* PDF Ebook Snow White & the Huntsman, by Evan Daugherty, John Lee Hancock, Hossein Amini

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A breathtaking new vision of a legendary tale. Snow White is the only person in the land fairer than the evil queen who is out to destroy her. But what the wicked ruler never imagined is that the young woman threatening her reign has been training in the art of war with a huntsman who was dispatched to kill her.

• Sales Rank: #338786 in Books
• Brand: Poppy
• Published on: 2012-06-05
• Released on: 2012-06-05
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .75" w x 5.50" l, .53 pounds
• Binding: Paperback
• 240 pages

About the Author
Lily Blake, Evan Daugherty, John L. Hancock, Hossein Amini

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12 of 13 people found the following review helpful.
Disappointing
By OnlyRichard
This had the potential to be a really fantastic book. Maybe its because I am an author myself, but I was very disappointed with the storytelling. Descriptions were relegated to "gray" all the time. Emotions and events that could have been explored were glossed over. Battle scenes were left to, "Eric dodged every blow sent his way." Snow White was angry and filled with loathing, which is out of character from what I know of her (and granted, I don't know everything!). I was glad that I had seen the movie mid-way through reading this, because otherwise, if I had read this first, I might never have watched it. I feel that this was a waste of the money I spent. I was hoping for more insight into the characters. :\

6 of 7 people found the following review helpful.
Adequate novelization adds some interesting insight into the film's storyline...
By Ruth Anderson
Snow White & the Huntsman was one of my most anticipated films of the summer, and a theater-going experience that left me with decidedly mixed feelings. I loved the visuals and the hints of a unique and fresh take on the Snow White story thanks to charismatic performances by Charlize Theron as Ravenna and Chris Hemsworth as the Huntsman. But overall I felt the film was decidedly lacking in the plotting and character development areas -- with so much potential only partially realized on-screen, I was left wanting more -- and with that aim in mind I decided to investigate the movie novelization. Film novelizations are very iffy propositions, more often than not a slap-dash attempt to capitalize on a movie's popularity. For the most part this SWATH adaptation is a mediocre work of fiction, falling into the same traps as its filmic inspiration -- too enamoured with Snow's world instead of the story's characters. But at best this slim volume offers some interesting additional tidbits of insight into the Huntsman and the Queen, and leaves me hoping for a more character-driven, satisfying second outing, if/when the SWATH sequel comes to pass.

The novelization offers some background information on Ravenna and her brother Finn -- apparently her coup against Snow's father was in retaliation for his attack on her family. Interestingly enough in the film there is no sense that Snow's father was guilty of this crime, no concept of a blood-feud, but it does add an interesting contextual shade to the Snow/Ravenna relationship. The novelization also (thankfully) white-washes at the least the incestuous overtones between Ravenna and her brother Finn, explaining away their almost "mystically" close relationship as a result of their mother's powerful curse.

The best (and I used that term loosely) aspect of this novelization is in the increased depth and insight it brings to bear on the characters of Snow White and the Huntsman (the latter is actually given a name -- Eric) and their relationship. Thanks to having the visual of Chris Hemsworth as the Huntsman firmly ingrained in my imagination, I positively relished any extra nugget of insight into the Huntsman's character, background, and view of Snow White (yes, I am a SAP). :)

While Snow and the Huntsman fare the best in the novel, William is white-washed into a bland, barely-there supporting role (he fares much better in the film thanks to Sam Clafin's energetic performance). I think part of the issue is the fact that both Snow and William are seventeen in the book, and while watching the film I reckoned them both a (slightly) more mature early twenty-something. The story's fascination with Snow-as-savior fares marginally better here, in part due to the fact that since most of the novel is told from her point-of-view, we are a little more invested in seeing her "rise to the occasion" to vanquish Ravenna and reclaim her throne.

As novelizations of scripts go, this one does a decent job of translating the SWATH story to the page with adequate if uninspiring prose. It's a quick, fluffy read, and while it does add a few interesting details that expound on the film (most notably, perhaps, there is no ambiguity as to who Snow White favors romantically -- and in this case I couldn't agree with her more!), but like the film that inspired it this is a story that is more concerned with style and world-building than character substance. Hopefully some of these issues will be rectified in the script for SWATH 2...I dearly hope so. The Huntsman deserves it. :)

1 of 1 people found the following review helpful.
Cool idea, needed better development
By Quinn Garner
I haven't seen the movie, so didn't know what to expect exactly. I bet the costumes are great and I would like to see it even though the book was mediocre. For the book, I liked how all of the elements from the original fairy tale were present. I liked that the Huntsman was a fractured hero. Not too saccharin. I liked that Snow White was brave and determined. She was the only one with a vision of a better way of life and was willing to pursue it to her own death if needed to help her people. But ultimately what was a cool idea for re telling a familiar story was executed without really engaging the heart of the story. What is the point of the story of Snow White? The point is that purity of heart, courage and self-sacrifice create a future of better lives and possibilities for those around us. Goodness wins and in winning creates a new world where the Queen's evil can no longer rule others or create their partial destruction. The themes of good and evil collide in the Huntsman and in the women who disfigure their own children to keep them from the Queen's need for fresh youth. Another theme that could have been explored more thoroughly is old vs. young. Ravenna is old and treacherous, intent on keeping her power at all cost. Snow White is young. Eric is young'ish. William is young. The Duke is old too. He doesn't support change until Snow White says she will face the Queen no matter what.

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A novel written by a veteran of the war in Iraq, The Yellow Birds is the harrowing story of two young soldiers trying to stay alive.

"The war tried to kill us in the spring." So begins this powerful account of friendship and loss. In Al Tafar, Iraq, twenty-one-year old Private Bartle and eighteen-year-old Private Murphy cling to life as their platoon launches a bloody battle for the city. Bound together since basic training when Bartle makes a promise to bring Murphy safely home, the two have been dropped into a war neither is prepared for.

In the endless days that follow, the two young soldiers do everything to protect each other from the forces that press in on every side: the insurgents, physical fatigue, and the mental stress that comes from constant danger. As reality begins to blur into a hazy nightmare, Murphy becomes increasingly unmoored from the world around him and Bartle takes actions he could never have imagined.

With profound emotional insight, especially into the effects of a hidden war on mothers and families at home, The Yellow Birds is a groundbreaking novel that is destined to become a classic.

