roria: September 2014

Jumat, 26 September 2014

~~ PDF Download SEAL Team Six: Hunt the Scorpion (A Thomas Crocker Thriller), by Don Mann

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SEAL Team Six: Hunt the Scorpion (A Thomas Crocker Thriller), by Don Mann

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Thomas Crocker and SEAL Team Six are back for another adrenaline packed adventure from former SEAL commando Don Mann.

When a nuclear device goes missing, and surfaces in the clutches of known terrorists, the United States calls on its most prized anti-terrorism force: Navy SEAL Team Six . Thomas Crocker and his squad from HUNT THE WOLF are called into action, protecting the world from terrorist threats.

With the same real life insight and pulse pounding action he brought to INSIDE SEAL TEAM SIX and HUNT THE WOLF, Don Mann takes readers inside the most elite combat unit on the planet and on an action-packed ride that is sure to appeal to fans of Vince Flynn and Brad Thor.

Sales Rank: #179269 in Books
Brand: Mann, Don/ Pezzullo, Ralph (CON)
Published on: 2013-10-29
Released on: 2013-10-29
Original language: English
Number of items: 1
Dimensions: 7.00" h x 1.00" w x 4.25" l, .0 pounds
Binding: Mass Market Paperback
352 pages

From Booklist
Mann, along with coauthor Pezzullo, brings back his SEAL team leader Thomas Crocker in this follow-up to Seal Team Six: Hunt the Wolf. A cargo ship is hijacked by pirates, and Crocker and his fellow SEALs are sent to rescue the crew. They discover that the majority of the men have been killed, but the captain has survived. An investigation reveals that the cargo the ship was carrying could be used to fuel a nuclear weapon. Add a threat of WMDs from Libya, and you have a SEAL team in over their heads. The action is nonstop, and Mann does a fine job giving readers the feel of what it’s like to be a member of the SEALs, from danger to camaraderie. --Jeff Ayers

Review
"Reads like a Jack Reacher novel by Lee Child -- fast and clean. But there's more military structure, more politics and lots of action. HOOAH!" -- Myles Knapp, The San Jose Mercury News

About the Author
Don Mann (CWO3, USN) is the author of the forthcoming Inside SEAL Team Six and has for the last thirty years been associated with the Navy SEALS as a platoon member, assault team member, boat crew leader, or advanced training officer; and more recently program director preparing civilians to go to BUD/s (SEAL Training). Up until 1998 he was on active duty with SEAL Team 6. Since his retirement, he has deployed to the Middle East on numerous occasions in support of the war on terror. Many of the active duty members of SEAL Team 6 are the same guys he taught how to shoot and conduct ship and aircraft takedowns, and trained in urban, arctic, desert, river, and jungle warfare, as well as Close Quarters Battle and Military Operations in Urban Terrain. He has suffered two broken backs, two pulmonary embolisms, and multiple other broken bones, in training or service. He has twice survived being captured during operations.

Co-writer Ralph Pezzullo is a New York Times bestselling author and award-winning playwright, screenwriter, and journalist. His books include Jawbreaker (with CIA operative Gary Berntsen).

Most helpful customer reviews

2 of 2 people found the following review helpful.
The awesome continues
By Kindle Customer
Author Don Mann’s Seal Team Six series of books remind me of the serials in the “olden days,” such as the Doc Savage series, the Executioner or the Destroyer series. That is meant to be a good compliment as I loved those books as a kid and no series has stood the test of time like they do. The Seal Team Six series rarely, if ever, bogs down and the vernacular and everything in it is relevant. I was not surprised when I read one of the authors bio that he was the “real deal.” I will continue to read this series and I recommend everyone with the taste of adventure, the taste of the military lifestyle or who just likes good actions books read this series. You will not be disappointed.

0 of 0 people found the following review helpful.
SEAL Team Six: Hunt the Scorpion
By Mystccwby
A cargo ship is attacked by pirates. Seal Team Six is sent in to release the hostages and capture the pirates, a very simple assignment, or is it.
Why would pirates be unloading the cargo, the answer is parts to construct a Nuclear bomb!Switch locations and they are in Libya,their cover as inspectors of weapons sites.They soon discover the bomb and one of the members of the ship attackers, so seems things do circle.Crocker and his team take down the would be terrorist, only to discover that the men taken prisoner are the key to the release of his wife who has been taken hostage.

This was another great read in the Seal Team Six series by Don Mann.Based loosely on actual missions we get an inside look at the close ties of the team members.In Hunt the Scorpion we have lots of action but also we see the personal struggles of the team members. We are reminded besides being soldiers, they are husbands, boyfriends, wives,and each has personal struggles as they still fulfill their missions.
I look forward to more from Don Mann and the members of Seal Team Six.

1 of 1 people found the following review helpful.
exciting high octane thriller
By A Customer
Seal Team Six: Hunt The Scorpion
Don Mann and Ralph Pezzullo
Mulholland Books/Little Brown, Feb 19 2013, $25.99
ISBN: 9780316209601

Thirty-five miles off the coast of East Africa in a busy sea lane frequented by foreign vessels, prates hijack the MSC Contessa as the ship headed to the Island of Suqutra. Captain Jake McCullom feels guilt for bringing his wife Tanya on this voyage because he concealed the dangerous risk from her.

SEAL Team Six assault leader Warrant Officer Thomas Crocker and his unit who wait for the CIA sent drone in the middle of al-Qaeda held territory in South Yemen when the mission is abruptly aborted. They were contacted and flown to the USS Carl Vinson where he learns his new mission has higher need to know priority. Pirates captured the MSC Contessa, which contained yellowcake as part of the cargo. Securing this war grade uranium before terrorists obtain it has become their task; rescuing the hostages is acceptable as long as that does not impede their obtaining the radioactive material.

The latest Seal Team Six thriller (see Hunt The Wolf) is an exciting action-packed tale from the opening hijacking to the final confrontation. Though incredibly fast-paced, readers also obtain a deep look at how complex and convoluted (outside of Congressional sound bite hearings) foreign policy is even working with allies. Fans of high octane thrillers will enjoy this Seal team Six adventures as plausibility coming from political considerations interfering with mission accomplished and blood flowing from the heroes make for an enjoyable adrenaline ride.

Harriet Klausner

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# Free Ebook Wise Young Fool, by Sean Beaudoin

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You want ninety? Fine, I'll give you ninety. I'll give them to you coming and going.
Teen rocker Ritchie Sudden is pretty sure his life has just jumped the shark. Except he hates being called a teen, his band doesn't play rock, and "jumping the shark" is yet another dumb cliché. Part of Ritchie wants to drop everything and walk away. Especially the part that's serving ninety days in a juvenile detention center.
Telling the story of the year leading up to his arrest, Ritchie grabs readers by the throat before (politely) inviting them along for the (max-speed) ride. A battle of the bands looms. Dad split about five minutes before Mom's girlfriend moved in. There's the matter of trying to score with the dangerously hot Ravenna Woods while avoiding the dangerously huge Spence Proffer--not to mention just trying to forget what his sister, Beth, said the week before she died.
Acclaimed author Sean Beaudoin's latest offering is raw, razor-sharp, and genuinely hilarious.

