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Miles Cameron weaves a tale of magic and depravity in the sequel to The Red Knight.

Loyalty costs money.
Betrayal, on the other hand, is free.
When the Emperor is taken hostage, the Red Knight and his men find their services in high demand -- and themselves surrounded by enemies. The country is in revolt, the capital city is besieged and any victory will be hard won. But the Red Knight has a plan.
The question is, can he negotiate the political, magical, real and romantic battlefields at the same time -- especially when he intends to be victorious on them all?

• Sales Rank: #296548 in Books
• Brand: Cameron, Miles
• Published on: 2014-03-11
• Released on: 2014-03-11
• Original language: English
• Number of items: 1
• Dimensions: 8.25" h x 1.75" w x 5.50" l, .0 pounds
• Binding: Paperback
• 640 pages

Review
"I cannot recommend the Traitor Son Cycle enough... amazing."―SF Signal on The Fell Sword

"The Red Knight is an excellent debut...will only get better as the series progresses...you will be won by the intricate story and sophisticated world building."―Fantasy Book Critic on The Red Knight

"Promising historical fantasy debut featuring an expansive cast, an engaging plot, and a detailed eye for combat."―The Ranting Dragon on The Red Knight

"Literate, intelligent and well-thought-out...a pleasingly complex and greatly satisfying novel."―SFF World on The Red Knight

"A rousing read."―SF Signal on The Red Knight

About the Author
Miles Cameron is a full time writer who lives in Canada with his family. He also writes historical fiction under another name. The Traitor Son Cycle series is his fantasy debut.

Most helpful customer reviews

27 of 29 people found the following review helpful.
An author has fun (again)
By JPS
Just like in the Red Knight, the first volume, reading this one gives the impression that the author essentially has fun writing a piece that takes place in a fantasy world that borrows from European 14th century. It also makes "the Albin" into some kind of cross between Britain and North America, with the North West part of the continent full of monsters (Trolls and Giants, in particular, but no dragons in this episode, except "in disguise") but also elf-like creatures and various types of Indians (with some suggestive tribe names and place names such as the Abenakis or Ticondanga for Fort Ticonderoga).

The eastern part of the continent is called "Morea" and is the seat of a fictional and much reduced Empire modelled on the Fourteenth Century Byzantine Empire, with the capital city called Livianopolis (instead of Contantinopolis) and the second largest city called "Lonica" (instead of Thessalonika). Also very much present are the "Etruscan" merchants, with their respective city-states and colonies inspired from Venice, Genoa and Pisa. The southern part are the lands of Jarsay (would this be inspired from Jersey by any chance?) and Occitan (Languedoc?) while south of the North Cross Ocean lie the lands of Galle, Iberia and, to the south west, Ifrikiya.

At least some of the main characters seem to be loosely inspired from historical figures, although several of the historical figures are often blended together to make up one of the book's characters. For instance, the Imperial Princess Irene seems to be a cross between the Byzantine empress of the same name and the Princess Anna Komnene, although she appears both younger and much less ruthless that the two historical characters. The King of Galle (France) somewhat reminded me of a petulant and younger version of the French King Louis XI. The Red Knight himself reminded me of a rather youthful and sympathetic cross between John Hawkwood, the English mercenary to made a career for himself in Italy and Roger de Flor (whose real name was Rutger von Blum), a rather infamous ex-Templar sergeant and leader of the Catalan Company of mercenaries. He and his men did serve the Byzantine Emperor Andronikos II for a few years at the beginning of the 14th century before being murdered by his employer.
Then there is the story itself, which I will not discuss and let you discover. As in the previous volume, you can expect plenty of physical and magical fights, including a few battles. There are however a number of differences with this book.

First, there are many more stories being told in bits and pieces and in parallel, sometimes more than half a dozen, with events taking place in Morea, Galle, at sea, in the Albin Kingdom (whether at Court, in the South or in the North) and in "the Wild". Depending on preferences, some will like this and find that the device is useful in showing the events taking place simultaneously and in creating some additional suspense, a bit like R.R. Martin has tended to go in his Game of Thrones, while others might find that it complicates the story and spoils the flow.

While I tend to incline towards the former, and very much liked the book, I must also admit that the plot itself was not exactly a surprise, although the story remained rather exciting and I leafed through the whole 600 pages in a couple of days. Note, however, that despite the device of having multiple stories unfolding within each chapter, the real action takes place in Morea with the Red Knight and his Company. Despite some desultory warfare in the North, and the increasing trouble raised by the Galle knights and their insufferable leader at the Albin Court, I could not help feeling that these were all sideshows and "holding actions".

Second, there are the military elements: the respective armies, their equipment and the battles. The Morean forces, irrespective of which side they are fighting on, are a collection of units mixing up regiments and forces that really existed between the 11th (for instance the Scholae) and the 12th and 13th century (for instance the Vardariots and the Latinikon), even if some names have sometimes been modified (the Varangians been perhaps the most obvious example). The Company is a rather typical English force of the mid and second half of the 14th century, with a mix of men-at-arms and squires, on the one hand, and long bowmen on the other hand.