• Sales Rank: #285758 in Books
• Brand: Little, Brown and Company
• Published on: 2012-09-11
• Original language: English
• Number of items: 1
• Dimensions: 8.75" h x 1.00" w x 5.75" l, .79 pounds
• Binding: Hardcover
• 240 pages

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Amazon.com Review
Amazon Best Books of the Month, Debut Spotlight, September 2012: With The Yellow Birds, Kevin Powers introduces himself as a writer of prodigious talent and ambition. The novel opens in 2004, when two soldiers, 21-year-old Bartle and the teenaged Murphy, meet in boot camp on the eve of their deployment to Iraq. Bartle, bound by a promise to Murphy's mother to guide him home safely, takes the young private under his wing as they move through the bloody conflict that "rubbed its thousand ribs against the ground in prayer." Powers, an Iraq veteran, eyes the casual violence of war with a poet's precision but without romanticism, moving confidently between scenes of blunt atrocity and almost hallucinatory detachment with Hemingway-like economy and prose that shimmers like desert heat. Compact and emotionally intense, The Yellow Birds joins a maturing and impressive collection of Iraq War literature--both memoir and fiction--that includes Brian Castner's The Long Walk and Ben Fountain's Billy Lynn's Long Halftime Walk. --Jon Foro

Review
"A remarkable first novel...The Yellow Birds is brilliantly observed and deeply affecting: at once a freshly imagined bildungsroman about a soldier's coming of age, a harrowing story about the friendship of two young men trying to stay alive on the battlefield in Iraq, and a philosophical parable about the loss of innocence and the uses of memory...Extraordinary."―Michiko Kakutani, New York Times

"The Yellow Birds might just be the first American literary masterpiece produced by the Iraq war."―Los Angeles Times

"An elegiac, sober, and haunting coming-of-age war story."―TIME

"The first great Iraq War novel."―Darren Reidy, Rolling Stone

"A first novel as compact and powerful as a footlocker full of ammo....Kevin Powers has something to say, something deeply moving about the frailty of man and the brutality of war, and we should all lean closer and listen."―Benjamin Percy, New York Times Book Review

"An exquisite excavation of the war's moral and psychological wreckage. Powers evokes the peculiar smell and feel of the war better than any journalist."―The New Yorker

"Darkly beautiful....How to tell a true war story if you're more a poet than a novelist? Tell it as a poet would. Tell it as Kevin Powers does."―Alan Cheuse, NPR's All Things Considered

"A novel of grit, grace, and blood by an Iraq war veteran....Kevin Powers moves gracefully between spare, factual description of the soldiers' work to simple, hard-won reflections on the meaning of war."―Ron Charles, Washington Post

"An unusually spare and lyrical war story....The characters are sketched with as much heart as economy...Like the Iraq heat, which 'had the surprising effect of reducing one to tears in an instant,' The Yellow Birds skulks along, detached and undemanding, until all of a sudden you turn a page and find yourself weeping."―GQ

"The All Quiet on the Western Front of America's Arab wars."―Tom Wolfe

"The Yellow Birds is harrowing, inexplicably beautiful, and utterly, urgently necessary."―Ann Patchett

"Veteran Kevin Powers's searing debut novel brings the Iraq War home in compelling detail....The Yellow Birds is luminous...an indispensable portrait of the Iraq War and its impact of those who fought it."―Men's Journal

"Kevin Powers' The Yellow Birds is written with an intensity which is deeply compelling; every moment, every memory, every object, every move, are conjured up with a fierce and exact concentration and sense of truth."―Colm Toibin

"This is a novel I've been waiting for. The Yellow Birds is born from experience and rendered with compassion and intelligence."―Alice Sebold

"Compelling, brilliantly written, and heart-breakingly true, The Yellow Birds belongs in the same category as Tim O'Brien's The Things They Carried and Norman Mailer's The Naked and the Dead. Thus far the definitive novel of our long wars in the Middle East; this book is certain to be read and taught for generations to come."―Philipp Meyer, author of American Rust

"Reading The Yellow Birds I became certain that I was in the presence of a text that will win plaudits, become a classic, and hold future narratives of the war to a higher standard....a superb literary achievement."―Chris Cleave

"Powers has created a powerful work of art that captures the complexity and life altering realities of combat service. This book will endure. Read it and then put it way up on that high rare shelf alongside Ernest Hemingway and Tim O'Brien."―Anthony Swofford

"We haven't just been waiting for a great novel to come out of the Iraq War, our 21st century Vietnam; we have also been waiting for something more important, a work of art that illuminates our flawed and complex and striving humanity behind all such wars. At last we have both in Kevin Powers' The Yellow Birds."―Robert Olen Butler

"A classic....Powers's first novel is full of boys, bile, bark, bodies and bewilderment....shows Powers's power to build suspense with substance and sensitivity."--Military Times

"Every sentence of The Yellow Birds is something to marvel over, the words flashing and chiming like spent brass casings. Kevin Powers, who served as an Army machine gunner, has written one of the best books of the year, what could become the definitive novel about Iraq."--Benjamin Percy, Esquire

"In the great tradition of Hemingway and Tim O'Brien, Kevin Powers's exquisitely written The Yellow Birds draws us in to the combat zones of Iraq: the watch, the wait ("Stay alive, Stay alert"), the bungle, the slaughter, and the irreparable aftermath."―Edna O'Brien

"Remarkable for its intensity of both feeling and expression. In this book about death, every line is a defiant assertion of the power of beauty to revivify, whether beauty shows itself in nature or (later) in art. Graves, Owen, and Sassoon would have recognised this war and the strange poetry it has bred."―Hilary Mantel

About the Author
Kevin Powers is the author of The Yellow Birds, which won the PEN/Hemingway Award, the Guardian First Book Award, and was a National Book Award Finalist. He was born and raised in Richmond, Virginia, graduated from Virginia Commonwealth University, and holds an MFA from the University of Texas at Austin, where he was a Michener Fellow in Poetry. He served in the US Army in 2004 and 2005 in Iraq, where he was deployed as a machine gunner in Mosul and Tal Afar. This is his first collection of poetry.

Most helpful customer reviews

250 of 271 people found the following review helpful.
Review of The Yellow Birds
By Lydia
This is not a pretty story. It's stark, harsh, filled with horror, and made me, honestly, want to yell and scream at someone - anyone. And the thing is, I think that's the emotions it was supposed to evoke in me.

In The Yellow Birds by Kevin Powers, in less than 250 pages, we're taken on a journey. A journey to war - in all it's brutal, killing glory. This is a story about two Privates - each with their own path in life and death, and the hell each will leave as their legacy.

I honestly don't know how to review this book. As far as a review goes, let me just say that this is a seriously depressing book. It's about war, and it does not paint a pretty picture. There's no soldier playing guitar for a bunch of little refugee kids here. There's no parties, no laughter, no fun and games behind the lines as everyone tries to ease up on the stress level. This is what happens when hope has been not just taken away, but stomped under the feet of a commanding officer and then forced into the rotting guts of a dead enemy. Get the picture? I hope so - because I kind of wish I'd had someone to pound that into me.

After reading The Yellow Birds I was in a stupor for the rest of the day... on into the next day. There was an analogy Kevin Powers talked about - how rushing into battle is like that moment before you collide with another car in an accident. There's that same feeling of helplessness - the knowing that you may very well die in a mere second. I had a horrific accident almost one year ago - a driver pulled out in front of me, running his stop sign, and I collided with him. I was going 52 mph. That moment before impact felt like years, and in those years I had a thousand (at least) thoughts run through my head. But first and foremost? I didn't want to die. I wasn't ready. And yet I think so very little about the soldiers we have out there living that moment every single day of their lives - both active duty and inactive.

