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The Boy: A Novel, by Lara Santoro
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"Gorgeous, fiercely intelligent, deeply honest, and incredibly entertaining." ---Anne Lamott
Anna has always been a risk-taker and a free spirit, but now she is raising a young daughter on her own and she has to play it safe. Her twenty-something neighbor with the slow, easy smile is in no way part of Anna's plans. She resists temptation in every way she can, yet Anna is soon drawn into a reckless and obsessive affair.
Provocative, headlong, and utterly compelling, THE BOY is the story of a woman on the edge, torn between love and compulsion, desire and duty. Lara Santoro writes in "hypnotic and swiftly paced" prose (Daniel Woodrell) about the hazards of passion and motherhood and about one woman's unthinkable rebellion.
- Sales Rank: #1254699 in Books
- Published on: 2013-01-15
- Released on: 2013-01-15
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x .75" w x 6.00" l, .67 pounds
- Binding: Hardcover
- 192 pages
From Booklist
Santoro’s second novel (after Mercy, 2007), follows one woman’s unraveling after an affair with a younger man propels her to reexamine her perspectives on motherhood and her own identity. A former journalist, Anna is now a single mother in her forties. She and her precocious 8-year-old daughter, Eva, are now living in New Mexico after a bitter split with Eva’s father, who remains in England. An addition to their household is Espi, Eva’s protective caretaker, who has alcohol and gambling problems. The neighbor’s 20-year-old son, a college dropout, is inexplicably drawn to Anna, and the two begin an affair. When Eva travels abroad to spend time with her father, “the boy” moves in with Anna, much to the displeasure of seemingly everyone. Things inevitably begin to lurch out of control as the demons of Anna’s former life come into play, and her self-involved choices lead to catastrophic events in her life and the lives of those around her. Santoro’s fast-paced style aptly conveys Anna’s frenetic downward spiral. --Leah Strauss
Review
"I read it in one go, with my heart in my mouth. Witty, compulsive, sensuous, and brutally honest about the price of motherhood."―Emma Donoghue, author of Room
"Lara Santoro's The Boy is both a swift and seductive novel. To experience such brutal beauty is why I read fiction."―Alice Sebold, author of The Almost Moon
"I read this novel in one sitting and was mesmerized, addicted, charmed, jealous. The Boy is gorgeous, fiercely intelligent, deeply honest, and incredibly entertaining."―Anne Lamott, author of Some Assembly Required
"The Boy is beautifully written, beguiling in its fashion, hypnotic and swiftly paced. Lara Santoro tells a morally complicated and edgy story and doesn't retreat, but stays true to her music. The word brave comes to mind, as does masterful."―Daniel Woodrell, author of Winter's Bone
"Lara Santoro is a brilliant novelist whose vision is fierce and unsparingly clear. The Boy is a beautiful, brutally sensuous novel."―Kate Christensen, author of The Great Man
"Lara Santoro drills deep down, to the maelstrom of desire and despair that we cover up with the stories we tell ourselves. Unflinching and passionate, fierce and tender, The Boy is both a love story between parents and children, and a coming-of-age story for all women who are old enough to know better. It broke my heart."―Allegra Huston, author of Love Child
"The Boy unfolds with terse, impressionistic rapidity-like a spare, brutalist modern fairy tale....You can't turn away."―Ben Dickinson, Elle
"Brilliant....Ms. Santoro has crafted a book just as fascinating [as Junot Diaz's This Is How You Lose Her], twice as stark, and simply unforgettable."―Autumn Markus, New York Journal of Books
About the Author
Lara Santoro spent most of her career as a foreign news correspondent, based primarily in Rome and in Nairobi working for Newsweek and the Christian Science Monitor. She holds a Bachelor's degree in Comparative Literature from Smith College, a Master's degree in French Literature from the Sorbonne, and a Master's in Fine Arts from New York University. She was born in Rome, and currently lives in New Mexico. She is the author of one previous novel, Mercy.
Most helpful customer reviews
13 of 18 people found the following review helpful.
"the reckless vault across generational lines."
By Amelia Gremelspacher
This story riveted my attention from the first paragraph. Anna is an immensely knowable character. She has a child for whom she has devoted her life after the early year of post partum depression. In fact, "If motherhood leaves a residue from one lifetime to the next, a sort of encoded knowledge best deciphered at he direst times, Anna had every reason. To suspect she was on round number one."
Her daughter Eva is the organized one, the one who remembers due dates on books and when to pay fees. Anna finds herself living the straight and narrow. Until the night she meets the boy. He is the son of a dear friend, just graduated from college, and preternaturally wise.
From the first meeting of eyes she knows to stay away. And her struggles are the stuff of life. She unsuccessfully tries to ward off the incursion of Sonic slushies and frito pies into the diets of her slender daughter and not so skinny housekeeper. The women visit the "female river that flows north.". They act out Bladerunner, although Anna has never seen it.
The language of this book is seductive in its leading us through the story. The land in the American southwest sets a backdrop both sere and deep with secrets. The boy is a potentiality, older than the age of consent but younger than prudence and the rhythm of her days. In vignettes of words, Santoro draws her story and impels us to follow.
2 of 2 people found the following review helpful.
A fast read. Warning for those who like cliff jumping.
By Kathryn C. Hogan
This book is slim and reads very fast. Middle-aged Anna and her daughter have fled from the girl's father and moved across the ocean to start a new life. The girl is unusually perceptive and stubborn about certain things. She seems to have become the adult in this dysfunctional relationship. Her sensible warnings seem to foretell that things won't end well. At a party, Anna comes across the young (20) son of her neighbor. He makes an impression that sticks and Anna now has to decide if she'll let him push his way into her and her daughter's lives. Her judgment seemed to be off-kilter to start and now she's allowed Jim Beam to weigh in with his opinion. Are we now racing to an inevitable conclusion? I enjoyed the spot on dialogue between mother and daughter. The conclusion seemed to come up very fast and race to an unsettling end.
5 of 7 people found the following review helpful.
Lara Santoro fulfills her promise
By goodreader
Lara Santoro fulfills the writing promise of her first novel, Mercy, with this skillful rendering of a tale about motherhood, sexual longing, and the consequences of mixing the two. The New Mexican scenes and seasons provide a rich setting for the protagonist's variously satisfying and harsh life and choices. Tension ripples through the carefully calibrated dialogue that spirits the reader along on a compelling tale about female strength and weakness that should put the author in league with the best novelists before her who have tackled these themes, perhaps with less honesty. Her spirited character, Anna, is painted neither black nor white but cloaked in the complex shadings of lovingness, selfishness, desire, regret, and conviction that we all recognize in ourselves.
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