The outcomes of the confrontations between the two types of forces tend to be somewhat predictable and one-sided, however much the author conveys the impression of hard fighting and hotly contested battles, as the long bowmen are shown shooting their opponents to pieces time and again. One exception to this is the merciless contest opposing the simili-Varangians to the mercenary knights serving with the rebels. This is inspired from the battle of Dyrrakhion in 1081 when the Varangians (largely made up of Anglo-Saxon and Anglo-Dane exiles at the time) faced Normano-Lombard heavy cavalry and were largely wiped out after inflicting heavy casualties on their opponents.

Anyway, I started this review by suggesting that the author may have had fun in writing this book, which does not preclude some hard work also. I do not know whether this is true or not, although I hope it is. What I do know for sure, however, is that I had a lot of fun reading it and very much enjoyed it...

Four stars and highly recommended. One thing to note however: it is also recommended to find the first volume before this one.

14 of 16 people found the following review helpful.
The fear is palpable and real!
By James Butters
I've read a lot of fantasy and in my mind this series stands apart through its unique mix of gritty realism and smooth refined tactical drama whether it be on the battlefield, within the political spectrum, or the subtle dance of romance it all lends itself to an exciting and enjoyable read. The battle scenes are a personal favourite, it actually feels as if I'm right there in the thick of it, fighting for my comrades, my brothers, my sisters, my honor and my life! The fear mixed with adrenaline is palpable and real. The characters are deep and genuine and l care what happens to each and every one of them. The Captain is a brilliant and troubled soul, an inspirational leader and fearless warrior - "a real loon" as Bad Tom would say! I can't wait for the next installment!!

8 of 9 people found the following review helpful.
Your Princess is in this Castle
By H. P.
The Fell Sword is the second book in Miles Cameron’s Traitor Son series. The Fell Sword shows that Cameron’s considerable flair for combat and the minutia of medieval war are paired with a grasp on fantasy at a grand scale. The Fell Sword opens with the Red Knight’s mercenary company, fresh off its costly victory in the first book, traveling to “the Empire” for a contract for the Emperor. (The Empire resembles the Holy Roman Empire at first blush but is probably a better analog to the Byzantine Empire.) Things go sideways before they start, however, when the Emperor is kidnapped shortly before the company arrives. Meanwhile Thorn weaves new plots, the Wild roils, the Galles scheme, and the north of Albin recovers.

Of course, more battles, although they don’t live up to those of the first book. Neither the fell sword nor the princess play a prominent role, but that’s ok. Once again, POVs are shared by host of characters, both new and old. Almost twenty different characters grace the chapter headings alone. Locations include familiar ones like Harndon, Albinkirk, and the Wild, as well as new ones such as Liviapolis (capital of the Empire), the capital of Galle, and Ticondaga (the seat of the Red Knight’s father). Book 2 is a story of men, but that doesn’t stop of from exploring the Wild far to the west and to the north. We see the dams of giant beavers, the source of the famous Wild honey, an irk king, giants, and much more of the Native American-esque Sossag (as well as the Huron tribes).

We also learn more about the mysterious force behind the events of the first book. From that I can think we can draw a broad sketch of where the story is pointed for the final three books. Along those lines, we learn that some characters who seemed relevant only for color in The Red Knight a now shown, or hinted, to hold more important roles in the story (Peter the slave-turned-Sossag most obviously, I think). Unfortunately, there are several plots which are neither brought to any sort of climax nor given reasonable signals as to where they might go. I’m sure they’re important, but it detracts from the book nonetheless and is the main factor in a lower rating than for The Red Knight.

Disclosure: I received a complimentary e-copy of The Fell Sword through NetGalley.

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** Free Ebook Factory Man: How One Furniture Maker Battled Offshoring, Stayed Local - and Helped Save an American Town, by Beth Macy

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The instant New York Times bestseller about one man's battle to save hundreds of jobs by demonstrating the greatness of American business.

The Bassett Furniture Company was once the world's biggest wood furniture manufacturer. Run by the same powerful Virginia family for generations, it was also the center of life in Bassett, Virginia. But beginning in the 1980s, the first waves of Asian competition hit, and ultimately Bassett was forced to send its production overseas.

One man fought back: John Bassett III, a shrewd and determined third-generation factory man, now chairman of Vaughan-Bassett Furniture Co, which employs more than 700 Virginians and has sales of more than $90 million. In FACTORY MAN, Beth Macy brings to life Bassett's deeply personal furniture and family story, along with a host of characters from an industry that was as cutthroat as it was colorful. As she shows how he uses legal maneuvers, factory efficiencies, and sheer grit and cunning to save hundreds of jobs, she also reveals the truth about modern industry in America.

