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This edition features exclusive movie cover art!
Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.
Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them.
In a town with no surprises, one secret could change everything.
- Sales Rank: #648697 in Books
- Published on: 2012-11-20
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x 1.38" w x 4.25" l, .60 pounds
- Binding: Mass Market Paperback
- 592 pages
Amazon.com Review
Ethan Wate is struggling to hide his apathy for his high school "in" crowd in small town Gatlin, South Carolina, until he meets the determinedly "out" Lena Duchannes, the girl of his dreams (literally--she has been in his nightmares for months). What follows is a smart, modern fantasy--a tale of star-crossed lovers and a dark, dangerous secret. Beautiful Creatures is a delicious southern Gothic that charms you from the first page, drawing you into a dark world of magic and mystery until you emerge gasping and blinking, wondering what happened to the last few hours (and how many more you're willing to give up). To tell too much of the plot would spoil the thrill of discovery, and believe me, you will want to uncover the secrets of this richly imagined dark fantasy on your own. --Daphne Durham
Amazon Exclusive Interview with Kami Garcia and Margaret Stohl, Authors of Beautiful Creatures
What does your writing process look like? Is it tough to write a book together? Did you ever have any knock-down drag-out fights over a plot point or character trait?Margie: The best way to describe our writing process is like a running stitch. We don't write separate chapters, or characters. We pass the draft back and forth constantly, and we actually write over each other's work, until we get to the point where we truly don't know who has written what.
Kami: By the end of the book, we don't even know. The classic example is when I said, "Marg, I really hate that line. It has to go." And she said, "Cut it. You wrote it."
Margie: I think we were friends for so long before we were writing partners that there was an unusual amount of trust from the start.
Kami: It's about respect. And it helps that we can't remember when who wrote the bad line.
Margie: We save our big fights for the important things, like the lack of ice in my house or how cold our office is. And why none of my YouTube videos are as popular as the one of Kami's three-fingered typing…okay, that one is understandable, given the page count for "Beautiful Creatures."
Kami: What can I say? I was saving the other seven fingers for the sequel.
What kinds of books do you like to read?Kami: I read almost exclusively Young Adult fiction, with some Middle Grade fiction thrown in for good measure. As a Reading Specialist, I work with children and teens in grades K-12, so basically I read what they read.
Margie: When I write it comes from the same place as when I read: wanting to hang out with fictional characters in fictional worlds. I identify more as a reader than a writer; I just have to write it first so I can read it.
What books/authors have inspired you?Kami: "To Kill a Mockingbird" by Harper Lee, "A Good Man is Hard to Find & Other Stories" by Flannery O'Connor, "Fahrenheit 451" by Ray Bradbury and "The Witching Hour" by Anne Rice. I also love Pablo Neruda.
Margie: I think Harper Lee is the greatest writer alive today. Eudora Welty is my other Southern writer kindred; I was obsessed with her in grad school. Susan Cooper and Diana Wynne Jones made me love fantasy, and my favorite poets are Emily Dickinson (at Amherst College, I even lived on her street) and Stevie Smith.
Did you set out to write fiction for young adults? Why?Kami: We actually wrote "Beautiful Creatures" on a dare from some of the teen readers in our lives.
Margie: Not so much readers as bosses.
Kami: Looking back, we wrote it sort of like the serialized fiction of Charles Dickens, turning in pages to our teen readers every week.
Margie: And by week she means day.
Kami: When we were getting texts in the middle of the night from teens demanding more pages, we knew we had to finish.
Margie: As it says in our acknowledgements, their asking what happened next changed what happened next. Teens are so authentic. That's probably why we love YA. Even when it's fantasy, it's the emotional truth.
A lot of us voracious readers like to cast a book after reading it. Did you guys have a shared view of who your characters are? Did each of you take a different character to develop, or did you share every aspect?Kami: We've never cast our characters, but we definitely know what they look like. Sometimes we see actors in magazines and say, "Lena just wore that!"
Margie: We create all our characters together, but after a point they became as real as any of the other people we know. We forget they're not.