Sales Rank: #1776857 in Books
Published on: 2013-08-06
Released on: 2013-08-06
Original language: English
Number of items: 1
Dimensions: 8.75" h x 1.50" w x 6.00" l, 1.22 pounds
Binding: Hardcover
448 pages

From Booklist
*Starred Review* Smash your Stratocaster, pop the devil horns, and bite the head off a bat—this headbanger is so right-on with passion and detail that you’ll be smelling the garage-band funk and feeling the bass rattle your teeth. Eighteen-year-old Ritchie Sudden is stuck in juvie and tasked with journaling how he got there. In short: girls, music, and some bullshit trauma that Ritchie doesn’t even want to talk about. It starts, as always, with best bud Elliot Hella, he of the shaved head and thick muttonchops, whose go-nowhere life hinges upon winning a big-time battle of the bands. El Hella and Ritchie have the requisite crappy equipment and sloppy chops to make hardcore history—all they need is a drummer, a singer, and a badass band name. (“Sin Sistermouth” ain’t cutting it.) Beaudoin is the Fred Astaire of comic writing, translating each sentence into a manic dance routine of half-invented jargon (“chewing the profunda-cud”) on his way to blessedly noncloying coming-of-age glory. The book is hugely generous: in sex, in violence, in attitude, and especially in heart, as Ritchie gets it through his thick skull what punk really means. And the performance scenes? Dude. If you can’t grok the monster energy of these glorious idiots flailing around onstage, you’re already dead. Grades 9-12. --Daniel Kraus

Review
* "Beaudoin is the Fred Astaire of comic writing, translating each sentence into a manic dance routine of half-invented jargon ("chewing the profunda-cud") on his way to blessedly non-cloying coming-of-age glory."―Booklist (starred review)

*"The author does a brilliant job getting into the head of a troubled teen and does not shy away from racy topics."―School Library Journal (starred review)

"Larger-than-life characters....Behind the music quest, sarcasm and pursuit of girls, however, lies a more complicated and often compelling story about family, grief and flawed coping mechanisms."―Kirkus

"[Beaudoin] plays language like Hendrix plays a guitar."―BCCB

About the Author
Sean Beaudoin is the author of Going Nowhere Faster, which was nominated as one of YALSA's "Best Books for Young Adults"; Fade to Blue, which was called "Infinite Jest for teens" by Booklist, You Killed Wesley Payne, which was a Booklist Editor's Choice; and The Infects, which was called a "wickedly unpredictable adventure" by Publishers Weekly. His short stories and articles have appeared in numerous publications. Sean's website is seanbeaudoin.com.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Not a Dropped Note to be Found
By Sloaty
I've read every one of Sean Beaudoin's books and really enjoyed all four, but Wise Young Fool, his fifth novel, is truly his best. The prose is fluid, the hilarity is constant, and the characters are memorable. We all knew somebody like Ritchie Sudden, and he strides and slouches though the book with the exact attitude that teenagers wear like a coat - somehow admirable and infuriating every step of the way. As someone who teaches high school kids, I can attest that they smell a fake a mile away. This book passes the sniff test. The language can be foul but it is always real and always hilarious. Kids drink, hook up, swear up a storm, and do stupid stuff . . . because that's exactly what kids at that age do . . . well, most of them do, but why would you want to read a book about the boring ones who follow all the rules? As for the music, it is evident to any musician that Beaudoin not only knows his rock history, but he has spent some time behind a guitar as well. There are no bent notes or dropped picks or moments of pretending. Anyone who has been in a band - particularly a teenage punk band - will relish the excitement and anticipation that the author generates. Add in family drama and the squalid sorrow of our juvenile justice system and you have a book that rocks you on a number of levels. Oh, did I mention that it's fun and funny as hell too? This is an exceptionally good book - not just insightful and smart, but a great read. How often does that happen? Highly, highly recommended.

2 of 2 people found the following review helpful.
rockin
By a to the g
Man, I just laughed my butt off all the way through this. Every single page has some smart observation or clever reference or rude comment that kept making me bust up. I'd read the stuff out loud to my friends and they kept being like "okay, let's hear another one." But that would get tiring if that's all it was. This book deals in a totally real way with fighting, sex, friendship...a lot of teen guy stuff. But girl stuff, too. None of the girls are doormats like in a lot of guy books. They're totally there, holding their own. There is no pretending in this book, it's all sweat, going down to the mat, tattoos and guitars and distortion.
But also just goofing around with friends, trying to talk to a girl at a party, wondering if you're cool enough. It's like someone's real diary. Which (spoiler) maybe it is. I was totally pissed when it ended, I wanted another hundred pages more!

4 of 5 people found the following review helpful.
Whadda Book
By Samuel Sattin
I bought this for the cover, know what I mean. All black, like a ripped old journal or whatever, and a guitar on the side. My sort of crap. It's way different than the usual debutantes and vampires and such so I thought I'd get into it. Original cover probably means original book, no? Not all the time, but in this case, yes. A big yes. I haven't ready many books like this before. Or maybe any. 1. Out-loud funny. 2. Handles music well. 3. Handles "Big issue" stuff like Sex, Family, Death, Incarceration straight on, like a car crash. Like a great song, metal or punk or hip-hop. 4. Love the characters. Ritchie is a wiseass who is totally oblivious to how he comes across, but sure finds out. 5. Love how Adults are handled. In most YA they're either ridiculously bad or sugar-sweet. These adults are just like the ones I had--a mix of good, bad, and strange. The best adult in the whole book is Ritchie's Mom's girlfriend, who is no prop, she's also one of the most interesting characters. Basically, every sophomore in hgih school in America should read this book. To laugh, but also to wisen up, you know? See what not to do. And how not to do it, cause you get to stand back and watch someone be a Fool for 300 pgs, right in front of you. Totally entertaining, really original. I'm keeping this one close to my heart.

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Kamis, 25 September 2014

* Ebook Download What It Was, by George P. Pelecanos

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Washington, D.C., 1972. Derek Strange has left the police department and set up shop as a private investigator. His former partner, Frank "Hound Dog" Vaughn, is still on the force. When a young woman comes to Strange asking for his help recovering a cheap ring she claims has sentimental value, the case leads him onto Vaughn's turf, where a local drug addict's been murdered, shot point-blank in his apartment. Soon both men are on the trail of a ruthless killer: Red Fury, so called for his looks and the car his girlfriend drives, but a name that fits his personality all too well. Red Fury doesn't have a retirement plan, as Vaughn points out - he doesn't care who he has to cross, or kill, to get what he wants. As the violence escalates and the stakes get higher, Strange and Vaughn know the only way to catch their man is to do it their own way.

Rich with details of place and time - the cars, the music, the clothes - and fueled by non-stop action, this is Pelecanos writing in the hard-boiled noir style that won him his earliest fans and placed him firmly in the ranks of the top crime writers in America.

Sales Rank: #953825 in Books
Published on: 2012-01-23
Original language: English
Number of items: 1
Dimensions: 8.25" h x .75" w x 5.50" l, .50 pounds
Binding: Paperback
246 pages

Review
a taut, lyrical, nostalgic look at times gone by and the morality which remains. CATHOLIC HERALD

About the Author
George Pelecanos is the author of several highly praised and bestselling novels, including The Cut, What It Was, The Way Home, The Turnaround, and The Night Gardener. He is also an independent-film producer, an essayist, and the recipient of numerous international writing awards. He was a producer and Emmy-nominated writer for The Wire and currently writes for the acclaimed HBO series Treme. He lives in Maryland.