• Sales Rank: #76922 in Books
• Published on: 2014-07-15
• Released on: 2014-07-15
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 1.50" w x 6.38" l, .0 pounds
• Binding: Hardcover
• 464 pages

Review
A New York Times Notable Book of 2014

One of Janet Maslin's Top 10 Books of 2014 in the New York Times

One of The Christian Science Monitor's Top 10 Nonfiction Books of 2014

One of Publishers Weekly Best Books of 2014: Nonfiction

A Goodreads Choice Awards Finalist: Business

"In a class with other runaway debuts like Laura Hillenbrand's "Seabiscuit" and Katherine Boo's "Behind the Beautiful Forevers": These nonfiction narratives are more stirring and dramatic than most novels. And Ms. Macy writes so vigorously that she hooks you instantly. You won't be putting this book down."

―Janet Maslin, New York Times

"Nonfiction storytelling at its finest.... It does what the best business books should: It delivers a heavily researched, highly entertaining story, at the end of which you realize you've learned something.... This is a great American story, the kind that we don't read often enough."―Bryan Burrough, New York Times

"A truly remarkable work of researched narrative nonfiction, one the probes every corner of its topic and values every subject who has something to say.... Factory Man does justice to every hidden corner of the story. It's a book that leaves you feeling better for having read it."―Lucas Mann, San Francisco Chronicle

"In a world of blue-collar victims, where logging chains seal forever the doors of mills and factories from the Rust Belt to the Deep South, Beth Macy's award-winning look at one furniture maker's refusal to give in is a breath of hope-and a damn fine story to read. The book tracks John Bassett's fight to keep American jobs on this side of borders and oceans, and keeps one American town from becoming a place of empty storefronts and FOR SALE signs."―Rick Bragg, Pulitzer Prize-winning author of The Most They Ever Had

"Beth Macy has done a masterful job in personalizing the biggest American economic story of our time--how to save American jobs in the 21st Century. John Bassett III is a cinematic figure and quintessential American, battling for his company, his town and his country."―Jonathan Alter, author of The Center Holds: Obama and His Enemies

"The author's brightly written, richly detailed narrative not only illuminates globalization and the issue of offshoring, but succeeds brilliantly in conveying the human costs borne by low-income people displaced from a way of life.... A masterly feat of reporting."―Kirkus (starred review)

"Macy chronicles Bassett's saga with vigor, integrity, soul, and skill, offering a humdinger of a globalization story and a true drama that reads like a novel."―Christian Science Monitor

"Macy's down-to-earth writing style and abundance of personal stories from manufacturing's beleaguered front lines make her work a stirring critique of globalization."―Carl Hays, Booklist

"Macy's riveting narrative is rich in local color.... Vivid reporting."―Publishers Weekly (starred review)

"The unlikely hero of Factory Man is a determined, ornery, and absolutely indomitable...business man. He's the head of a family furniture company and damned if he's going to be pushed around. Beth Macy has given us an inspiring and engaging tale for our times, but not the expected one."―Alex Jones, Pulitzer Prize-winning author of Losing the News: The Future of the News that Feeds Democracy, Director of the Shorenstein Center on Media, Politics and Public Policy and Laurence M. Lombard Lecturer in the Press and Public Policy

"Macy brings to the story a keen understanding of life among factory workers.... At its best, "Factory Man" traces the intertwined stories of a family, business, and town: the complex, paternalistic relationships, the shared secrets, the vexed bonds of interdependence. Macy writes movingly about what happens when workers in these factory towns face not only closing factories and skyrocketing unemployment but the loss of their community identity."―Kate Tuttle, Boston Globe

"I find myself deeply sympathetic to Macy's essential point, which is that globalization inflicts a great deal of suffering on millions of people, something the news media should do a better job of acknowledging and the government should do a better job of mitigating."―Joe Nocera, New York Times

"Like some of the best nonfiction writers today - Michael Lewis and Katherine Boo come to mind first - Macy takes a topic that is either too dry, too complicated, or too depressing for most journalists to tackle and she tackles it with vigor, integrity, soul, and skill."―Janet Saidi, Christian Science Monitor

A "feat of reporting.... There's a big generous heart at the center of this book, and it's hard not to compare Factory Man to the seminal nonfiction work of Tracy Kidder or even the storytelling that made David Simon's The Wire one of the best TV shows ever.... Factory Man is a valuable American story, and one of the best books I've read this year."―Elisabeth Donnelly, Flavorwire

"Macy's passion and enthusiasm are palpable on every page.... She makes a complex, now universal story understandable."―Mimi Swartz, New York Times Book Review

"An educational, fascinating reading adventure.... A moving book about the loss of American jobs -- one of the most vital issues of this century."―Steve Weinberg, The Dallas Morning News

"The epic struggle of Virginia furniture manufacturer John Bassett III (JBIII) to save his business has given crackerjack reporter Beth Macy the book she was born to write. Longtime champion of the downtrodden and the working American, Macy brings globalization down to a human scale, giving a real voice and a recognizable face to everyone involved, from factory worker to government official to Chinese importer. Thorough reporting and brilliant writing combine to make FACTORY MAN an exciting, fast-paced account of a quintessentially American story that affects us all."―Lee Smith, author of Guests on Earth