Kami: I never thought of it like that. I guess we do spend all our time talking about imaginary people. Margie: So long as it's not to them…
Did you always plan to start the book with Ethan's story? Why?Kami: We knew before we started that we wanted to write from a boy's point of view. Margie and I both have brothers—-six, between us-—so it wasn't a stretch. It's an interesting experience to fall in love with the guy telling the story rather than the guy the story is about.
Margie: We do kind of love Ethan, so we wanted there to be more to him than just the boy from boy meets girl.
Kami: He's the guy who stands by you at all costs and accepts you for who you are, even if you aren't quite sure who that is.
What is on your nightstand now?Kami: I have a huge stack, but here are ones at the top: "Mama Dip's Kitchen," a cookbook by Mildred Council, "The Demon's Lexicon" by Sarah Rees Brennan, "Shadowed Summer" by Saundra Mitchell, "Rampant" by Diana Peterfreund, and an Advanced Reader Copy of "Sisters Red" by Jackson Pearce.
Margie: I have Robin McKinley's "Beauty," Maggie Stiefvater's "Ballad," Kristen Cashore's "Fire," Libba Bray's "Going Bovine," and "Everything Is Fine" by AnnDee Ellis. And now I'm mad because I know a) Kami stole my "Rampant" and b) didn't tell me she has "Sisters Red"!
What is your idea of comfort reading?Kami: If given the choice, I'll always reach for a paranormal romance or an urban fantasy. I also re-read my favorite books over and over.
Margie: It's all comfort reading to me. I sleep with books in my bed. Like a dog, only without the shedding and the smelling.
Have you written the next book already? What's next for Lena and Ethan?Margie: We are revising the next book now. I don't want to give too much away, but summer in Gatlin isn't always a vacation.
Kami: I would describe book two as intense and emotional. For Ethan and Lena, the stakes are even higher.
Margie: That's true. Book two involves true love, broken hearts, the Seventeenth Moon, and cream-of-grief casseroles…
Kami: Gatlin at it's finest!
From School Library Journal
Grade 7 Up—Ethan Wate, a high school sophomore, plans to escape his small Southern town as soon as he can. Life has been difficult since his mother died; his father, a writer, has withdrawn into his study. Then Lena Duchannes arrives, and this strange new girl is the very one who has been occupying his dreams. She and her kin are Casters, beings who have supernatural powers. Getting to know her exposes Ethan to time travel, mortal danger, and love. The teens can hardly bear to be apart, but Lena's 16th birthday, when she will be Claimed for dark or light, is only 6 months away. To save her, they fight supernatural powers and the prejudice of closed-minded people. Yet, good and evil are not clearly delineated, nor are they necessarily at odds. In the Gothic tradition of Anne Rice, the authors evoke a dark, supernatural world in a seemingly simple town obsessed with Civil War reenactments and deeply loyal to its Confederate past. The intensity of Ethan and Lena's need to be together is palpable, the detailed descriptions create a vivid, authentic world, and the allure of this story is the power of love. The satisfying conclusion is sure to lead directly into a sequel. Give this to fans of Stephenie Meyer's Twilight (Little, Brown, 2005) or HBO's "True Blood" series and they will devour all 600-plus pages of this teen Gothic romance.—Amy J. Chow, The Brearley School, New York City
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Ethan has lived in Gatlin, South Carolina, his whole life, as have generations of his family. If there’s one thing he knows, nothing changes. Enter Lena Duchannes, and suddenly nothing is the same. Like most southern gothics, this story hides a secret, one that links Ethan’s and Lena’s families. Otherworldly elements abound: Lena, from a family of spell casters, is waiting for her sixteenth birthday to see if she’ll be claimed by the Light or the Dark. Meanwhile, Lena and Ethan, who can read each other’s thoughts, are traveling back in time to the Civil War, when two star-crossed lovers meet their fates. Throw in secret mystical libraries, a literal witch hunt, dead parents, and the snarky girls and sports teams of high school, and there’s a lot going on here. Maybe too much. The 600-plus pages could have been cut to make a tighter, better story. Despite the bulk, there’s plenty teens will like: romance, magic, hauntings, and the promise of more to come. Grades 9-12. --Ilene Cooper
Most helpful customer reviews
1322 of 1373 people found the following review helpful.
interesting, with a new twist
By Tabitha
I liked this book. It was interesting, the paranormal aspects were fairly unique, and I love a story with a long family history like this one has.