Most helpful customer reviews

38 of 39 people found the following review helpful.
What it Is
By PTD
I've long been a fan of Pelecanos' work, my initiation starting with his novel RIGHT AS RAIN, and continuing along after that joyride to include his other works. I was struck from the beginning by the authenticity of his characters, the rhythm of his writing, and his powerful handling of violence. His work has a verisimilitude often absent in genre fiction. He isn't a crime novelist, he's a NOVELIST, period. I'm of the opinion that Pelecanos never makes a wrong note. I've read SHOEDOG, one of his lesser known novels, more than a handful of times. Now, to his latest work. I was pleasantly surprised to discover a new Pelecanos shortly on the heels of THE CUT, his hardcover released late last year (another gem, by the way). The surprise was then elevated upon learning that this newest novel would return to the world of Derek Strange, a character I've grown to love. But then, I love all of the characters in Pelecanos' world, from Nick Stefanos, to Terry Quinn, to...well, you get the point. This newest novel gripped me from page one and never let up steam. Written in scenes both cinematic and rhythmic (vignettes)told from the points of view of several characters, WHAT IT WAS is a study in how a crime novel should be written. Violent but emotionally satisfying, poignant in its rendering of the human condition (here you have the criminal perspective, the police perspective, the private investigator perspective, the girlfriends riding shotgun with their criminal boyfriends perspective--all handled with aplomb). To say that Pelecanos is a master is an understatement. I'd read a new book every month from him. Kudos.

Phillip Thomas Duck
author of Triage: A Thriller (Shell Series)

20 of 22 people found the following review helpful.
Blisteringly Good
By Erin
Much of the attention around George Pelecanos' new book, WHAT IT WAS, has focused on the quite brilliant way that the good folks at Mulholland Books are publishing and marketing it. In case you haven't read about it, instead of the standard e-book and hardcover release followed months later by a paperback edition, WHAT IT WAS is available now as a 99-cent e-book, a trade paperback for $9.99, or a limited-edition, signed and slip-cased hardcover for $35.

I think this is quite brilliant, but the reality is that it wouldn't matter a whit if the story contained on the paper or e-pages wasn't up to snuff. Luckily for us all, WHAT IS WAS is one of Pelecanos' best, second only to RIGHT AS RAIN in my estimation.

WHAT IT WAS is set in 1972. Derek Strange has hung out his private investigator shingle. His former partner, Frank Vaughn, is still on the force. Red "Fury" Jones, a villain for the ages, is wreaking havoc in Washington DC, which Pelecanos brings to life in a manner that makes the reader quite certain she was actually there.

Many have called WHAT IT WAS noir, and I'm sure the label fits, but for me, it's much more than noir. Derek Strange has been a favorite character for years and for him to remain surprising and engaging is testament to Pelecanos' awesome storytelling prowess. Pelecanos obviously respects his setting, character and stories because he shortchanges none of them. Even the ancillary characters--like Red's girlfriend and sidekick or Strange's mistress or mom--are so vivid that I wouldn't have been surprised to have any one of them knock on my front door (ok, a little surprised, but you know what I mean).

Pelecanos has always been unapologetic in his storytelling, both in his books and on TV shows "The Wire" and "Treme." WHAT IT WAS continues this tradition, and I hope he never gives this up. WHAT IT WAS doesn't flinch at violence or human frailty; on the contrary, it celebrates both.

This will sound frivolous to some, but I have to also commend Pelecanos for telling a complete and complex tale in less than 300 pages. In a world where publishers put authors under contract to deliver stories that run to 400 pages and more even when they don't need to be, WHAT IT WAS is exactly the length it needs to be. It includes not one extraneous word, scene or plot element.

If you've never read Pelecanos, WHAT IT WAS is a fine place to start. While the books featuring Derek Strange are a series, they're not bound by elements of surprise that make reading them in order necessary.

Come this time next year, I expect to have seen WHAT IT WAS on plenty of Best of 2012 lists. I know it will be on mine. It is blisteringly good.

7 of 8 people found the following review helpful.
Enough already with the music and cars
By Tracy Rosselle
George Pelecanos is among my favorite crime novelists, but this effort clearly lacks the heft of his full-blown novels. I stumbled onto it at a bookstore, not knowing or expecting he had a new one coming out. At first I thought it was a re-issue from years earlier or something. That it came out in paperback without first appearing in hardback signals its difference: Figuring in the relatively large font and slim page count, the novel is probably half the length of The Turnaround or The Night Gardener. I was pleased that it featured (a younger version of) the Derek Strange character; I really enjoyed the trilogy of books featuring the PI beginning with Right as Rain. But I was constantly annoyed with Pelecanos' all-too-frequent descriptions of music and cars. He's always done this, and when used sparingly it helps to set a scene and mood, and in this case create verisimilitude in a novel set in 1972. But his editor was asleep on this one; needed to rein in at least half of this nonsense, because it starts to get in the way of the reader's enjoyment of the story. Elmore Leonard says when he's editing his own stuff that if it sounds to him like writing, then he rewrites it. I'm not sure what Pelecanos is doing with all the music and car details, but it must have to do with something other than the story (like conveying his personal taste in such things). He should take some advice from Leonard and rewrite it before foisting it on readers.

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Selasa, 23 September 2014

~~ Download PDF The 100 (The 100 Series), by Kass Morgan

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No one has set foot on Earth in centuries -- until now.

Ever since a devastating nuclear war, humanity has lived on spaceships far above Earth's radioactive surface. Now, one hundred juvenile delinquents -- considered expendable by society -- are being sent on a dangerous mission: to recolonize the planet. It could be their second chance at life...or it could be a suicide mission.

CLARKE was arrested for treason, though she's haunted by the memory of what she really did. WELLS, the chancellor's son, came to Earth for the girl he loves -- but will she ever forgive him? Reckless BELLAMY fought his way onto the transport pod to protect his sister, the other half of the only pair of siblings in the universe. And GLASS managed to escape back onto the ship, only to find that life there is just as dangerous as she feared it would be on Earth.

Confronted with a savage land and haunted by secrets from their pasts, the hundred must fight to survive. They were never meant to be heroes, but they may be mankind's last hope.

Sales Rank: #74609 in Books
Published on: 2014-03-18
Released on: 2014-03-18
Original language: English
Number of items: 1
Dimensions: 8.13" h x 1.00" w x 5.50" l, .0 pounds
Binding: Paperback
336 pages

From Booklist
Dark and riveting, Morgan’s entry in the very popular dystopian, postapocalyptic YA subgenre blends science fiction, romance, and characters’ shadow sides with a mostly engrossing plotline. In a future lived on spaceships, long after the earth’s destruction, teenage delinquents are usually sentenced to die for their transgressions. Then 100 of them, who are deemed disposable guinea pigs, are instead sent to the ravaged earth in order to see if it is habitable for humans. Clarke, Wells, Bellamy, and Glass are the four narrators, through whose voices the story line sometimes glides and sometimes bumps along. The differing perspectives shed much light on the otherwise lightly drawn world setting, but it can sometimes be hard to leave one character for the next. Regardless, Morgan’s debut clips along at an easy pace because of its simple yet direct writing style. A mash-up of The Lord of the Flies, Across the Universe, and The Hunger Games this has already been tapped by the CW network for television production. It should appeal to fans of postapocalyptic novels seeking the next potentially big new thing. Grades 9-12. --Julie Trevelyan

Review
"It's easy to be drawn in by the Lord of the Flies-style tension that builds as the teens struggle to set up a new society on a battered Earth, and by the smoldering romances that hang in the balance."―Publishers Weekly

"Dark and riveting...A mash-up of The Lord of the Flies, Across the Universe, and The Hunger Games."―Booklist

"A mash-up of the hit TV reality show Survivor and traditional science fiction...Morgan's weave of pop-culture elements and politics make for a gripping read."―School Library Journal

"Likely to be a hit with readers who want their Pretty Little Liars mixed with Lord of the Flies."―The Bulletin

About the Author
Kass Morgan received a bachelor's degree from Brown University and a master's from Oxford University. She currently works as an editor and lives in Brooklyn, New York.