I don't want to get political in this review, I just want to say that it drove its point home to me. I don't know what it's like to be a soldier in war - and frankly I know that I wouldn't have the guts to do it. But I can educate myself about it, and that's what this story has done for me.

306 of 333 people found the following review helpful.
Brilliant, brilliant, brilliant
By Sid Nuncius
This is a superb, moving and insightful book about war and its effects on the men and women who take part in it. The author, Kevin Powers, is a veteran of Iraq in 2004 where this book is set and is now a poet. This combination of first-hand experience and ability with language coupled with great insight and honesty creates something quite remarkable.

The book is narrated in the first person by private John Bartle on his first tour of duty in Iraq. The language is heightened throughout, often poetic and sometimes almost hallucinatory. The timescale moves between his time in Iraq, his pre-tour training and his homecoming and after. The story is really that of Bartle's psychological journey and is quite stunning in its evocation of the war itself and of the state of mind of the young man who went through it. It is deceptively quiet in tone with even the violent action (of which there is relatively little) described without hysteria, and this lends it a remarkable power to convey things like fear, exhaustion, the rush of excitement and the dreadful problems of reintegrating once home.

All this may sound forbidding, turgid or preachy but it isn't at all. This is an engrossing, readable book which is quite short but has immense impact and which will stay with me for a very long time. I think this genuinely belongs among great war books such as All Quiet On the Western Front and Dispatches. I could give a long list of examples of how thoughtful, insightful and honest it is, but I will just say that I recommend that you read it. It is truly exceptional and you will never forget it.

409 of 454 people found the following review helpful.
A book about war, but not my war
By R. Mcbeth
Operation Iraqi Freedom wasn't one war, it was three.

The first war was from the initial invasion until about 2005-2006. This was the time when we were still figuring out how this whole war thing was supposed to be fought. It was when we ran patrols in soft-skinned Hummers and ran over IEDs that killed entire crews. We didn't have the right equipment. We didn't know the right tactics. We did the wrong things. We abused prisoners. We made mistakes. We holed up in FOBs and went out to do... well, shows of force while the big heads in the Green Zone rewrote Iraqi traffic laws. This is the time span in which the book takes place.

The second war was the surge which lasted from 2006 until about 2009. This was when we poured money into the clear-hold-build strategy. This strategy started to work, especially when the Sons of Iraq were formed and we worked hand-in-hand with the Iraqis as they started to figure out that they had a stake in this after all. We fought smarter and had better equipment. This was when Iran started pumping EFPs into the bombmaker's arsenals, but it's also when we really pushed to counter the bombs and the bombmakers. This was the war of The Hurt Locker.

The third war was from 2009 until 2011 as we closed bases and started to pull out. This was the long kiss goodnight as we packed up and left and let the Iraqis do most of the fighting. This was the war of the Fobbits - the soldiers who never left the FOB and consumed ice cream, attended Salsa Night and toured Saddam's Palaces.

Everybody's experience is different. Mine was from 2008 - 2009 some of it as a Fobbit, and some of it running convoys. To me, Iraq will always look like miles and miles of concrete T-walls with the sound of a generator running in the background, or the view outside an armored M1115 window as we pulled onto Route Irish.

I had high hopes for the book. I wanted it to reflect the feeling in my stomach as we pulled onto Route Michigan and I got that sinking feeling that I was going to get hit that day. I wanted it to explain what it felt like to have a tourniquet velcroed to my arm and leg on the door side of the vehicle, just in case I got blasted. I wanted it to reflect how I felt when I was turned away at the chow hall because I had just come off of mission and my uniform was too messy to eat inside.

But it didn't reflect any of that because I served in the second war and the author served in the first.

For me, Iraq was kind of akin to a daily commute where you never knew if the curb in front of you was going to explode, peppered with the stupidity of your boss yelling at you because you didn't wear the right shirt to work that day.

Maybe somebody will write a book like that one day. Heck, maybe I will. But I can't call "The Yellow Birds" a definitive book about Iraq. I can't even call it a definitive book about war in general.

It is probably a good account of men going numb. But there is no joy in the novel. There is no highlights on the funny, stupid, games that privates play when the boredom sets in.

The book displayed moments of brilliance, namely when it explained combat as that dump of adrenaline in an auto accident. That was spot-on. It knocked my socks off when it showed how angry the main character was when everybody called him a hero, and he wanted to break their noses for it.

That made me want to give the book five stars.

But parts of the book just didn't ring true to me. There was no humor. You never felt the fear or fatigue of the soldier. Maybe the soldiers in the first war just felt hollow all of the time and I just have no capability of understanding it? But that part of the book made we want to give it one star.

So as a compromise , I settle on three. The book is worth buying just for those two moments of brilliance that I explained two paragraphs above, but it will never be my war so my review may be biased in favor of what I expected.

Edit, after a few years, I actually did write a novella: "Debriding Iraq" which you can find at [...] . I am still seeking an agent for a larger project.

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The omnibus edition of New York Times bestselling author Brent Weeks' blockbuster NIGHT ANGEL TRILOGY. With over one million copies in print, Brent Weeks has become one of the fastest selling new fantasy authors of all time.

For Durzo Blint, assassination is an art - and he is the city's most accomplished artist.

For Azoth, survival is just the beginning. He was raised on the streets and knows an opportunity when he sees one - even when the risks are as high as working for someone like Durzo Blint.

Azoth must learn to navigate the assassins' world of dangerous politics and strange magics - and become the perfect killer.

THE NIGHT ANGEL TRILOGY, one of the most popular epic fantasy series in recent years, is compiled into one volume for the first time. Included in this omnibus edition are: The Way of Shadows, Shadow's Edge, and Beyond the Shadows.

Night Angel
The Way of Shadows
Shadow's Edge
Beyond the Shadows

Night Angel: The Complete Trilogy (omnibus)
Perfect Shadow: A Night Angel Novella (e-only)
The Way of Shadows: The Graphic Novel

For more from Brent Weeks, check out:

Lightbringer
The Black Prism
The Blinding Knife
The Broken Eye
The Blood Mirror

• Sales Rank: #35203 in Books
• Brand: Weeks, Brent
• Published on: 2012-04-24
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 2.25" w x 6.00" l, 2.82 pounds
• Binding: Paperback
• 1264 pages

Review
"What a terrific story! I was mesmerized from start to finish. Unforgettable characters, a plot that kept me guessing, non-stop action and the kind of in-depth storytelling that makes me admire a writer's work." --- Terry Brooks

"A compelling epic tale of heroism, vengeance, and magic" --- The Greenman Review

"An impressive debut." --- SFFWorld.com

"Best fantasy of the year, possibly the decade." --- BooksMonthly.co.uk

"Weeks creates a rich blend of politics, culture and character in the Night Angel Trilogy... then throws in magic-using assassins. Brent Weeks is so good it's starting to tick me off."―Peter V. Brett, The New York Times Bestselling author of The Desert Spear

About the Author
Brent Weeks was born and raised in Montana. He wrote on bar napkins and lesson plans before landing his dream job years and thousands of pages later. Brent lives in Oregon with his wife, Kristi, and their daughters. Find out more about the author at www.brentweeks.com or on twitter @brentweeks.