"Beth Macy sees twists and subtleties that other journalists can't see, and she writes about the world around her with grit, honesty and remarkable grace. She has a police detective's diligence and determination, a poet's way with words, and a born storyteller's gift for spot-on narrative."―Martin Clark, author of The Legal Limit

"An Appalachian Random Family.... Macy digs in all directions, visiting company towns without companies, unearthing family secrets, and explaining the economic forces that determine our lives."―Boris Kachka, New York Magazine

"Factory Man deserves to be read for anyone wanting to wrap their heads around the present-day dynamics and politics of globalisation. Macy's book is an important read...."―Shawn Donnan, Financial Times

"This business book, laced with Byzantine intrigue, has "made for Hollywood" stamped all over it."―Cecil Johnson, The Fort Worth Star-Telegram

"Boisterous.... Factory Man is a Big Tale of a Big Man doing Big Things, and a rebuke to those who would declare American manufacturing dead."―Earl Pike, Cleveland Plain Dealer

"Spirited, meticulously researched and well-written.... A page-turning tale that covers the company's history, family squabbles and the black-sheep son who rescued the company through pluck, persistence and political wrangling."―Margaret Jaworski, Success Magazine

"A well-crafted and epic tale.... Artfully told."―Marc Levinson, The Wall Street Journal

"A remarkable work.... Rarely, if ever, have I read a piece of book journalism that was more painstakingly researched or more compellingly transferred to the printed page.... It's as much about people as it is about bedroom suites and international commerce, and that human touch imbues it with the flesh and heart that sets it apart from most nonfiction."―Jeff DeBell, The Roanoke Times

A "deeply nuanced portrayal of the effects of globalization on a single company.... Exhaustively researched."―Chris Serres, Minneapolis Star Tribune

"John Bassett's story has everything. An extraordinary dynasty, a relevant and inspiring message, and one of the best heroes I've read about in years. It works on every level, from the most personal betrayal to the realities of the global economy, from the struggle of one worker in a small Appalachian town to the future of our cultural as a whole. Part of me wishes I'd found John Bassett III, because this is powerful stuff, but it's obvious the story is in excellent hands with Beth Macy. Sometimes the right writer comes along with the right story at the right time. This is clearly that book."―Bret Witter, author of Dewey and Until Tuesday

"In a compelling and meticulously researched narrative, Macy follows the story from the Blue Ridge Mountains to China and Indonesia, chronicling [John] Bassett's tireless work to revive his company, and with it, an American town."―Garden & Gun

"A bracing saga.... Macy is an engaging writer."―Michael Boodro, Elle Decor

"It's a must-read just for its look at what happens at home when we send jobs overseas and how we all play a role. This one is a page-turner."―DesignSponge

"A triumph.... Get Factory Man and take your time with it. It's a big ol' delicious toasted sandwich of a book."―Kurt Rheinheimer, The Roanoker

"I've been reading Beth Macy for years. She is a great American writer. She sees everything, all the precious detail. A few years back, as the world was collapsing around us, she did a story on the temp who was answering phones at a hotline for those in financial hot water. The temp was this immense hero in all these ways that nobody else would have ever recognized. Of course, Macy never called her a hero. She just let the story do the work."―Roland Lazenby, author of Michael Jordan

Beth Macy "got the story of a lifetime. And she wrote this book in the "Seabiscuit" tradition, combining the power of truth-that's-stranger-than-fiction with the colorful verve of a novel."―Janet Maslin, New York Times

About the Author
Beth Macy won the J. Anthony Lukas Work-in-Progress Award, a joint project of the Columbia University Graduate School of Journalism and the Nieman Foundation for Journalism at Harvard for "her extraordinary reporting and narrative skills" and her work on Factory Man. The daughter of a factory worker, she writes about outsiders and underdogs. Her articles have appeared in national magazines and the Roanoke Times, where her reporting has won more than a dozen national awards, including a Nieman Fellowship at Harvard. She lives in Roanoke, Virginia.

Most helpful customer reviews

75 of 76 people found the following review helpful.
Addresses Our Key Economic and Emotional Health Issues
By Loyd Eskildson
Offshoring eliminated 673,000 jobs from American furniture makers and related firms, per author Macy. (I certainly believe it, having driven through areas of North Carolina over a period of years, and witnessed the drastic decline in functioning furniture factories in the early 2000s.) Between 2001 - 12, 63,300 U.S. factories closed and five million associated American factory jobs went away.

Author Macy 's book begins with a focus on the effects of offshoring on America's working class, zeroing in on the Appalachian regions of Virginia and North Carolina that once monopolized the market. She contends that Thomas Friedman 'and other free-trade cheerleaders' have little grasp of the human cost of their theories. The most obvious, to one traveling through that region, is that of economic decline within that region.