Most helpful customer reviews

49 of 49 people found the following review helpful.
Plot-driven sci-fi that isn't mind-blowing, but still hard to put down
By Karielle @ Books à la Mode
Having interviewed Kass Morgan last year and given the success of the CW series based on the books, I was plenty eager to give The 100 a try. While I haven't read a staggering amount of YA dystopian, the books in the genre that I have tried (e.g. classics like The Giver and the Uglies series), I absolutely loved; given my background, my initial impressions of the premise were highly anticipatory.

UPDATE: Since reviewing The 100, I've finished the first two seasons of the TV show, which I will say is almost completely different from the book series. I'm a glutton for dramatic teen TV shows, and since The 100 is produced by the same people as The Vampire Diaries, I was destined to fall in love with it! If you've seen the show and are inclined to try the book because you liked it so much... I'm sorry, but they will disappoint you sorely. Just stick with the TV show (A+ COMPLETELY RECOMMEND). The books, while similar enough in premise to serve as the foundation for the show, are much more slowly paced (the entire first book, The 100, is basically the time frame of the first episode of Season 1), and definitely less gracefully executed than episodes are. Just a little disclaimer.

REVIEW: The book is told from four different teenagers' perspectives—Clarke, Wells, Bellamy, and Glass. All narratives aside from Glass's are told in a concurrent timeline, through the eyes of the delinquents who have been forced to settle on Earth for the first time in centuries. While Glass's story, which takes place back on the mothership, was initially the least interesting, it eventually pans out to serve as an anchor—a tie to the surviving, but still unstable lifestyle back in space.

Kass Morgan creates a vivid high-tech world in The 100, where citizens are divided by social standing and resources are limited—of course, except to the upperclass. Back on Earth, the prospects are obviously grim, but it's still a thrill of a journey to follow Clarke, Wells, Bellamy, and the other 97, as they each rediscover a planet that they've only read about in books, yet have such a deep internal connection with. I appreciate the idea of providing different points of view, but think it was slightly too ambitious for the author to try to squeeze a Lord of the Flies-esque conflict AND a love triangle AND an undercurrent of radiation's aftereffects (say what?) into everything. It's all interesting until it just becomes too much; I'd have much preferred one central conflict with stronger relationship-building and more background insight.

While there is no one thing fatally wrong with any of the characters, all four of them are too generic, too idealized. Everyone loves having attractive/smart/clever characters to read about, but they all start to blend together when the author tries to make them all perfect, especially since everyone thinks in close third person. The unrealistic and unextraordinary characterization prevented me from developing any sort of attachment to any of them. The only one that seemed remotely human and believable was Bellamy, our resident rebel. But then again I've always been a sucker for bad boys with a past...

That said, the story itself is filled with drama and tension between the main characters (and secondary characters!) which makes The 100 exciting to read. The sheer nature of the resettlement of our planet is enthralling; Morgan does well with engaging readers to the surprises and twists scattered throughout the novel. There's definitely lots of action-filled scenes and, love it or hate, an INTENSE cliffhanger ending, that just leaves you thirsty for more.

Structurally, I found The 100 quite hard to work with. The constantly changing perspectives get a bit disorienting because it's not just a "he said, she said," but rather a "he said, she said, another he said, another she said." Kind of exhausting. On top of that, each of the narratives are very heavy on backstory which, in good fiction, is absolutely necessary. But when it takes up 50% of the book in the form of italicized flashbacks, it gets out of control.

Pros: Fascinating storyline and world-building // Engaging; keeps you hanging on constantly // Dramatic Earth-bound adventures and minor plot twists // Bellamy is a strongly written character // Ending makes me want to read the second book! That's what ultimately matters, right?

Cons: Abundance of flashbacks is annoying; causes disorder in the flow of the storytelling // Constant narrative shifts also gets chaotic // Stylistically unimpressive // All the characters are grossly idealized (i.e. sweet, pretty/handsome, kind, brave, etc.) and thus pretty forgettable (with the exception of Bellamy) // Cliffhanger ending may cause distress

Verdict: Despite my numerous quips with the lacking characters and structure of The 100, I found myself enjoying it while reading and left wanting more once finished. It's definitely a plot-driven sci-fi novel with lots of action and lots of suspense; if that's your thing, you should totally give it a chance. Kass Morgan's debut is one of those books that isn't mind-blowing, but is still hard to put down, so I definitely understand its appeal to mainstream young adult audiences. While unimpressive in a literary lens or by composition, The 100 is still a promising first installment in an exciting dystopian series.

Rating: 7 out of 10 hearts (4 stars): Not perfect, but overall enjoyable; borrow, don't buy!

Source: Complimentary copy provided by publicist in exchange for an honest and unbiased review (thank you, FSB Media!).

57 of 62 people found the following review helpful.
What I did love was that we got these flashbacks
By Nicole
So I had been dying to get to read it for myself, and I finally managed to do so, and I was pleasantly surprised, abet a little let down. I think I had built up too my hype for myself and that my friends who read the book before me did the same, totally not on purpose but it happened.

I think the biggest deterrent for me was the 3rd person 4 Points of View. I was a little lost at first, which is something that is standard, but what killed me was that the book wasn't long enough nor were the chapters. And some characters got 3 pages, while others got 10. It was a little lop sided which made it somewhat difficult to really connect with them.

What I did love was that we got these flashbacks. Each chapter was half real time and half this is what got them there. We learned what went down with Wells and why he and Clarke had such issues. We got to find out about Bellamy and Octavia and Glass and Luke and their past discretion and what landed them on this ship.

I am excited to check out the next installment to see what happens. What is also cool is that the CW has picked this up as a show, although I haven't decided if I'm going to watch it yet. I suppose I'll just have to wait and see.

47 of 56 people found the following review helpful.
Awkward and hollow--watch the TV show instead!
By The Compulsive Reader
First impressions: Why hello there, Star Trek-lookalike cover! You are pretty. And very Star Trek-like. Is that font trademarked? I mean, seriously? Okay, I actually really like the cover--it's sharp and edgy and it is full of promising sci-fi action! I like sci-fi action! Give me all of the sci-fi action! And the kissing!

Also, this premise. One hundred juvenile delinquents get sent to a nuclear-devastated Earth as punishment, and also to see if it's safe to return to Earth. But of course, there are secrets about Earth and about their space station and no one really knows what the hell is going on. Not an entirely unique premise, per se, but I like it. I want to go down this path. Also, re: prettiness of the Star Trek cover!