Most helpful customer reviews

84 of 88 people found the following review helpful.
Epic and Enjoyable
By David Dalglish
There is something about Durzo Blint that is immensely appealing. Other characters came and went. The main character, Kylar Stern, alternated between cold-blooded killer, immature teen, and weepy pacifist. Yet Durzo was always Durzo, a cold-blood assassin (excuse me, *wetboy*) that was better than anyone in the art of killing. That he has a secret past is no surprise, but when the surprise is revealed in book two, it feels both insane and incredibly amusing.

The first book in the series starts off dark. There's child molestation, murder, and an overall feeling of despair and surrender to everything evil inside men's hearts. While some might not be prepared for how far the author goes, the setting is necessary for Kylar's development, as well at he redemptive themes that become far more prevalent in books two and three.

Despite Kylar's random mood swings, he was an overall enjoyable main character. Like Durzo, he is a killer at the top of his game. The special powers he inherits halfway through the first book are both over the top and yet consistently controlled. It may feel like the author is cheating, but at the same time, I know he's not. Don't read The Night Angel Trilogy expecting anything mundane. Mr. Weeks wants to kill gods, destroy cities, and have his characters play with artifacts older than entire civilizations. It gets a little overwhelming having ten different world-destroying creatures, weapons, and artifacts all being swapped, stolen, and revealed, but by the third book things calm down and start making sense.

Speaking of making sense, Mr. Weeks is not the best at introducing characters you don't know. There are plenty of times I'd be reading, start a new chapter, and then wonder if I had skipped a part somewhere along the line. Random people in random locations get thrown out often. Have faith in the author, though; they'll come around in time, and make perfect sense. Mr. Weeks might not be subtle, but he's effective at not messing around.

Would I read more by Mr. Weeks? Most certainly. Other than a few odds and ends, this was a series after my own heart. And all because of Durzo. He's the star of the show whenever he makes his entrance, and by the end, you might find yourself wishing for another book dedicated solely to him.

88 of 96 people found the following review helpful.
Great Trilogy, Great Reading!
By Asmodean
I recommend the Night Angel Trilogy to anyone who is interested. I enjoyed the Trilogy and had all three books read in less than a month. Brent Weeks knows how to keep the action moving and the pages turning. The story is fantastic and there are moments of pure awesomeness that will leave your head spinning. The characters are well written and very likable. The world is believable and the peoples who inhabit it are intriguing. In short, very well done.

Now I do have a few complaints. If you're prone to judge a book by its cover, these covers are very misleading. Kylar, the main character, is not how the covers portray him. (Assuming the guy on the covers is Kylar). See in the story there are people with magical powers and those without. Those who can use magic are called "Wetboys", and those who cannot are called "Assassins". The guy on the cover appears to be an Assassin. I can't help but wonder if they were trying to capitalize on the "Assassin's Creed" look. "Wetboys" dress in different colors.

Another minor complaint is that the final book almost feels as if it were rushed. In other words, their could have been a fourth book and all would have been fine. However there are three and the final battle and all that leads up to it is rushed. There are also a few characters that are forgotten. They are not major characters however, they are characters that I would have liked to see get their comeuppance.

Once again, minor complaints aside, if you like Fantasy than get these books. You will not regret it.

*Update 11/28/2010*
I just wanted to add that this series does have some very strong violence. I was reading through the comments and one of them brings up just how much violence is actually in the first book alone. So be advised that if you're allowing younger kids than 16 to read this, it does have violence towards young kids, sexual violence, and other very graphic scenes. Thanks to A. Jones for bringing this up in the comments.

19 of 23 people found the following review helpful.
amazing
By Xavier
I picked this book up in an airport and didnt even begin to read it until 6 1/2 days later. a day after that, once I had finished the first boo, I seriously contemplated driving 8 hours to get the second and the third. If you can write a book that makes someone hand their car keys to a friend and say dont let me make an 8 hour trip to buy a BOOK then its amazing. buy it. you wont regret it.

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> PDF Download The Suspect (Joseph O'Loughlin), by Michael Robotham

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A new edition of the novel that marked the debut of one of contemporary suspense fiction's most compelling heroes: "A gripping first novel...taut and fast-moving." --Washington Post
Renowned psychologist Joseph O'Loughlin has it all--a thriving practice, a devoted, beautiful, fiercely intelligent wife, and a lovely young daughter. But when he's diagnosed with Parkinson's, O'Loughlin begins to dread the way his exceptional mind has been shackled to a failing body, and the cracks in his perfect existence start to show.

At first, O'Loughlin is delighted to be called in to a high-profile murder investigation, hoping his extraordinary abilities at perception will help bring a killer to justice. But when O'Loughlin recognizes the victim as one of his former patients, an emotionally disturbed young woman who nearly brought ruin upon him, O'Loughlin hesitates-a fateful decision that soon places O'Loughlin at the top of the lists of both a bullish detective, and a diabolical killer

• Sales Rank: #134981 in Books
• Published on: 2014-04-15
• Released on: 2014-04-15
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.00" w x 5.50" l, .80 pounds
• Binding: Paperback
• 432 pages

From Publishers Weekly
Joe O'Loughlin, a London psychologist, loves his job and loves his family—wife Julianne and eight-year-old daughter Charlie—even more in Australian author Robotham's well-written, if somewhat convoluted, debut suspense novel. O'Loughlin's life takes two disastrous turns: first, he's diagnosed with Parkinson's disease; second, while helping Det. Insp. Vincent Ruiz on the case of a murdered nurse, Catherine Mary McBride, he becomes the primary suspect in the killing. The crime occurred close to O'Loughlin's London home, giving him opportunity, and it turns out that McBride had been his patient and had accused him of harassment, giving him plenty of motive. Vivid characters mostly avoid stereotype, while a fast and furious last section makes up for a wealth of asides and anecdotes that, however effectively done, slow the narrative. More seriously, the book can't decide whether it's a psychological mystery or a conspiracy thriller and strains credibility well past the breaking point. Still, Robotham shows real promise, putting a fresh spin on the familiar crime fiction trope of the falsely accused man.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* Already a hit in the U.K., Suspect may do for psychological thrillers what Scott Turow's Presumed Innocent did for the legal variety. Joe O'Loughlin is a psychologist with secrets. He is trying to hide his Parkinson's disease from the world, and his wife suspects he's having an affair. And after a gruff detective asks the doctor for insights into the stabbing death of a young woman, we discover the nurse was an ex-patient who accused him of sexual assault. O'Loughlin has an alibi for the night of the murder, but he decides not to share it. That the psychologist consistently withholds key information from the police, his wife--everyone--makes this tightly plotted story even more compelling. To those who "think that the truth is real and solid," O'Loughlin counters, "The truth isn't like that. If I were to tell you this story tomorrow it would be different than today." This stance makes him a deliciously maddening character to root for, and it soon becomes clear he is a highly compartmentalized person. As a series of damning clues turn up to indict him, O'Loughlin takes flight. But then he taps a hidden reserve of cunning and pluck as he seeks to clear his name--and ultimately discovers just how easy it is to destroy someone's life while trying to figure out what's going on inside his or her head. Frank Sennett
Copyright © American Library Association. All rights reserved

