot. This one is special though. I was deeply moved by the character of Lorenzo Brown, a really decent man trying to straighten out his life. The author lets us in on his thought processes. Mr. Brown is far from perfect. He carries within himself a strong streak of humanity though, which is his saving grace. Then there is Rachel Lopez, whom I also grew to care about. She is battling, against the odds, to keep her head above water. They both are having a real hard time in this world, yet always look to give someone else a hand up.

No one captures the mean streets of the neighborhood like Pelecanos. His gritty prose, street-smart dialogue, fast-paced narrative and wonderful character development are what make his books bestsellers - literate ones! Highly recommended!
JANA

6 of 6 people found the following review helpful.
Pelecanos at His Best
By A. Ross
After loads of success with his earlier series, Pelecanos introduces two new protagonists in this excellent trip down Washington, D.C.'s mean streets. His work on the HBO series "The Wire", shows in the main character of Lorenzo, a drug crew thug recently off an eight-year stretch of jail after a third strike. Now he's trying to put the game behind him and live a square life as an enforcement officer for the city's Humane Society. Part of Lorenzo's routine involves reporting to his parole officer, the young, attractive Rachel Lopez. Given the D.C. area's substantial Latino population, it's taken Pelecanos a while to introduce one as a major character, but with Rachel he not only takes care of that, but has finally written a fully developed female character. She's not without her own issues, as alcoholism and anonymous sex threaten to lead her somewhere dark.

The story basically follows Lorenzo and Rachel around their daily rounds, providing a glimpse at the daily struggles they face simply to get along in the world. Like many of Pelecanos' characters, Lorenzo discovers satisfaction and pride in hard work, as he has to deal with both the nasty people who mistreat animals, and the mockery of the corner boys, who call him soft. He knows he's still as tough as they come, but he's also built the self-respect to realize that he doesn't need to prove anything to anyone. Meanwhile, Rachel has her own hard work, trying to keep her offenders on the straight path and a lid on her self-destructive behavior. Of course, since this is Pelecanos, they also get tangled up in an escalating beef between drug gangs, one of which is led by Lorenzo's old friend Nigel. There are plenty of subplots along the way, including an ugly look at the dog-fighting underworld, the fascinating details of Lorenzo's job, Rachel's Narcotics Anonymous meetings, and Lorenzo's wooing of a single mother.

One of the running themes is how environment shapes behavior, and the mistreatment of animals is used as a metaphor for the those who grow up with no opportunities in life and no options. There's a great part where a young gangster daydreams wistfully about seeing Paris, but his upbringing and environment have hamstrung him so that he has no idea how one goes about buying a plane ticket or getting a passport. Ultimately, like many crime books, the overriding theme is one of redemption, especially Lorenzo's. He's done things in the past he's not proud of, and when confronted with the choice between street ethics and civilian ethics, which path will he take? There are the usual Pelecanos tidbits, music references, car references, a cameo by Derek Strange and one or two other characters recognizable to long time Pelecanos readers. Nothing in this book is a surprise, but all the elements are so assuredly put together that one can't help but be sucked under. Definitely Pelecanos at his best.

4 of 4 people found the following review helpful.
Is redemption possible?
By Dave Schwinghammer
DRAMA CITY is not your traditional mystery, nor is it exactly noir, although the subject matter is definitely dark. It does have an original lead character, an ex-drug trafficker named Lorenzo Brown who takes a job as an investigator for the Humane Society when he gets out of jail.

The other lead character is Lorenzo's parole agent, Rachel Lopez. She's an alcoholic who spends her nights trolling hotel bars, looking for a man she can dominate.

The minor characters, a half dozen or so gang members, are almost as provocative as Lorenzo and Rachel. The action starts when DeEric Green, one of Nigel Johnson's henchmen, confronts Jujubee, one of Deacon Taylor's pushers, selling drugs on what he thinks is Nigel's corner. It's not Nigel's corner, and this starts a minor drug war. Deacon Taylor sends Melvin Lee and Rico Miller to tail DeEric Green and his partner, Michael Butler. Lorenzo Brown also clashes with Lee and Miller when he is sent to try to salvage some animals at a pit bull fight staged by various gang members.

Rico Miller is a psychopath and he sets out to get revenge when DeEric Green disses his partner Melvin Lee, who is like a father to him. All of this sounds like rather traditional gangland lore, but Pelecanos really shines when he details the back stories of the various characters. Even Miller is sympathetic. His nickname, "Creep," was given to him by his own mother. There's also an anecdote about a Christmas ornament that is especially poignant. Pelecanos uses "bling" as an example of just how dismal these drug dealers' lives are. Rico Miller and the other pushers own/rent fancy cars, but their idea of fun is to play video games and smoke "blunts." Nigel Johnson, a boyhood friend of Lorenzo's, apologizes for getting him involved in the drug trade, when all Lorenzo wanted to do was run track. He admits that his sales pitch about family was a just a sham. We worry about Lorenzo throughout the novel. For one thing, he still has some guns he keeps beneath the floorboards in his apartment. We wonder if redemption is really possible for him or if the poison is all consuming.

Drama City is set in Washington D.C. Having made a wrong turn into the ghetto district once, I can vouch for the distressing conditions Pelecanos describes. It is certainly an appropriate setting for a novel about poverty and how easy it is for young black men and women to fall prey to The Monster.

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