Characters: I love that Morgan tried to make this an ensemble story. It's like, Lost, if the island were Earth and the rest of the world were the Universe. You have a really varied group of characters who come from different social stratospheres and have committed a variety of different crimes (some aren't even crimes), and they're all thrown together and abandoned. Some people are dangerous. Some people just want to help. The problem? I never felt the connections between the characters. They all know each other fairly well, some are best friends up in space, but it's like the moment this book starts, they're complete strangers.

But! We have Lost characters!

The Doctor: Clarke is a medical apprentice until she's thrown into the slammer. She's an orphan, and she hates humanity's government. She can also sew people up, which is a useful skill when you get dumped on Earth without any supplies or food or anything.

The Golden Boy: Wells is the Chancellor's son and he always does what's right. And he is in love with Clarke, even though she hates his guts (there is history!). So he burns down one of the last trees on the space station (whatever, Earth has like a billion) so he can get to be with Clarke, even though she hates his guts. He is always trying to organize the 100, even though they all hate his guts because his father sent them to die on Earth. Poor Wells. Everyone hates him for things that aren't even his fault.

The Bad Boy: Because every ensemble YA piece needs one. Bellamy's desires are pure, though. He just wants to rescue his little sister Octavia! So what if he almost kills the Chancellor? The Chancellor is Wells' father, and as you may remember, no one likes Wells. Bellamy also was the only one who knew that everyone was being sent to Earth, so he had time to research survival skills. Even though he's kind of a bastard, he's also probably the best chance for the 100's survival.

The Troubled, Running Away From Her Past Girl: Glass is the wimp who panics over being sent to Earth, and so in a move that I still am trying to comprehend, she escapes? At the last minute? But no one else does? And hides out in the space station, pining over her ex and the being generally depressed over the fact that she was imprisoned in the first place and her ex has moved on. Really, Glass serves no purpose in this plot other than keeping the reader up to date on what's going on up in space.

So, our four protagonists struggle down their own separate paths. The funny thing about this book is that with so many protagonists and perspectives and the whole thing about them being plopped on Earth, the first humans that Earth has scene in centuries...nothing actually happens. I mean, seriously. They fight, and argue, they draw alliances, some people get sick, they need medical supplies and then BAM! Flashback to life on the space ship. Every. Damn. Time.

Now, I like a good flashback. A good flashback takes you to an essential scene or moment, builds an emotional connection with the reader, and reveals your world. There are maybe like three good flashbacks in this novel. This novel is also approximately 40% flashback. This. Is. A. Problem. It's clear to me that there is a story, a very rich, very important story, in life on the space station. That's where this series needed to start.

I suppose my most essential problem with The 100 is that it has all of the elements of a good story, but they are haphazardly thrown together without a thought to continuity, readability, and...well, common sense. I could easily peel apart the flashbacks and present action and build two books around each part. Two very good, interesting books that promise sci-fi action and kissing. Instead, they got all mashed together and sacrificed character development along the way. And that's sad.

Now, another interesting tidbit: I went into this book knowing that it was the product of Alloy, the book packaging company (which means that a bunch of people who work at Alloy came up with this idea they thought they could sell and then hired Kass Morgan to write the book). Sometimes I really like what book packaging companies come up with--there is a reason that they are in business, after all. So, I thought I'd give it a shot. And...it was a miss.

BUT. THE PLOT THICKENS! I was wasting time on BuzzFeed the other day and LOOK! The 100 is the CW's newest sci-fi show! And if you watch the trailer on YouTube--IT LOOKS AWESOME!

FINAL VERDICT: Check The 100 out from your library if you really want to know how the plot flows and don't want to sit through an entire season of slowly revealed secrets. Just be prepared for the cliffhanger, TV-esque ending. And don't expect a lot from the character development. My suggestion? (I can't believe I'm saying this, but....) Skip the book, check out the TV show when it premiers midseason (exact date not certain, sometime late 2013).

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Senin, 22 September 2014

** Download Ebook This Is What Happy Looks Like, by Jennifer E. Smith

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If fate sent you an email, would you answer?

When teenage movie star Graham Larkin accidentally sends small town girl Ellie O'Neill an email about his pet pig, the two seventeen-year-olds strike up a witty and unforgettable correspondence, discussing everything under the sun, except for their names or backgrounds.

Then Graham finds out that Ellie's Maine hometown is the perfect location for his latest film, and he decides to take their relationship from online to in-person. But can a star as famous as Graham really start a relationship with an ordinary girl like Ellie? And why does Ellie want to avoid the media's spotlight at all costs?

Sales Rank: #187899 in Books
Published on: 2013-12-24
Released on: 2013-12-24
Original language: English
Number of items: 1
Dimensions: 8.25" h x 1.13" w x 5.50" l, .85 pounds
Binding: Paperback
432 pages

From School Library Journal
Gr 8 Up-This well-crafted, character-driven love story opens with an endearing prologue told in emails. When 16-year-old Ellie O'Neill accidentally starts an exchange with a stranger, she doesn't expect their virtual conversations to turn into a romance. But over the course of a few months, that's exactly what happens. Ellie doesn't know the boy's name until he shows up on her doorstep. He's Graham Larkin, a famous movie star whose next film just happens to be shooting in her quiet Maine town. While most of the girls are dying to be in her shoes, she has reservations. Ellie is the illegitimate daughter of a prominent politician, and her mom moved them to escape the unrelenting media. Now they struggle financially in order to maintain their privacy. Graham's life is anything but private. However, though he is handsome and wealthy, the teen is also lonely and uninspired. His parents, uncomfortable with his fame, choose to distance themselves from him, while his controlling manager wants Graham to date his beautiful costar for the good publicity. Despite those obstacles, Ellie and Graham sustain a sweet and genuine romance. Their chemistry is undeniable, and readers will wonder about their love story long after the last page. An excellent recommendation for fans of Maureen Johnson.-Kimberly Garnick Giarratano, Rockaway Township Public Library, NJα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
When “GDL” gets an e-mail address wrong, the surprise recipient, “EONeill,” decides to reply. The two develop a deep and intimate rapport despite guarding their true identities. But down-to-earth movie star Graham Larkin is certain that Ellie is someone special, and he lobbies to shoot his new movie in “the middle of nowhere, Maine,” Ellie’s hometown. Ellie is shocked to learn who Graham is, and she is anything but thrilled by the prospect of dating a teen heartthrob. Meanwhile, the paparazzi trailing Graham threaten to upturn the quiet, carefully constructed life Ellie and her mother have nurtured to smooth over a high-profile secret. The shared third-person narration lends a quiet insight into these two likable characters whose histories and flaws are relatable and fully fleshed out. The blend of celebrity glitz and small-town coziness gives this summer love story a pleasant frame, and it will leave readers wishing for more time with this endearing couple as the sun rises on their last morning together. Grades 8-11. --Heather Booth

Review
* "Engaging from the first page."―VOYA, starred review

"Like Smith's The Statistical Probability of Love at First Sight, this sweet novel has a premise worthy of the movies...[The] charming leads, smalltown backdrop, and absurdly romantic conceit will win hearts."―Publishers Weekly

"Utterly convincing...a cast of vivid, sympathetic characters whose fate matters to readers and keeps them turning the pages."―Kirkus Reviews

"The blend of celebrity glitz and small-town coziness gives this summer love story a pleasant frame, and it will leave readers wishing for more time with this endearing couple as the sun rises on their last morning together."―Booklist

"Ellie and Graham sustain a sweet and genuine romance. Their chemistry is undeniable, and readers will wonder about their love story long after the last page."―School Library Journal

"Undeniable chemistry...Ellie and Graham's connection, 'like the pull of a magnet, powerful and inevitable,' lingers on beyond their wistful but optimistic goodbye."―The Horn Book

Most helpful customer reviews

26 of 27 people found the following review helpful.
Beautiful Writing, Underwhelming Story
By Andrea T
This is What Happy Looks Like was surprising, to me. I read a review yesterday by Jen YA Romantics, that described it as a mix of You've Got Mail, Notting Hill, and What a Girl Wants. That's about as accurate of a description as I could ever hope to come up with.