But I just liked it. It never grabbed me by the throat and demanded that I keep reading. I think, mostly, this was because the pacing was off. There was too much time during the story when I was relaxed and not worried about whether the characters were going to get out of trouble. Sure, there were intense moments when I was glued to the pages, but then things slowed down too much and I was lulled into a strange sense of security. This made it too easy to set the book down.
The characters weren't as developed as I wanted them to be, either. Ethan's voice felt too feminine to me. Actually, when I first started reading, I thought the story was from Lena's perspective, just based on the voice. Then, after I adjusted to Ethan's voice, he didn't feel real to me. His entire character felt cliche, like the teenage girl's ideal boyfriend, not what boys are actually like (I think another reviewer said this, and I couldn't agree more).
Then there was the setting. It didn't *feel* like the south. To me, the story could have taken place in any rural situation. We didn't get a sense of southern culture, which is so unique and could have had an amazing impact on the story. A really good example of southern setting, by the way, is Shadowed Summer by Saundra Mitchell. Great book. But I digress...
Beautiful Creatures is a good story. I think it could have been great if it had been shorter, which would have increased the tension and kept the reader glued to the pages through the whole story. Or, at least, if it had a bit more depth to it with the characters and setting. Overall, the only thing that really set it apart was the paranormal aspect, which was really interesting and unique. Unfortunately, it's not enough.
Total side note: I find it interesting, and a little sad, that so many people here are voting against the reviews that don't give high stars, even when the review is fair and well-written. After all, different opinions are what make the world an interesting place. Expecting everyone to agree with you just turns us all into lemmings. :)
459 of 536 people found the following review helpful.
An excellent read
By Dragon Quill
I have never really liked romance plots, and most of the time I despise YA romance. I don't think I will ever much like either, and my track record will most likely show cynical remarks for everything from the movie Titanic to Twilight to Pride and Prejudice and especially Romeo and Juliet. But Beautiful Creatures is an anomaly on that review record. Because I didn't just enjoy Beautiful Creatures. I loved it. And not just because there's magic in it.
First I loved the return to 1990's modern fantasy! For anyone who doesn't know what that amounts to: witches. Not ones with a special, hidden school (under no circumstances, however, am I complaining about Harry Potter) but the ones who hide in plain sight. Sabrina the Teen Age Witch. Disney Channel's Halloween movies. TNT's Charmed. Casper the Ghost. Having grown up with books and TV shows such as those, the return to witches and curses and dark charmed objects is more than welcome. But even if you won't be on the nostalgia train with me, the witch element should be welcome to anyone even remotely tired of faeries/fairies, angels, demons, werewolves, and (dare I say it?) vampires.
Second I loved the incorporation of 90s fantasy with 21st century style--something I'm sure fans of the current YA will enjoy. What I mean is a first person story that moves quickly. This novel moves quick, sucking the reader right along. Yet, even when incorporating the 21st century style, Beautiful Creatures still manages to be different: it's first person, through the guy's POV. Kinda neat.
The third thing I loved is the length of this novel. Most YA these days is rushed, even if it is long, and it doesn't seem properly developed. Rushed, in musical terms, like things were cut out. But Beautiful Creatures has substance to it, but every scene still matters, and for once I wasn't saying, "I wish it had more to it." In other words, the novel feels complete, and it wasn't just a three hour read.
And the fourth (and grudgingly most important)thing I loved about Beautiful Creatures was the love story, which was beautifully done. The authors made fabulous choices. For one thing, it's first person, through the dude's POV, which cuts out all the fawning and whining and obsessiveness of the female's POV. For another thing, little time is wasted on the crush-developing stages. It just happens, rather than dragging the reader through months of "Does she like me? Does she hate me? Was that a smile at me?"
Most importantly in that important point is that Ethan and Lena's relationship IS special, where other YA relationships just claim to be special and "true." I'm not calling it true love or anything, just that their relationship feels genuine. And that the fantasy elements (with the witches and all) are integral to it all. In other words, rather than fantasy elements being slapped on to make it "cool," they serve a legitimate purpose in the story, and they make Ethan and Lena's relationship stronger and better.