Review
"A gripping first novel...taut and fast-moving."―Washington Post

"One of those rare literary gems: a beautifully written thriller that is both moving and relentlessly suspenseful."―Tess Gerritsen

"A dramatic, well-written debut."―New York Times

"Lightning-paced."―Entertainment Weekly

"Terrific....a classic 'wrong man' thriller that puts its hero in hot water, then raises the Fahrenheit to a fever pitch....Robotham not only builds the suspense masterfully but tops it off with a stunning twist."―People

Most helpful customer reviews

50 of 56 people found the following review helpful.
Absurdly Overcomplicated But Good
By Kevin Killian
The book keeps you racing from chapter to chapter, but when you take a breather you start thinking, My God, this book has too many twists. It would be enough if we had a slower story with the hero trying to deal with the onset of Parkinson's. It would be enough to read a novel in which the middle-aged hero has to come to terms with his surgeon father's apparent indifference, if not hostility, to his own practice as a psychoanalyst. It would have been an interesting story to hear of such a man's affair with a former prostitute. And then on top of all of this we are given an nastily complicated serial killer story, a tale so convoluted the word "Byzantine" may be properly used to describe it. And an inspector (Ruiz) who treats our hero (O'Loughlin) with the same fierce intensity of Inspector Javert in Les Miserables.

Julianne, the beautiful and accomplished wife of the psychiatrist hero, was at one time the object of his best friend's affections, so that Joe and Jock are in a love triangle battling for Julianne's affections.

By the time one hundred pages are done, you start wondering what incredible pit of complication you've gotten into ankle deep. Before you know it, you're up to your ass in confusion, but due to Robotham's infinitely painstaking plotting, and the narrator's wry humor, you wind up liking the state you're in. I can't see this book being the first in a long-running series with O'Loughlin, but I am very happy to hear that Michael Robotham is writing another book. This one already will win him legions of fans, both here in the USA and abroad.

21 of 23 people found the following review helpful.
Psychologically Brilliant
By Untouchable
Michael Robotham's debut novel is a psychological thriller that is deeply involving, running smoothly from the narrative of psychologist Joseph O'Loughlin. Suspect takes us into a dark world of troubled minds and we watch the beginning of the disintegration of a strong family life. This was a book that I found (at the risk of flying straight into overused cliché) difficult to put down.

The story begins in the middle of a tense situation as we are greeted with O'Loughlin sitting on a London rooftop trying to talk down a young suicidal cancer patient. We are immediately given a sense of his capabilities as a psychologist not to mention the hint of roguishness that makes him an endearing character. He seems to have a perfect life with a beautiful wife and daughter and a successful practice. The only dark cloud hanging over the vital 42 year old is that he has been recently diagnosed with Parkinson's disease.

As well as working in his day to day practice, O'Loughlin is the kind of man who gives up his time to counsel prostitutes in ways in which they might be able to work more safely. It's while talking at one of these gatherings that he meets Detective Inspector Vincent Ruiz, who has walked in with a picture of a murdered woman hoping to get her identified by one of the attendees. In the course of their confrontation, Ruiz decides that O'Loughlin's keen eye for detail and professional credits might be useful in providing some insights into the dead woman, so he invites him into the investigation as a consultant.

The woman had been found in a shallow grave next to a London canal. She has multiple stab wounds over her body, all of them self-inflicted plus many old wounds on her arms and thighs indicating that she was a self-mutilator. Contrary to Ruiz's assumption, O'Loughlin tells him the woman is not a prostitute. He also believes she did not commit suicide but was murdered.

It's not until after viewing the body that the stunning realisation dawns on Joseph O'Loughlin...he knows who the dead woman is, not only that, he knew her very well because she was once a patient of his. That he didn't immediately tell Ruiz about this makes the detective a little wary.

Back within his practice, O'Loughlin has been meeting with Bobby Moran, a very disturbed person who has been describing violent dreams and is afraid that these dreams may begin to manifest themselves in his waking life. As the sessions progress, O'Loughlin can't help but notice the similarity in the details of Bobby's ramblings and certain aspects of the murder case that he is helping out on. Could it be possible that he is treating the murderer?

But Ruiz is collecting evidence and the evidence isn't pointing at Bobby Moran, the evidence is pointing at Joseph O'Loughlin.

The moment Joseph O'Loughlin goes from consultant to prime suspect is the moment that the story kicks up into a high speed desperate chase along an unpredictable road. O'Loughlin's life is in danger of falling apart, kicked out of his house and now pursued by the police he is left with only one avenue open to him: gather enough evidence to prove his innocence. So he flees to Liverpool, the city in which he once lived, in a lonely bid to sift through past cases hoping that something stands out. What he finds will unearth an unimagined horror that still looms ahead of him.

This is an immediately engaging story that takes a likable, yet humanly flawed protagonist and then puts him through the emotional wringer. His reactions are wholly realistic and he deals with his problems as any of us would. Equally, Detective Ruiz is alternately measured, disbelieving and aggressive, just as one would expect an overworked homicide detective to be. The two contrasting characters make good foils for one another.

Suspect moves forward logically as it is told from O'Loughlin's first person perspective. The emotional insights that we gain from this perspective are profound too as we are made privy to his frantic thought processes as each accusation or hurdle is thrust in front of him. Whether it's confusion, fear or delight it feels as though we are living the moment along with him in complete clarity.

There is a great dependence on coincidence early in the story. But as the coincidences were really beginning to mount up and just as I was thinking that they were getting a bit too unbelievable, it becomes clear that there is a very good reason for the coincidences after all. It's all part of Robotham's diabolically intricate plot that is deviously conceived and then unraveled at a tremendous rate.

As far as debut novels go, Australia's Michael Robotham has produced a thriller of high class. There is surely the prospect that we are in for some very entertaining reading in the future. Admittedly, I am cheating a little here because I make my last statement with the knowledge that, with his second book, Lost, Robotham took out the 2005 Ned Kelly Award for Best Australian Crime Book. Even more reason to get started on Michael Robotham thrillers.

10 of 10 people found the following review helpful.
"Everybody's got something to hide."
By E. Bukowsky
A fifty-year old writer named Stuart Gorman is "The Suspect" in John Lescroart's engrossing new thriller. Gorman's marriage to his wife of twenty-two years, Caryn Dryden, had been in trouble for quite a while. She was a brilliant and upwardly mobile orthopedic surgeon whose workaholic lifestyle did not mesh well with her husband's. A few days after Caryn asks Stuart for a divorce, she is found dead in her hot tub, a possible homicide victim. At his own admission, Stuart flew into a rage when Caryn insisted that their marriage was over. However, he denies having any role in his wife's death, claiming that at the time Caryn was killed, he was staying in his rustic cabin where he went to think things over. Upon his return, he found his wife's body and promptly called the police. Unfortunately, Inspector Sergeant Devin Juhle doesn't buy Stuart's story. After all, Gorman had motive and opportunity: he was clearly furious at his wife (who was insured for three million dollars), and his alibi is shaky. An eyewitness claims that she saw his car pull into his garage around the time that Caryn was killed.