What was surprising for me about This is What Happy Looks Like is that it was, hmm... underwhelming. Don't get me wrong, it was sweet, and charming. I liked the characters, but there was not a lot to keep me hooked. In fact, I put this down for three days because I got swept away in another series that was full of fun and passion and angst, highs and lows. And in comparison, this was just nice.

Smith is obviously an extremely talented author. I absolutely adored The Statistical Probability of Love at First Sight. I raved about it to all my friends for months, and credit it with making me love a boy named Oliver. Maybe that has caused me to judge this book a little too much. And though I liked Ellie and Graham, their portrayals were just sort of flat. I understood were they were coming from with their feelings and questions about their lives, but they didn't feel fully developed. I almost felt a true attachment to them and their story at certain points, the epic was just within reach, but then the story would move along and the feeling went away. Also, I would have like a least a smidge more resolution in the ending.

This Is What Happy Looks Like was a good, if underwhelming, story. I did like it, but will also say that I never fell in love with it. And I wouldn't discourage anyone from reading it, but I would also say to maybe be prepared to not be swept away.

17 of 19 people found the following review helpful.
THIS IS WHAT AMAZING LOOKS LIKE!!!
By Fly to the Sky
So to start off, I just want to put it out there that I am NOT a big fan of contemporaries. I mean there are a few authors in that category that I will read, but normally I'll stick to the more Sci-Fi and Fantasy aspects. Well Jennifer E. Smith is one of those authors I can't get enough of. A few months ago when I read The Statistical Probability of Love at First Sight, I fell in love with her writing style. So when I heard that she had a new book coming out with an amazing premise, I just had to pre-order it. And then I had to stay up until four in the morning to read it. (yeah, I'm the kind of person who does that, BUT only if I don't have school.) My point is This is What Happy Looks Like does not disappoint.

THE PROS

1.) The E-mails. The e-mails were funny and it was a great concept, although it might have made a bit more sense if they were texts. (More people text than use e-mail.)

2.) Dual POV. In The Statistical Probability of Love at First Sight, there was only Hadley's perspective, but in this book, both Ellie and Graham get there say.

3.) Ellie and Graham. I just loved bot of them. They come off as really shy around each other and it's really cute. I love Ellie's back story and why she has a reason for not wanting to be with Graham. So many times you read a book and the main characters are kept apart for stupid reasons, but here, it made sense.

4.) Graham's pig Wilbur.... You never actually get to meet him. :'( But I did think Graham's relationship with his pig was insanely sweet!

5.) The cover! I just LOVE the cover. It's just so pretty.

6.) Jennifer E. Smith's writing style. I've already said this, but I just love how she writes the story, she actually makes you feel connected.

7.) I loved the beginning. It was so funny how Graham was so let down about "Ellie" because the whole time I sat there laughing and thinking, "I know something you don't!!'

8.) I loved Graham and Ellie's jokes, like the whoopie pie one and also there funny stories. =D

THE CONS

1.) I would have liked to see more of the E-mails between Graham and Ellie before the author actually introduced them into the book.

OVERALL

In all, I really enjoyed this book. Jennifer E. Smith somehow manages to make her novels feel so real, like what is happening in them is totally possible. I though this book was a fantastic read.

WOULD I READ THIS BOOK: YES!!!!!!!
WOULD I BUY THIS BOOK: NO DOUBT ABOUT IT!!!!
WOULD I RECOMMEND THIS BOOK: To lovers of contemporaries or for people looking for a light funny read.

WILL I READ MORE BY THIS AUTHOR: YES!!!

7 of 8 people found the following review helpful.
Angieville: THIS IS WHAT HAPPY LOOKS LIKE
By Angela Thompson
Jennifer E. Smith gets the cutest covers in the world, doesn't she? I picked up The Statistical Probability of Love at First Sight almost entirely on the merits of its adorable cover alone. And when I saw the cover for THIS IS WHAT HAPPY LOOKS LIKE, I immediately began daydreaming about how happy they would look next to each other on my shelves--an activity I engage in all too often when it comes to books of a feather. And given how much I loved The Statistical Probability of Love at First Sight, I felt that my feelings for her next novel were sort of a foregone conclusion. Especially when you take into account the much-billed You've Got Mail meets Notting Hill premise. I ask you--who can resist the wild potential of that setup? No one. That is who. But one of the things I loved the most about The Statistical Probability of Love at First Sight was how it packed so much more of a punch that its name or cover suggested. It was deeper and wider than its slim-ish page count and 24-hour time period foretold. I don't think I realized going into this one how much I was counting on the same thing being true of it.

Ellie O'Neill and Graham Larkin don't know each other at all. Ellie is the daughter of an ex-waitress turned shop owner in the backwoods town of Henley, Maine. Graham is an all American kid turned movie star from California. The two have nothing at all in common (except perhaps a love for Charlotte's Web) until Graham mistypes a single email address, hits send, and it winds up in Ellie's inbox way on the other side of the country. His misplaced missive ignites what evolves into a lively correspondence in which the two teenagers exchange jokes, detail their day-to-day goings on, their hopes, their dreams, and ruminate on what "happy" looks like. Neither of them quite realize how much the burgeoning virtual friendship means to them until the location for Graham's upcoming rom-com falls through, and he finds himself suggesting Henley as a possible alternative. And with that one act, he somewhat wittingly, somewhat unwittingly sets the two of them on a collision course. The results are both enlightening and unexpectedly fraught as Graham finds a kind of home in the most unlikely of places and Ellie grapples with a secret she promised never to tell. Soon Graham's time in Henley will be up. And where will they go from there?

THIS IS WHAT HAPPY LOOKS LIKE has a great deal of charm going for it. Graham and Ellie are eminently likable. The lovable happenstance of their "meeting" is difficult to resist. And the small-town Maine setting is one I've enjoyed in the past and that is once again used to great effect here. Smith's writing is capable and occasionally lovely, if not as consistently so as it was in The Statistical Probability of Love at First Sight. One of the lovelier observations here:

"No matter how long it's been or how far you've drifted, no matter how unknowable you might be, there were at least two people in the world whose job it was to see you, to find you, to recognize you and reel you back in. No matter what."