The 'hero' in all this is John Bassett III (JBIII), grandson of the Bassett Furniture Co. (once the world's largest wood furniture manufacturer with 14 plants in several Southern states) founder and the firm's current president. He turns down a Chinese company's offer to make his products at lower costs - there's no question about the Chinese company's ability to do so because it's already making identical products for its own customers. This is equivalent to modern-day economic heresy. JBIII then undertakes an expensive lawsuit against Chinese furniture manufacturers, contending their actions violate WTO anti-dumping regulations. JBIII hoped that duties of 30 - 40% would be imposed, per the Tariff Act of 1930. Unfortunately, his fellow furniture manufacturing CEO peers, along with 90% of the economists consulted opposed JBIII's proposal to impose tariffs and argued that stopping unfair competition would simply move the problem somewhere else.

Ultimately JBIII won his case; however, the Byrd Amendment was revised so that those duties were then given to the U.S. Treasury, rather than the affected firms. (JBIII used most of the monies gained by his firm to pay legal fees and help set up a new healthcare option for employees. He also worked to improve processes and speed operations within his plant.) The real winners, however, turned out to be the lawyers. Author Macy estimated they raked in $50-60 million to-date, from both sides of the issue. And there's still the possibility of appeals. It was disheartening to me to realize how our own trade representatives actually work against the interests of American workers, and how complicated the whole issue has become. Further, some companies simply fail to pay assessed duties - either by failing to file the appropriate paperwork, or simply going out of business without paying and then rising again under a new name.)

Ultimately JBIII's efforts saves some 700 jobs and his Vaughan-Bassett company - our largest wood bedroom furniture maker.

60 of 63 people found the following review helpful.
Beth Macy NAILED it!
By Patricia L. Abbitt
I grew up in Basssett, Virginia....babysat for Pat and John Bassett.... graduated from John D. Bassett High School...and married an heir of Bassett Furniture Company. Jane and Bob Spilman visited our home. Daddy, the only dentist in town, sometimes differed with Mr. Bassett on the topics that should be discussed from the pulpit at the Methodist Church. Macy described the life in the unincorporated company town perfectly....

Macy captured Bassett's spirit in its heydey, its small town values and attributes...Macy also has captured Bassett in its current tragic state of devastating unemployment, empty majestic churches and long lines at the food banks.......her description of a "ghost town" is hauntingly correct. Her book was impossible for me to put down.....an impeccably researched description of the loss of industry jobs in America and one man's war to keep the jobs in his community.

I feel great gratitude that the stories of Bassett, Virginia, Bassett Furniture Company, and John D. Bassett III, have been told so well.

58 of 61 people found the following review helpful.
Wow!
By DCist
I read about this book in the "New York Times" a week or so ago and downloaded it this morning. It sounded like it shared some characteristics with other books I have enjoyed that explain some of the economic characteristics of different products and put them in a global context - books like "Extra Virgin" (about olive oil) and "Travels of a T-Shirt in the Global Economy". I told myself I'd read the first chapter this morning, then put it down until tonight.

I emerged six hours later.

My god, this book is AMAZING. Everyone who cares about communities, or about the economy, must read it. It makes me want to question every decision we make about trade agreements, retail purchases, federal subsidies, labor laws, and tax policy. Thank heavens for Bassett, who didn't drink the Koolaid - and for Beth Macy, who has managed to humanize modern global economics and make it understandable for everyone.

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When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?

To be irrevocably in love with a vampire is both fantasy and nightmare woven into a dangerously heightened reality for Bella Swan. Pulled in one direction by her intense passion for Edward Cullen, and in another by her profound connection to werewolf Jacob Black, a tumultuous year of temptation, loss, and strife have led her to the ultimate turning point. Her imminent choice to either join the dark but seductive world of immortals or to pursue a fully human life has become the thread from which the fates of two tribes hangs.

Now that Bella has made her decision, a startling chain of unprecedented events is about to unfold with potentially devastating, and unfathomable, consequences. Just when the frayed strands of Bella's life--first discovered in Twilight, then scattered and torn in New Moon and Eclipse--seem ready to heal and knit together, could they be destroyed... forever?

The astonishing, breathlessly anticipated conclusion to the Twilight Saga, Breaking Dawn illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions.

• Sales Rank: #132501 in Books
• Brand: Meyer, Stephenie
• Published on: 2012-09-25
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x 1.25" w x 4.25" l, .85 pounds
• Binding: Mass Market Paperback
• 768 pages