Squarely on Stuart's side are his sister-in-law, the beautiful Debra Dryden, and Kymberly, Stuart's troubled eighteen-year-old daughter. The suspect also has an old friend, San Francisco State Assemblyman Jedd Conley, who convinces Stuart to hire criminal defense attorney Gina Roarke to represent him. Until now, Gina played a secondary role in Lescroarts novels. The main characters have usually been criminal defense lawyer Dismas Hardy and his best friend, Abe Glitsky, deputy chief of inspectors in the San Francisco Police Department. Now, forty-seven year old Roarke takes center stage and she is an appealing heroine. Still grieving over the death of her lover, the charismatic David Freeman, Gina finds herself at loose ends. She has difficulty concentrating on work and is reluctant to start dating again. However, taking on Stuart Gorman's case gives Gina the mental and emotional boost that she needs. She is soon convinced that her client is innocent, and she tackles his case with a tenacity and passion that she hasn't felt in years. The reader cannot help but root for Gina Roarke, who is handling her first homicide case and feels nervous and insecure about her ability to get her client off. Gina faces formidable obstacles, including an ambitious assistant DA eager to nail Gorman, and voracious reporters who are quick to try Stuart's case in the press.

Lescroart's cast of characters is varied and well-drawn. Wyatt Hunt, the chief investigator in Gina's law firm, is smart, funny, and supportive, and he capably handles most of the legwork for Gina. Devin Juhle is a dogged cop who stubbornly refuses to chase any leads that point to a suspect other than Gorman. One possible area of inquiry is Caryn's invention, known as the Dryden socket, which she created to repair hip joints. Caryn was about to withdraw the socket because of safety concerns shortly before the FDA was scheduled to grant its approval. Taking the socket off the market would have cost investors a great deal of money. Could this possibly have been a motive for murder? Before he is placed under arrest, Gorman decides to track down and interview some of Caryn's associates to learn more about what was going on in her life in the weeks before she was killed.

"The Suspect" is tightly written, carefully plotted, and fast-paced. It has beautifully written dialogue and a few welcome moments of humor to lighten the mood. Lescroart skillfully examines the psyches of his main characters and exposes the feelings that they keep hidden from public view. He also focuses on the unsavory aspects of human nature, such as duplicity, greed, and ambition, which often lead to violence. The courtroom scenes are compelling and the suspense builds steadily until a series of twists and turns brings the story to a slightly contrived but still satisfying resolution. Giving Gina Roarke her own novel was a smart move; she brings new life to a long-running series that had begun to show signs of age.

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"My imagination is always skulking about in a wrong place." And now Doyle Redmond, thirty-five-year-old nowhere writer, has crossed the line between imagination and real live trouble. On the lam in his soon-to-be ex-wife's Volvo, he's running a family errand back in his boyhood home of West Table, Missouri--the heart of the red-dirt Ozarks. The law wants his big brother, Smoke, on a felony warrant, and Doyle's supposed to talk him into giving up. But Smoke is hunkered down in the hills with his partner, Big Annie, and her nineteen-year-old daughter, Niagra, making other plans: they're about to harvest a profitable patch of homegrown marijuana.

Doyle takes just one look at Niagra's flattering red boots before joining his brother's scheme. Of course it means dealing with the law and maybe worse--the Dollys. A legendary clan of largely criminal persuasion, the Dollys have been feuding with the Redmonds for generations. Now they want a piece of Smoke's cash crop, even if it means killing to get it. Doyle is fast realizing that yes, you can always put the country back in the boy...but sometimes that's not smart.

• Sales Rank: #154281 in Books
• Published on: 2012-06-19
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x .75" w x 5.50" l, .43 pounds
• Binding: Paperback
• 224 pages

Review
"Woodrell knows deeply the subjects he writes on . . . Most important, he knows the voices of his people, and he never sounds a false or condescending note."―Pinckney Benedict, Washington Post

"He celebrates blood kin, home country and hot sex in this rich, funny, headshakingly original novel. Woodrell is a ladystinger of a writer."―Annie Proulx

"Slick, sparkling, stylized....takes on a mythic quality."―The New York Times Book Review

"A backcountry Shakespeare....The inhabitants of Daniel Woodrell's fiction often have a streak that's not just mean but savage; yet physical violence does not dominate his books. What does dominate is a seasoned fatalism....Woodrell has tapped into a novelist's honesty, and lucky for us, he's remorseless that way."―Los Angeles Times

"Woodrell is a marvellous writer."―Roddy Doyle

About the Author
Five of Daniel Woodrell's eight published novels were selected as New York Times Notable Books of the Year. Tomato Red won the PEN West Award for the Novel in 1999. Woodrell lives in the Ozarks near the Arkansas line with his wife, Katie Estill.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Pure entertainment, a page-turning "take you there" story
By Kim-dle
After being completely blown away by Winter's bone, then underwhelmed by the collection of short stories, I decided to give this one a try. I'm back on the Woodrell train. What a story! All the imagery you'd expect.....that actually plops you down on the shakey lounge chair on the dilapidated front porch of a sap-stained house trailor in the middle of the woods with a Miller Highlife in one hand and a Marlboro light in the other and the.............you get the picture. Just a great read, a fantastic story where you sense the dark coming as the pull in the driveway with the wife and kids offering a just-killed doe with some suspicious timing.........well, read the book. The sex and drugs only enhance the entertainment. You get to know that look very well, where you just know.....there's going to be a shootin'.

4 of 4 people found the following review helpful.
WE'VE ALL HAD OUR TRAUMAS, BUT I WOULDN'T CARE TO BE NAMED FOR ANY OF THEM
By Pamela A. Poddany
GIVE US A KISS

Oh, Daniel Woodrell, you keep me up way too late at night reading your books and I love you for this! I haven't met a Woodrell book that I haven't just loved and hated to see GIVE US A KISS come to an end.

GIVE US A KISS is my latest jump into the Woodrell pool and the water is more than fine. In this book we meet Doyle Redmond who has returned to West Table, Missouri, to talk to his brother, Smoke. Smoke is wanted by the law and their parents have sent Doyle back to the Ozarks to try and convince Smoke to turn himself in, pay his dues, and then get on with his life.

Doyle agrees to return to Missouri, which he does -- and then events take a turn in the wrong direction. Once back in his old stomping grounds, Doyle gets pulled into a drug scheme that Smoke has cooked up. Doyle meets his brother's woman, Big Annie. But mostly, Doyle is attracted to Annie's daughter, the lovely Niagra.

Trouble ensues as it is supposed to in Woodrell's books. There's the law, drugs, crazy town people, and the ever-lasting and on-going feud between the Dolly family and the Redmond gang. Both the Dollys and Redmonds have a take no prisoner attitude and their battles are brutal, constant, and swift.