In the end, I highly recommend this read to anyone. I enjoyed it immensely. I didn't roll my eyes like I usually do at romance 'stuff'. It wasn't cliche or corny. I didn't want to gag at two teenager's supposedly "true" love for each other. Rather, I enjoyed the world, enjoyed the setting especially (small town in the South?), appreciated the fact that high school wasn't portrayed as it usually is in books and movies. And while there will undoubtedly be those who disagree with me, this novel has my full stamp of approval, and I can't wait until the sequel...if there is one, which I hope there will be.
72 of 88 people found the following review helpful.
Poor writing, poor editing
By Amazon Customer
I purchased this on CD to listen to on a long car trip. At first I told myself to just sit back and enjoy what I came to think of as "southern fried gothic," and I did find myself moderately entertained and even laughing at some of the humor. As I listened, I considered that maybe the authors were knowingly parodying some of the overheated gothic romances I'd read in my early teens (Victoria Holt, anyone?), as well as the current fad for teen paranormals. But by the time I got through all seventeen hours of it (it was a long trip), I was pretty sure there was no parodying going on at all. The fact is, the bones of a pretty decent story are here, but the bones are barely visible under a pile of potboiler nonsense. Probably half of this could have been excised with no detriment to the storyline. The book is episodic in nature -not something I have a problem with, but too much time is given to episodes that don't really advance the story. For such a lengthy book, the characters themselves are not fully fleshed out, to the point where most of them might as well be cardboard cut-outs. Examples: after seventeen hours, I don't find Lena at all compelling, mainly because I know so little about her. Another example is the villain of the piece. At the end of the book, we find out who it is, but no explanation is given for why or what the villain hopes to gain; the only reason seems to be that some people are good and some people are bad, end of story. Evil for its own sake, I guess. Over and over again, we're on the point of learning key information and over and over, that information is withheld or doled out so slowly that I just ceased to care. This lack of information is explained very late in the book to be a plot point on its own, but honestly, I need a little more to go on. Another problem is that the characters have the same conversations over and over again, or the same action repeats over and over, but not in a way that advances the story or gives any insight into the characters' motivations (Lena thinks she's going bad. Gatlin is an intolerant town. Are Lena and Ethan boyfriend/girlfriend, or what?). At the end of the audio version, there is an interview with the authors conducted by the book's editors, and it's mentioned that the book completely changed during the editing process. I was honestly left scratching my head; didn't the editors think all of these things should be addressed? Or have the folks at Little, Brown decided that in the wake of Twilight's success, they don't need to worry about publishing quality material because the book-buying public doesn't know the difference?
Two other things will keep me from coming back for the sequel. A huge theme in this book is tolerance. As another reviewer stated, the references to To Kill a Mockingbird are many and varied. I assume this is because the authors admire it. Yet, for a couple of authors who clearly think tolerance is a good thing, they seem to be lacking some of their own. First, their attitude to the town of Gatlin, which seems to be standing in for the entire South, is one of unrelieved and stereotypical negativity, apart from maybe the food being pretty good. Otherwise, it seems to be a complete Peyton Place, riddled with hypocrisy, unfaithful spouses and bigotry. Now, I am not from the Deep South, but I am from Texas, where Confederate pride is alive and well. No place is completely without its redeeming features, and being told over and over again "this was Gatlin" as an excuse for some horrible piece of behavior was just bad story-telling. The second thing was that at several points during the story, it became clear that one or possibly both of the authors have problems with fat people. One of the high school cheerleaders isn't treated too kindly by the authors, but in addition, both Uncle Macon and the villain have overly negative comments to make about overweight people that seemed completely irrelevant to the plot. In fact, the mere fact of the townsfolk being overweight or "stuffing their faces" was given by these two characters as a reason for the townsfolk being so horrible. (Ironic, considering the loving attention given to Amma's cooking.) As I was listening to these sections, it occurred to me that if blacks or gays were referred to in such negative terms deemed OK when aimed at a fat person, this book would never have been published at all.
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