Amazon.com Review
Great love stories thrive on sacrifice. Throughout The Twilight Saga (Twilight, New Moon, and Eclipse), Stephenie Meyer has emulated great love stories--Romeo and Juliet, Wuthering Heights--with the fated, yet perpetually doomed love of Bella (the human girl) and Edward (the vampire who feeds on animals instead of humans). In Breaking Dawn, the fourth and final installment in the series, Bella’s story plays out in some unexpected ways. The ongoing conflicts that made this series so compelling--a human girl in love with a vampire, a werewolf in love with a human girl, the generations-long feud between werewolves and vampires--resolve pretty quickly, apparently so that Meyer could focus on Bella’s latest opportunity for self-sacrifice: giving her life for someone she loves even more than Edward. How close she comes to actually making that sacrifice is questionable, which is a big shift from the earlier books. Even though you knew Bella would make it through somehow, the threats to her life, and to her relationship with Edward, had previously always felt real. It’s as if Meyer was afraid of hurting her characters too much, which is unfortunate, because the pain Bella suffered at losing Edward in New Moon, and the pain Jacob suffered at losing Bella again and again, are the fire and the heart that drive the whole series. Diehard fans will stick with Bella, Edward, and Jacob for as many twists and turns as possible, but after most of the characters get what they want with little sacrifice, some readers may have a harder time caring what happens next. (Ages 12 and up) --Heidi Broadhead

From Publishers Weekly
It might seem redundant to dismiss the fourth and final Twilight novel as escapist fantasy--but how else could anyone look at a romance about an ordinary, even clumsy teenager torn between a vampire and a werewolf, both of whom are willing to sacrifice their happiness for hers? Flaws and all, however, Meyer's first three novels touched on something powerful in their weird refraction of our culture's paradoxical messages about sex and sexuality. The conclusion is much thinner, despite its interminable length. [...] But that's not the main problem. Essentially, everyone gets everything they want, even if their desires necessitate an about-face in characterization or the messy introduction of some back story. Nobody has to renounce anything or suffer more than temporarily--in other words, grandeur is out. This isn't about happy endings; it's about gratification. A sign of the times? Ages 12–up. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Grade 9 Up—Meyer closes her epic love story of a human, a vampire, and a werewolf in this, the final installment of the saga. The story opens with Bella and Edward's wedding, and relations between Jacob and Bella remain uneasy. On honeymoon and unshackled from any further concerns about premarital sex, Edward fulfills his promise to consummate their marriage before he changes Bella into a vampire. An unexpected conception throws their idyllic world back into chaos as factions (both wolf and vampire) battle over whether or not to destroy the potential monster that is killing Bella from within. The captivating angst, passions, and problems manage to satisfyingly fill pages where surprisingly little action takes place, even after the powerful child's birth brings the Cullen family under the scrutiny of the Volturi. The international cadre of vampires who come to the Cullens' aid are fascinating, but distract from the development of prime characters at a pivotal moment. The novel begins and ends with Bella's voice, while Jacob narrates the middle third of the tale, much like the final pages of Eclipse (Little, Brown 2007). While darker and more mature than the previous titles, Meyer's twists and turns are not out of character. Fans may distress as the happy ending for everyone, including a girl for Jacob, lessens the importance and pain of tough decisions and difficult self-sacrifices that caused great grief in previous books, but they will flock to it and enjoy it nonetheless.—Cara von Wrangel Kinsey, New York Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Most helpful customer reviews

1147 of 1387 people found the following review helpful.
The Worst Book Ever
By P. Spangler
While I've been known to exaggerate on occasion, I promise you I'm being completely serious when I say Breaking Dawn is the worst book I have ever read. The writing was atrocious, there was no drama and/or real conflict, and Meyer broke her own rules. Repeatedly.

Let's begin, shall we?

First, the writing itself was a huge problem. It's nearly impossible for me to believe Meyer was an English major in college. Maybe she was technically a literature major, but either way, she should have been exposed to enough decent writing to know how to produce it herself. And if she couldln't produce it from her own head, she probably had enough references to replicate it. Instead, Breaking Dawn reads like a terrible fanfiction. Meyer tends to overuse adjectives and adverbs, but does so in the least descriptive way possible. How did Bella look on her wedding day? I couldn't tell you, since Meyer never bothered to describe her dress other than to say it was satin-y. And how about the rest of the wedding ceremony? There were flowers "everywhere" and everyone looked "amazing." Thanks. I can totally picture that.

Bella is also the ultimate Mary Sue, which doesn't help Meyer's writing skills in my eyes. Bella is SO PERFECT. Everyone LOVES HER. Meyer's lame attempts to make Bella relatable by making her clumsy fall flat (pun intended), because the other characters think injury-prone Bella is adorable. Will Charlie object to Bella Sue getting married at 18? Of course not! Will Bella Sue become the most graceful vampire ever, even though she was the world's clumsiest person? You bet! Bella gets everything she wants in Breaking Dawn and sacrifices nothing.

There was also a conspicuous lack of drama and conflict in what should have been an epic conclusion to a series. As I mentioned above, Bella had no problem convincing Charlie that marrying Edward was the right decision. I was expecting more of an objection from the ol' sheriff. Denied. Jacob does make a small attempt to talk Bella out of turning into a vampire, but what could have been another interesting conversation is brushed aside by Bella. Why would she miss anybody she knew as a human? She'll be with her beloved Edward for all eternity; that's all she needs.