I feel that one of Jennifer E. Smith's real strengths is the upfront, sensitive way in which she depicts families. Her characters' romantic entanglements are not resolved in place of their familial relationships, but as a result of their dealing with them first. Sometimes the one unfolds along with the other, and often they help one another work through their baggage. What I'm saying is their priorities are generally in order, and I dig that about Smith's characters (and her books). Like Hadley, Ellie struggles with father issues. These issues are, in fact, meant to be pivotal to the story. But where Hadley's felt incredibly real and meaningful to me, Ellie's rarely cross the border from the tepid into the profound. So when the plot takes a turn to explore that vein, I felt ambivalent when I should have been riveted. As for Ellie and Graham, I liked them all right. But I never truly fell for them in a way that made me unable to look away. They are both good people. They're good and they're well-intentioned and they're dedicated to achieving their goals for the future. I was happy that they found one another. I wanted them to find a way to be together. I just didn't feel compelled to stick around and watch it happen. They "looked" like happy to me, if you will, but they failed to inspire the real emotion behind the exterior. In the end, THIS IS WHAT HAPPY LOOKS LIKE has all the key elements of a competent, if somewhat bland romantic comedy, but it lacks that certain spark that makes it a keeper.

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Sabtu, 20 September 2014

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Lord Copper, newspaper magnate and proprietor of the Daily Beast, has always prided himself on his intuitive flair for spotting ace reporters. That is not to say he has not made the odd blunder, however, and may in a moment of weakness make another. Acting on a dinner party tip from Mrs. Algernon Stitch, Lord Copper feels convinced that he has hit on just the chap to cover a promising war in the African Republic of Ishmaelia. So begins Scoop, Waugh's exuberant comedy of mistaken identity and brilliantly irreverent satire of the hectic pursuit of hot news.

Sales Rank: #337917 in Books
Published on: 2012-12-11
Original language: English
Number of items: 1
Dimensions: 8.25" h x 1.00" w x 5.50" l, .60 pounds
Binding: Paperback
304 pages

Amazon.com Review
Evelyn Waugh was one of literature's great curmudgeons and a scathingly funny satirist. Scoop is a comedy of England's newspaper business of the 1930s and the story of William Boot, a innocent hick from the country who writes careful essays about the habits of the badger. Through a series of accidents and mistaken identity, Boot is hired as a war correspondent for a Fleet Street newspaper. The uncomprehending Boot is sent to the fictional African country of Ishmaelia to cover an expected revolution. Although he has no idea what he is doing and he can't understand the incomprehensible telegrams from his London editors, Boot eventually gets the big story.

From the Publisher
8 1-hour cassettes

About the Author
Evelyn Waugh (1903-1966), whom Time called "one of the century's great masters of English prose," wrote several widely acclaimed novels as well as volumes of biography, memoir, travel writing, and journalism. Three of his novels, A Handful of Dust, Scoop, and Brideshead Revisited, were selected by the Modern Library as among the 100 best novels of the twentieth century.

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86 of 87 people found the following review helpful.
A Satirical Tour de Force
By oh_pete
It's London in the 1930s and novelist John Boot thinks he'd be the best writer for a special correspondent's job in Ishmaelia, East Africa, where revolution is in the air. He very well may be, but no one will find out because the powers that be at the great London newspaper, "The Beast" (heated rival of "The Brute"), mistakenly send his distant cousin William Boot instead. Poor William, who works for the paper already and was perfectly happy sending in his two essays a month on "Lush Places," is pulled out of his comfortable country lifestyle and thrust toward a greatness so great he could only stumble upon it by accident.
"Scoop" is an unrelenting satire of the tabloid press of Waugh's day. While it's arguably the most clever and well structured of the six of his novels I have read, imagine how much funnier it would be today if the general public didn't know so much about how journalists (even at the most respectable, unjaundiced papers) gather their stories. William quickly learns how the Special Correspondents submit their "eyewitness accounts" of battle from cushy hotel rooms fifty miles from the fighting, how a telegram of ten words will get turned into three hundred and splashed on the front page. And if the paper isn't happy with one writer, they can't send another because the journey from England to Africa takes three weeks!
As he does in "Decline and Fall" and "A Handful of Dust," Waugh once again shows us an Englishman thrown into absurd circumstances beyond his control who won't or can't speak up to save himself the trouble. Where "Scoop" improves, or at least differs, from the earlier works, is that William Boot does speak up for himself and it still doesn't help. He's no fool, however, and at least ends up in a better place than several of Waugh's earlier protagonists.
It's probable that "Scoop" doesn't get read much by students anymore because of it's racist undertones (and epithets) and seemingly casual treatment of revolutions in post-colonial Africa. Racist or not, what Waugh is really doing is making fun of the human race in all its varied colors and idiosyncrasies. As always, he saves his most biting satire for his fellow English.
An extremely well constructed book, "Scoop" displays layer upon layer of absurd characters and situations that Waugh pulls expertly together in a most satisfying manner. I thought he had really outdone himself with "A Handful of Dust," but I find that "Scoop" is now my favorite. Enjoy!

40 of 40 people found the following review helpful.
Waugh's Comic Assault on Wartime Journalism
By A Customer
In October 1935, Italy invaded the independent African nation of Ethiopia. The Italo-Ethiopian War lasted less than eight months, Emperor Haile Selassie's kingdom falling quickly before Italy's modern weaponry. It was a little war that, nonetheless, implicated the great powers of Europe and foreshadowed the much bigger war to follow.
Evelyn Waugh was in his early 30s, already the author of four remarkable comic novels, when he accepted an assignment to cover the Italo-Ethiopian War for a London newspaper. The enduring result of that assignment was Waugh's fifth novel, "Scoop," a scathing satirical assault on the ethos of Fleet Street and its war correspondents, as well as on Waugh's usual suspects, the British upper classes.
The time is the 1930s. There is a civil war in the obscure country of Ishmaelia and Lord Copper, the publisher of the Beast newspaper, a newspaper that "stands for strong, mutually antagonistic governments everywhere," believes coverage of the war is imperative:
"I am in consultation with my editors on the subject. We think it a very promising little war. A microcosm you might say of world drama. We propose to give it fullest publicity. We shall have our naval, military and air experts, our squad of photographers, our colour reporters, covering the war from every angle and on every front."
Through the influence of Mrs. Algernon Stitch, Lord Copper soon identifies John Courteney Booth, a best selling popular author, as the right man to cover the war in Ishmaelia. Neither Lord Copper nor his inscrutable editorial staff, however, is especially well read or familiar with the current socially respectable literati. Amidst the confusion, Mr. Salter, the foreign editor, mistakenly identifies William Booth, country bumpkin and staff writer for the Beast, as the "Booth" to whom Lord Copper was referring:
"At the back of the paper, ignominiously sandwiched between Pip and Pop, the Bedtime Pets, and the recipe for a dish named `Waffle Scramble,' lay the bi-weekly column devoted to nature: --
Lush Places. Edited by William Boot, Countryman.
" `Do you suppose that's the right one?' "
" `Sure of it. The Prime Minister is nuts on rural England.' "
" `He's supposed to have a particularly high-class style: `Feather-footed through the plashy fen passes the questing vole' . . . would that be it?' "
" `Yes,' said the Managing Editor. That must be good style. At least it doesn't sound like anything else to me.' "
Thus, William Boot, Countryman, soon finds himself on his way to Ishmaelia to cover the civil war for the Beast. Boot hooks up with an experienced wire reporter named Corker along the way. Corker teachers Boot the ins and outs of covering the war, a war in which reportage comes from little more than the imagination of the journalists sent to cover it and the editorial policies of their papers. The real nature of the war correspondent's profession is suggested when Boot and Corker go to the Ishmaelia Press Bureau to obtain their credentials: "Dr. Benito, the director, was away but his clerk entered their names in his ledger and gave them cards of identity. They were small orange documents, originally printed for the registration of prostitutes. The space for thumb-print was now filled with a passport photograph and at the head the word `journalist' substituted in neat Ishmaelite characters."
Boot, despite his naivety and ignorance of the war correspondent's trade, inadvertently succeeds in trumping his more experienced journalistic competitors in reporting the war. Along the way, his adventures in Ishmaelia provide the perfect Waugh vehicle for a satiric dissection of the journalistic trade and of what passes as governance in the less developed parts of the world, where tribalism and nepotism more often than not underlie the veneer of ostensibly functioning political systems.
Boot, of course, returns to England, where he is now a household name. But one Boot is just as good as another, or so it seems. In the confusion of Boots, William, the real war correspondent, thankfully returns to his country home while his doddering, half-senile Uncle Theodore fulfills his role as the center of attention at the Beast and the prominent author John Courteney Booth (the man who started all this) mistakenly ends up with a knighthood intended for William.
"Scoop" is another brilliant Waugh comic send-up based on real-life experience, in this case his experience as a war correspondent in Ethiopia. It also is one of his best works, a little comic novel that will keep you in stitches from beginning to end.

