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Vile Bodies, by Evelyn Waugh
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In the years following the First World War a new generation emerged, wistful and vulnerable beneath the glitter. The Bright Young Things of 1920s London, with their paradoxical mix of innocence and sophistication, exercised their inventive minds and vile bodies in every kind of capricious escapade. In these pages a vivid assortment of characters, among them the struggling writer Adam Fenwick-Symes and the glamorous, aristocratic Nina Blount, hunt fast and furiously for ever greater sensations and the hedonistic fulfillment of their desires. Evelyn Waugh's acidly funny satire reveals the darkness and vulnerability beneath the sparkling surface of the high life.
- Sales Rank: #820761 in Books
- Brand: Waugh, Evelyn
- Published on: 2012-12-11
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 1.25" w x 6.50" l, 1.05 pounds
- Binding: Hardcover
- 304 pages
About the Author
Evelyn Waugh (1903-1966), whom Time called "one of the century's great masters of English prose," wrote several widely acclaimed novels as well as volumes of biography, memoir, travel writing, and journalism. Three of his novels, A Handful of Dust, Scoop, and Brideshead Revisited, were selected by the Modern Library as among the 100 best novels of the twentieth century.
Most helpful customer reviews
68 of 69 people found the following review helpful.
Typically amusing Waugh
By Westley
I read my first book by Waugh a few months ago and have become a huge fan, "Vile Bodies" being the fourth Waugh book I've read. Although not a sequel to his first novel, "Decline and Fall," "Vile Bodies" includes several of the same characters and has a similar satiric tone. You do not, however, have to have read "Decline and Fall" to enjoy this book.
The main plot concerns a group of young people from London's "bright young generation." They have monied parents and spend most of their time searching for the next party and amusing fad. The protagonist is Adam Fenwick-Symes, a poor writer who manages to live the highlife by being a hanger-on. He is in love with Nina Blount, but cannot marry her because of his economic status. The book chronicles his attempts at making enough money to marry Nina. As with other Waugh books, the characters are passive and do not really do anything, but they manage to have some terrible things happen to them!
The supporting characters are extremely funny, including the modern Agatha Runcible, the revolving line of Prime Ministers, and the various people who become the columnist Mr. Chatterbox. Of course, as with all of the Back Bay Books editions of Waugh's books, the cover and style are lovely. If you love Waugh, you'll love this book. Highly recommended.
37 of 38 people found the following review helpful.
Vile Bodies as 1930s remake of Through the looking glass
By A Customer
What seems to be most missed by readers of Vile Bodies is the supposedly cold ironic author's sympathy for the Bright Young Things he's writing about. So they're empty, loveless, superficial, but they are also the animating force of the novel (1930 was a turgid time of Depression), inventive, amusing, some are even likeable. The love scene between Adam and Nina is very moving behind the brutally ironic mode of its narration - we sense two very scared naive human beings who live by appearances struggling as the reality of the situation hits them. The young people act as they do because their society has no moral centre they can cling to. Parents are mentally unstable and reckless, judges allow young girls to die stupidly in their company, prime ministers are lecherous old codgers, aristocratic grands dames are white slave traders, and religion is either a stepping stone for power (Rothschild) or a vulgarised money-grubbing circus (Miss Ape). By contrast, the Things' aimless frivolity is something of an understandable rebellion in the face of this example from their elders. So ineffectual is the Establishment that the two characters who do wish to settle down in the conservative state of marriage, however sincere or otherwise, are constantly hindered. Ironically, the form of the book is fragmentary, mirroring the society it portrays, but it is the exploits of the Things that bring it together, give it a unifying force. The book is epigraphed by two quotes from Through the looking glass: like Alice, ordered hierarchical society looks at itself, and sees a mad whirling spinning top going madly out of control. Like Thomas Pynchon's Maxwell Demon, the more energy it expends the quicker it reaches inertia. The war at the end isn't literal (we are never given any wider political dimensions). Adam is flung off the merry-go-round into a bleak, dismal hell of his own making, a life without any meaningful ties to shore up against the ruins. A very moving, terrifying, sad, comic masterpiece from the century's funniest writer.
14 of 15 people found the following review helpful.
Idiots and savants
By A.J.
The great thing about Evelyn Waugh is that the humor of his novels transcends their era. You don't have to know anything about English society of the 1920s to be entertained by "Vile Bodies" because Waugh's style relies on fundamentally silly characters, wry dialogue, piercing intelligence, and manic energy more than on contemporary culture, events, and figures. What makes his humor unique is that he can be irreverent without being tasteless, which seems an amazing concept since modern comedy has made the terms "irreverent" and "tasteless" practically synonymous. Few novels can elicit from me at least one paroxysm of audible laughter, but "Vile Bodies" succeeds in this feat, as does most of Waugh's work.
"Vile Bodies," one his earlier novels, is prototypical of his career, featuring a protagonist who is beleaguered by misfortunes but manages to rise to certain challenges. Adam Fenwyck-Symes is a young author who would like to marry his girlfriend Nina Blount but doesn't have enough money to support her, and he has to write twelve books before he can get a decent advance from his publisher. For the time being, he rents a room at a boarding house run by a woman named Lottie Crump and inhabited by a disparate group of idiots including the deposed king of Ruritania.
Adam petitions Nina's father, a retired colonel who is either senile or eccentric or both, a wealthy man who's too cheap to buy a car or pay for bus fare but enthusiastic enough about the cinema to blow all his money on the production of a film about Methodism founder John Wesley, for some financial aid, but the old man's strings can't be pulled so easily. A ray of hope is offered in the form of the suicide of a local rag gossip columnist named Simon Balcairn who assumes the nom de plume of Mr. Chatterbox. Adam fills in for the deceased hack, documenting the antics of the partying crowd, nonchalantly embellishing and inventing items to make the proceedings more interesting to his readers and himself.
Waugh is brilliant in the way he constructs an episodic novel within the context of an overarching plot, each of his characters usually having one distinct idiosyncrasy that contributes something significant to the story. One episode consists of a drunken Major who bets Adam's money on a sure horse but never makes it clear whether Adam will ever get his money back. Another memorable scene is an automobile race attended by Adam and a few of his friends, including Agatha Runcible, a young lady who nearly immolates herself by carelessness with her discarded cigarettes. And perhaps the most salient extraneous character is Mrs. Melrose Ape, an American evangelist who travels with a chorus of winged "angels," each named after a Virtue. (Chastity's persistent misconduct with strange men is troublesome to the troupe.) Virtue or not, Discontent could never be as Divine as one of Waugh's novels.
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