The sexy-time was also lacking. I'm not much of a smut fan, but I was hoping for more than a cheezy "fade to black" when Edward and Bella finally do the deed. After three books of anticipation and denial, Meyer doesn't have the balls to give us more than Bella walking toward Edward in the water. Seriously, Meyer? You can show Bella vomiting "a fountain of blood" but kissing before sex is too shocking? Nothing interesting here, folks.

There is also the issue of Bella's pregnancy. Nowhere in the previous three books, and I mean NOWHERE, did Bella mention a desire to be a mother. But as soon as Edward gets his vampire sperm inside her, she decides that motherhood is the most important thing on Earth. (Inconsistent much, Meyer? Another sign of bad writing!) I was expecting Bella to freak out, get angry at Edward, and blame him for ruining her life when she thought she could never get pregnant! But instead, Bella is inexplicably calm and instantly bonds with her "little nudger." Again, any drama that could have been just melted like an ice cube in Death Valley. The plot floats along...

The previously mentioned "fountain of blood" happens when Bella goes into labor. To make a long and rather gruesome story short, the baby almost kills Bella, and would have, had Edward not turned Bella into a vampire. Bella lays on a table for a couple of days until the venom stops her heart. She's dead! Let the crazed baby vampire gather her bearings! She's dangerous right now! Right? Wrong. Bella Sue is the perfect vampire, so graceful and strong. She requires almost no adjustment time, even though Meyer told us in previous books that new vampires are totally out of control. Again, all conflict nipped in the bud.

This leads us to Meyer breaking her own rules. Bella is totally in control of herself as a new vampire even though, according to Meyer's own words, it's totally normal and EXPECTED to have a lenghty adjustment period. Jasper struggled for years, but Bella gets the hang of things in a day. Of course. Meyer breaks the rules so Bella Sue can have her perfect life.

Meyer also gets into a sticky situation with Bella's pregnancy. According to Meyer, speaking through (I believe) Carlisle, vampires don't have any liquid in their bodies except for their venom. Last time I checked, sperm isn't venomous. Getting Bella pregnant should have been impossible if Meyer followed her own rules! That entire plot device (which only served to give Jacob something to imprint on) was an amateurish cop out that I would expect to find in fanfiction, not a novel written by an adult with a college degree.

Oh yeah, they named the baby Renesmee. Vomit.

And then Jacob imprints on it. Double vomit.

Allow me to backtrack for a second. I forgot to mention another scene that should have been exciting but wasn't: the confrontation with the Volturi. Yep, the leaders are back and they want to kill the Cullens for making an "immortal child." Finally, some action! The Cullens invite some vampire friends to gather at their house and fight the Volturi, which should be the epic conflict we've all been waiting for! Except it most definitely is not. It turns out that Bella has a shield she controls with her mind. All the does is put the sheild around everybody and they're impervious to weapons. The Volturi stand around and talk for a while and then... leave.

Breaking Dawn was a letdown in every sense. Meyer's writing didn't improve (it got worse, actually), there wasn't any tension or action, and a lot of the rules established in the first three books got thrown out the window.

Avoid this book at all costs.

(Note: Don't be fooled by the high number of five-star reviews; a lot of them are two sentences long and say things like, "BELLA AND EDWARD ARE IN LOVE!!!!1!11one" They may very well be, but that doesn't make it a good book.)

1484 of 1796 people found the following review helpful.
So bad, I want to rewrite it myself
By Chicklet
I started reading this series after I heard a rave review on NPR during their "Guilty Pleasures" segment. The middle-aged gentleman described Twilight with such enthusiasm that I couldn't resist temptation. I bought the four-book set and settled in for a long weekend of reading.

Three days and 2400 pages later, I'd finished the four novels. I adored Twilight, tried not to slap whiny Bella during New Moon, and mostly skimmed through Eclipse trying to get to something interesting. Finally, I got to Breaking Dawn. I have never been so let down by a book in my entire life. I don't even need to go into all the ways that this book was horrible - the other reviewers have done that well. But, here I go anyway:

Wedding - So, Bella's wedding to Edward was not what she wanted, but what she was willing to trade for sex and immortality. The wedding itself was not her vision and in no way represented their unique love, but was instead a fantasy created fully by Alice's vision.

Honeymoon - Meyer is telling us that sex is scary and awful. You will have a lot of pain your first time and your husband, who puts you up on a pedestal, will hate himself for "hurting" you, no matter how yummy delicious it is. Oh, and once you do get some, it's pretty much the only thing you'll want, and your new hubby will reject you, mercilessly, due to his own hang ups. Woo! I gotta get me some of that!

Also, how come it's either a little french kissing or sex? How come no one ever talks about alllll that space in between those two extremes? What a perfect place for her to talk about sex and the implications of it, especially given her target audience.

Pregnancy - You will get pregnant the very first time you have sex. Pregnancy is the most horrible state you will ever experience. It will be stunningly painful as your body is taken over by something that hurts you, and tries to kill you, and eventually chews its way out of you. The bloodbath of child birth is fine - but it says a lot, to me, about Meyer that she can't write the sex, but can write the gore. Or maybe it's about society, and not Meyer at all. Take your pick.