28 of 29 people found the following review helpful.
A masterpiece of comic writing
By A.J.
A lot of books complain about the world, but here's a book that knows that there's a difference between what actually goes on in the world and what gets reported as news, and that the news is only as good as the people that report it. Inspired by his own experience as a foreign correspondent, Evelyn Waugh's "Scoop" is partly a satire of journalism, partly a spy story with a well-crafted plot, and totally a masterpiece of comic writing.
Civil war is brewing in a fictitious African country called Ishmaelia. In England, a successful novelist named John Courteney Boot would like to be sent there as a foreign correspondent/spy, so he gets a friend to pull some strings with the owner of a London newspaper called the Beast, a paper which "stands for strong mutually antagonistic governments everywhere." The paper's owner, Lord Copper, has never heard of Boot, but accedes to the request and has his Foreign Editor, Mr. Salter, set up the engagement. Salter mistakenly taps John's less famous, less talented cousin William Boot, who writes a dippy nature column for the Beast, to be the foreign correspondent in Ishmaelia. So off William goes, a large assortment of emergency equipment for the tropics in tow, including a collapsible canoe.
When William gets to Ishmaelia, he encounters several journalists from newspapers all over the world who also are looking for the big scoop on the war. The problem is that nobody knows what's going on, as there is no palpable unrest, and the country's government is an institution of buffoonery. The events in Ishmaelia are reminiscent of the circus-like atmosphere of Joseph Heller's "Catch-22." While the rest of the journalists take off to the country's interior on a red herring, William stays behind in the capital and meets a man who is at the center of the country's political intrigue and lets William in on exclusive information. William manages to turn in the big story and becomes a journalistic hero back in England.
Lovers of good prose will find much to savor in "Scoop"; practically every sentence is a gem of dry British wit. Waugh is comparable with P.G. Wodehouse in his flair for comic invention, and indeed William Boot is a protagonist worthy of Wodehouse -- a hapless but likeable dim bulb who triumphs through dumb luck.

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Jumat, 19 September 2014

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The fight is on. So let the battle begin.

Darien is no longer a lost outpost of humanity, but the prize in an intergalactic struggle. Hegemony forces control the planet, while Earth merely observes, rendered impotent by galactic politics. Yet Earth's ambassador to Darien will become a player in a greater conflict as there is more at stake than a turf war on a newly discovered world.
An ancient temple hides access to a hyperspace prison, housing the greatest threat sentient life has never known. Millennia ago, malignant intelligences were caged there following an apocalyptic struggle, and their servants work on their release. Now a new war is coming.

Sales Rank: #623600 in Books
Brand: Brand: Orbit
Published on: 2012-10-30
Original language: English
Number of items: 1
Dimensions: 6.75" h x 1.33" w x 4.25" l, .65 pounds
Binding: Mass Market Paperback
656 pages

Features

Used Book in Good Condition

Review
Praise for the Humanity's Fire trilogy:

"Proper galaxy-spanning Space Opera ... a worthy addition to the genre"―Iain M. Banks

"The invention is endless"―SFX

About the Author
Michael Cobley was born in Leicester, England and has lived in Glasgow, Scotland for most of his life. He has studied engineering, been a DJ and has an abiding interest in democratic politics.

His previous books include the Shadowkings dark fantasy trilogy and Iron Mosaic, a short story collection. Seeds of Earth, The Orphaned Worlds, and The Ascendant Stars, books one, two and three of the Humanity's Fire sequence, were his first full-length forays into space opera.

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4 of 4 people found the following review helpful.
High Fantasy in a space opera setting
By Manly Reading
As a long time reader of epic fantasy, this book seemed pretty familiar in a lot of ways. Cobley wrote a pretty good fantasy trilogy some years back, and Orphaned Worlds reads like a fantasy author writing space opera: in some places the reskinning appears pretty light on, and I could almost believe that it was first written as high fantasy and then rewritten as space opera. For me, that's not a problem, for purists, it may be.

This is a middle volume, building on Seeds of Earth and opening up new adversaries and new alliances. All of the old characters are back, although it does not necessarily end well for some (or indeed all) of them. We have a quest through the Tiers of Hyperspace - a nice concept - an ancient enemy revealing itself, and a whole lot of other twists and turns. There is not a lot of classical deep space ship to ship combat, but that's not what this story is about. I found the book gripping and enjoyable, and maybe because I am used to big sprawling plots, not overly complex - although to the degree there was confusion, I generally found it on the part of the characters not knowing what was going on around them rather than poor writing.

All up, I really enjoyed this, and now I'm sorry I had it sitting in the to-read pile for a year or so. Hopefully The Ascendant Stars is a suitable finish - and then there is apparently a 4th Humanity's Fire novel in the works.

3 of 3 people found the following review helpful.
Endless invention -- perhaps too much
By M. Milligan
On the Kindle site there's a quote from a review of this book by SFX that says "The invention is endless". That about sums it up. On the plus side, this is a wonderfully imaginative romp through endless layers of hyperspace, strange species, incomprehensible levels of intrigue; and if that's enough for you then it's a great read. I just got tired, about halfway through, of that same endless invention. I suppose the Tolkien books do somewhat the same thing (albeit with greater artistry), but my taste in adventure is for stories that create a strong central narrative and an interaction between protagonist and antagonist. That's all somewhere in this book, but it's buried in the confusing number (and relative lack on distinguishing characteristics) of the characters, the constant plot twists and the mind-numbing kaleidoscope of creatures, empires, histories and hyperspace levels. It's a triumph of inventiveness over story, and it didn't work for me.

3 of 3 people found the following review helpful.
Galactic Empires scramble for the remains of a Forerunner weapon.
By H. Ray Spitz
It is a space opera about several Galactic Empires converging on a single planet because it has a working Forerunner weapon system on it. Humanity is very much a junior player. And the weapon system has a mind of its own. (Reminds me of something, let me think...)
The author's concept of tiers of hyperspace containing the remains previous universes reminds a bit of astral space and the concept of the remains of a previous creation and Qliphothic shells. I wonder if that was intentional. Overall, a pretty good read.

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Jumat, 26 September 2014

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