Doyle had thought he had left all of his Ozark lust for life back in Missouri -- especially since he married well and has four published books under his belt. But since having marital problems and arriving back in Missouri, Doyle jumps right back into his old ways and life. The results? You MUST read this book. It is action-packed, SO very well written, full of characters that are more than down-to-earth, humor, wit, a fast paced plot, and a dog named Damned Spot. The people you meet are down-on-their-luck, hillbillies if you will, with their own laws and their own ways of enforcing those laws. Woodrell never disappoints and this book just shines.

Woodrell's writing is smooth, bumpy, gritty, abrasive, and like silk. For example --

"Over at the porch light a jamboree of june bugs and so forth were tapping out an insect jig against the light shade and the screen door."

"General Jo and Uncle Bill had dreams of buying back their vast acres, and they applied for an unsecured loan of sorts on payroll day at The Sunnyside Dairy near Lebanon. They made their applications with shotguns in hand and stockings over their faces."

Woodrell, as you may have guessed, is one of my favorite authors. I love his writing, I love his stories, I love his grace, charm, wit, and his wisdom. If you haven't had the pleasure, waste no time and get yourself a book or two of his and you will see exactly what I mean.

Thank you.

Pam

7 of 8 people found the following review helpful.
One of the best writers working today
By R. Michael Oguin
The man is gifted, what more can you say. I've read a lot of his work and he continues to get better each outing. The dialogue is spot on, the images are graphic, and the storyline flawless. I always find myself anticipating his next work while I'm still reading his newest one and I've read and reread the ones I've read several times each. I don't do that with most authors and I appreciate him making the literary world a better place by his efforts.

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# Download Maximum Ride; Nevermore, by James Patterson

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This new incarnation of the multi-million copy-selling Maximum Ride series is the perfect way to idiscover the blockbuster adventures of a heroic flock of winged kids! This final volume contains the heartstopping final novel in the series, Nevermore, along with new material that bridges this story with Angel. Maximum Ride and her faithful friends stand ready to face an unbeatable plot to destroy life as we know it once and for all-and this time, the enemy truly can't be stopped. Could this be the heart-stopping conclusion to the epic Maximum Ride series?

• Sales Rank: #1012833 in Books
• Published on: 2012
• Number of items: 1
• Binding: Hardcover
• 344 pages

Most helpful customer reviews

182 of 194 people found the following review helpful.
Quoth the raven nevermore: If it's going in this direction thank you for ending it!
By The Bluejay
Well folks, I had high hopes for this book. While I admit that they may have been unfounded since the series was starting to go down hill, I never expected it to be this bad. This is chock full of SPOILERS so if you want to waste your time or decide for yourself stop after this sentence and borrow it from a friend or the library.

It seems James has run out of new ideas, and the few smidgens that is new material is not unexpected, they are things that I at least contemplated as soon as he brings up the whole "Fang must die!" and how fang could be the next step in human evolution. Yep the immortality gene. While that aspect is slightly more thought through than the rest, which seems to be a bunch of previously done ideas at a third the quality, it still doesn't make the cut for me.
Now let's look at all the main plot sections
1) They go to school... yeah how ORIGINAL that is.... yet again a teacher with evil affliliation, Nudge getting all caught up in a 'normal' life (she's 12 and starts dating an almost 16 year old and gets dumped, big whoop), Dylan gets fan girled over, and they dissect a chicken.
2) ARI COMES BACK. Again. and tries to kill fang. again. and is in cahoots with the female portion (save maya who he kills) of Fangs gang. I don't think we need any more words on ari, and I'll only vaguely reference his new speech pattern (hey, sis)
3) Group wanting to kill off the humans. again. This time they want to get rid of 99% though... Who somehow have people everywhere, who conviently happen to pass by fang minutes after he gets out of the desert... James, are you paranoid or just to done with this to be at least mildly realistic.
4) Jeb is on the evil side but thats okay because he's only doing it to bring his dead mutant son back to life right? And after he tries to kill them all again and gets injured in the process (no duh) Max says how they have to help him. oh and Dr.Martinez is helping torture angel but magically becomes "unbrainwashed" as soon as Max and co rescue Angel, and has somehow managed to organize a practical utopia for them to live in as the world ends
5) Max has boy drama. Which isn't actually "solved". Basically she makes out with both of them and tells them how much she needs them while they drool over her like love sick puppies that then glare at each other when she is gone. Oh and if you havent already realize, Fang came crawling back after Ari killed his precious Maya (they exchanged words of love as she died in his arms and he then goes after another girl. pathetic.)

Then when it seems that the world is completely over and nothing can be done, the world is even more over because a huge meteor goes and destroys their utopia. Yeah. And then whole dramatic death scene, about how she doesn't regret it and it's all fine (ugh) and then wakes up alive. ANd then practically mid idea the series ends, only saying that Angel, Max, FANG AND DYLAN are survivors of the whole thing.

Dear James Patterson,
I loved your book series Maximum Ride and I would like you to know that I do not acknowledge this alleged finale book's existence. Write a proper ending and satisfy the people. For the vast majority, this book is substandard. We will not hold this against you if you write a proper book ( I don't even care if it's a whole drama about who Max picks, as long as you sway me to your point of view for the guy for her). Your efforts are appreciated, and I feel like a jerk writing this since I have never even finished writing one book and this is one book out of so many, and the only I am truly disappointed in. But if you do have the spare time, write a new ending. This one just didn't seem to have it's own plot or shine. Not because it wasn't a happy ending though, I'm okay with unhappy endings, but they require the highest standard of writing. Not many people can pull off the unhappy ending, so I sympathise. I may revise this once I cool off, and read it again (only for the purpose of reevaluating), but for now these are my feelings.
Your faithful reader,
The Bluejay

127 of 134 people found the following review helpful.
What happened!?!
By Sagittaria
Okay. Now, I just want to say that I have waited for this book, and I am a teenager, for nearly a year now.
I went to the bookstore today and asked for the book, waiting for three hours until they received a shipment, and then fangirled out when I bought it. Like I was half-crying and fanning my face.
On my walk home I started reading it and as soon as I hit the first chapter I knew something was up.

Now, in past books, I know that Angel can communicate with others from far away with her mind.
Did she suddenly stop now? Did she never even consider her probably greatest power?
And then it never occurred to Max that Angel might be back at the School, where they'd been captured countless times.
Come on.

And then, Fang's Gang? What?!
More like Fang, some traitors, and two guys who'll leave the plot and you'll just assume turn out fine.
Y'know, cause that's how James Patterson rolls.
Kate and Star were traitors, and what the heck happened to Ratchet and Starfish? Does it automatically make it 100% okay if they're cast out of the plot like idiots?
NO.
That was a massive gaping plot hole right there.

Next, when Ari came back, I literally said, out loud, "OH DEAR JESUS NOT AGAIN."
He died in the first book.
Then James Patterson was like, "Psyche! Haha, he's not dead yet!"
He came back to life again in the third book.
Died again. WAS BURIED.
Now is another clone.
Killed Maya. WHAT THE-
Maya, I thought, was actually a nice little tertiary character! I thought she was actually going to end up with Dylan! And then I'd be happy!
But nooo.
And then, when he dies again, it was like you couldn't trust him to not come back.

And speaking of coming back, when Fang did, back to the flock, instead of questioning him responsibly like she should, Max will throw A PARTY.
A party. So your long lost love comes back presumably from the dead, and then you make a cake and assume that it's a band-aid.
Oh, abandoned me and your practical family? Here, have some cake. It'll make it all better.
Please.
Then, the Erasers and Ari come back and it's all a crapfest and a massive fight, Fang nearly dies, and then Ari dies and so do the rest of the Erasers.
Boom. There's another plot hole missing right there.

And then we find out that Fang's DNA holds the key to immortality? How would almost fifteen years of being experimented on in the School not reveal that? It's like going to the doctor's in the next, uhm, I don't know, month, and they say this:
"Oh, you just have the key to Immortality, yeah it's normal."
._.

And since this is ridiculously long, I'll just say my feelings on the ending.
Now, Max talks to Fang and then Dylan goes insane and smashes cars because he looooooves her, yeah, no.
IT WAS FAX IT WAS ALWAYS GOING TO BE FAX IT NEVER WAS ANYTHING BUT FAX. Get that through your head, James.
So then when Max and Fang got back together I was saying: "Awh, yay."
Because if she would have ended up with Dylan I would have thrown the book across the room.

So then, when I thought they were gonna go save the States from the 99% group,
THE SKY EXPLODES!?! WHAT!?!
Who the heck told James Patterson that that was an acceptable ending? Riddle me that.
AND THE WORST THING WAS THAT IT HAD NOTHING TO DO WITH THE MAIN AGRESSOR OF THE BOOK, THE 99% GROUP!
Then there's the tsunami, and then there was the chapter when Max said that she died with Fang, and she was happy that it ended that way.
I was torn between crying, screaming, sobbing, and punches various items near me like a lamp while reading that chapter.
Then Dylan comes in and saves everyone, and I was like,
"TELL US THE TRUTH. DID YOU DIE OR NOT?"

Then it said that she developed gills, and I was happy at least if she didn't die.

And then it ends with her saying that it's, quote, "The Time Of Maximum Ride."?!?!
Oh no, I'm sorry, the last seven books weren't?! Are you KIDDING?!
The last 7 books were the time of Maximum Ride! Who are you kidding! No one!
The world has ended, and now you're saying that it's your time?!
Ugh, I JUST CAN'T EVEN.

I honestly wish that I could give this book less than a star, because I've spent the last five hours watching my entire childhood, tweenhood, and teenhood go up in fire.

I know you'll buy it and read it, but then you'll end up writing a review like me. Believe it.

Sorry I had to write that, but it's true.
~Sagittaria~

0 of 0 people found the following review helpful.
Dissapointing ending
By Amazon Customer
It was OK. There was a lot of action, and it was quite entertaining to read. However, the ending was REALLY bad. SPOILERS ALERT- in the end, Max let's everyone DIE right beneath her finger tips. And while the rest if the world is dying, she and Fang are making out like nothing bad is ever going Tho happen. So as a result, the 99% plan to bring humans to extinction takes affect.

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~~ Ebook Download Alice in the Country of Hearts, Vol. 3From Yen Press

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Kidnapped by a handsome man with rabbit ears, Alice Liddell finds herself abandoned in an odd place called Wonderland and thrust into a "game," the rules of which she has yet to learn. Alice, ever the plucky tomboy, sets off to explore and get the lay of this strange land, intent on finding her rude kidnapper and giving him a piece of her mind (and her fist). But little does she know that she's wandered right into the middle of a dangerous power struggle involving just about all of Wonderland's attractive, weapon-happy denizens. And the only way for Alice to return home is to get acquainted with the lot of them?! How in the world will she manage that and still manage to stay alive?!

• Sales Rank: #262356 in Books
• Published on: 2012-06-26
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.25" w x 5.75" l, .94 pounds
• Binding: Paperback
• 352 pages

About the Author
QuinRose is a Japanese game developer that produces dating-sim games for girls, including the bestselling Alice in the Country of Hearts. Many of their other productions are also loosely based on works of fiction.

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7 of 8 people found the following review helpful.
FINALLY
By Pdl678
When Tokyopop went out of buisness I thought I might die. Alice was ONE BOOK AWAY FROM COMPLETION! But, thank goodness for Yen Press. You guys are my hero. Thanks for picking up the slack.

2 of 2 people found the following review helpful.
Alice in the Country of Hearts Volumes 5 & 6
By Crystal_Dark
This series was a lot of fun and I am definitely planning on reading some of the other series about Alice and the others.

Contains Chapters 25 - 35
Alice 25: Dance Lesson
Alice 26: Rising of the Curtain
Alice 27: Rondo
Alice 28: Rabbit's Waltz
Alice 29: Serenade
Alice 30: Secret Garden
Alice 31: Ticktock
Alice 32: Distance
Alice 33: Die Is Cast
Alice 34: End of Dream
Alice 35: Wonderful Wonder World

3 of 4 people found the following review helpful.
A little unsatisfying, but good
By Jude
~3.5/5
[Also available on my blog.]

I'm a little unsure what to think of this volume. Overall, I really like this series, but the ending...

There was the ball, and Alice danced with several people, and she had a fight with Blood, and a talk with Vivaldi. And then there was a fight, and people talking with Nightmare, and talk of how Alice's glass is almost filled up, and Alice wanting to go home but also going to miss everyone in Wonderland, and then it was time for her to go home, and there were some mediocre goodbyes and some sweet goodbyes and some nonexistent goodbyes. And then she went home, and then she was brought back to Wonderland and her memory was, I think, erased or pushed back, including how she apparently knows everyone, especially Peter, from some other time but Nightmare won't let her remember.

I want to know how she knows them, what happened, and why Nightmare won't let her remember. I'm not happy with that being a cliffhanger.

I'm also not sure how I feel about Alice's going back to Wonderland. I mean, it kind of makes sense, but that can only last so long, and why didn't she have to choose to go back, and instead just seemed resigned and waited for it to happen, and wasn't she supposed to bring someone back with her? (Did I just imagine that?) I think I mostly feel uneasy because that's not how it's supposed to happen, and that doesn't seem like a complete ending, and I still have questions left unanswered.

Then there's the fact that Alice chose Blood, which I had been expecting but am not very happy about. He just... never won me over. I don't totally trust him, and there were other characters that I liked more.

I'm a little unsatisfied, but I still enjoyed the books. Now I have to think about which spin-off I want to read, or which one I want to start first, given that the answer to which one is: all of them. I'm especially looking forward to the one focused on Boris, and Julius, and I want one to focus on Peter. All three of them have won me over as candidates, with Boris at top and Peter at the bottom. The one to do with the Blood Twins looks good. There's also one with Elliot, and Ace, and a Joker story, but I'm not as excited for those ones.

Now, I guess I'm just looking forward to finding out what happens next in the spin-offs.

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