Renesmee - Say it out loud. I dare you. Look, I get what Meyer was trying to convey here about the beauty of having a child, the connection that a newborn's family feels to the child and how fleeting childhood is. But come on! The massive gaps in logic and leaps of faith it takes you to get here are stunning. Stunning. And impossible.

Jacob - Sigh. Poor Jacob. This boy never had an ounce of pride, he submitted it all to Bella, only to find himself a pedophile in the end. How utterly freaking awful. (and yeah, I tried to go with the whole "it's fiction, not pedophilia" but I just couldn't get there. It was creepy.)

The Cullens - Who? No seriously though, Edward had a family? Where were they after page 150?

Renee and Charlie - So, while Renee has been the primary parent and the person that Bella is closest to for the entire series, suddenly she's just...absent. Laaaame. And suddenly Charlie is Bella's first concern, but we've been given absolutely nothing by way of character development to buy into this. Again, I say: Come on!

Editing: Look, I don't know who edited this book, but ZOMG! fire that person. There were so many errors it was distracting. Dialog tagging: use it. Also, adverbs are not your friends. If Bella "shyly" does one more thing, I'm going beat her with her own arm. If you have to tell us that people are chuckling, giggling, that their eyes are "tightening" (wth does that even mean?) then you're failing at description. If you must tell and not show, read some Willa Cather. She gets away with it. You don't. So stop.

Tone: I'm guessing that Meyer took a break from Twilight land to write "The Host" and that's why the entire tone of this novel is off. It just doesn't even sound like it was written by the same person.

At the end of this novel, I wanted to rewrite the whole thing myself. I wanted to see why Bella decided that she would marry Edward. I wanted her to give a damn about the wedding and see some reverence in it. I wanted to see a real deepening in her relationship with Alice. I wanted Esme to be more than just a paper doll mother figure. I wanted a real, honest to goodness sex scene that lived up to three freaking novels worth of some of the steamiest kisses ever. I wanted Bella to pay a price for some of her choices. I wanted that epic battle with the Volturi to actually happen. I wanted someone to die. Meyer cheated us out of the thoughtful endings that we get when good triumphs over evil. That's what makes life sweet, and makes us appreciate what we have - working for it, sacrificing for it.

Bella would have actually wanted to marry Edward. She would have cared about the decorations and Alice would have developed into a real sister, and not some overblown party planner. There would have been real sex - not smutty, but real, nonetheless. Pregnancy would have disappeared. Bella would have had to make the choice - between having babies and having Edward. She would have been cruel to be kind and given Jacob his freedom. Jacob would have grown and gotten over her, and moved on and found real love with someone who loved him back - maybe even Leah, since that ground was laid pretty well. Bella would have spent months being a newborn, filled with nothing but bloodlust. Jessica would be her first victim. The Cullens would have worked tirelessly to help her transform, and we could have gotten to know them all so much better. Rosalie might have died, doing something selfless for once in her life. That would have been doubly meaningful if Meyer rewrites the whole series from Edward's POV (ala Midnight Sun, which in rough draft form is head and shoulders better than Breaking Dawn.) Bella would have to give up Charlie and Renee for a while, but eventually they would be able to be in her life, altho in a much more limited way. There are a million possibilities that could have had a very nice happy ending, with a bit of bitter thrown in with the sweet.

Meyer is a great storyteller and an okay writer. If she gets a better editor and learns some discipline, she could be very good. I found this particular book to be a total betrayal of the earlier books, which is why my review is so harsh. Overall, I hope she keeps going, and I *really* hope she keeps going with Midnight Sun, which so far, I love.

126 of 149 people found the following review helpful.
Poorly written and vastly overestimated
By Trisha
Okay, I'm not going to lie: I am addicted to Twilight. I own actual, physical copies of the first three books and the copy of Breaking Dawn I ordered from Amazon is on the way (I read an online version). But I really cannot understand why anyone, ANYONE, can treat it seriously. The entire series is filled with convenient plot devices, shallow, one-dimensional characters, and Meyer is not a very concise writer, which means that the books are long. Really long.

I'll admit the initial plot is engaging: deadly yet benevolent vampires, a forbidden love. All very marketable and appealing. What bothers me is the lack of skill with which the stories are executed. Meyer's writing is not bad, it's just amateurish. Quite honestly, I think I or any other of my friends could have written it the way she had, and I'm not even out of high school. Everything in Breaking Dawn slots neatly into place, making all the fuss that precluded it practically useless. What was the point of building all that up if it's just going to resolve it anyway?

I hear people comparing her series to Harry Potter and Pride and Prejudice, and wince. I sincerely hope that the masses don't feel this way, or else I'll lose faith in society's ability to judge quality forever.

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A walk down the aisle, a resort hotel, a drink on the beach...for these unlucky couples, the honeymoon's over.
A newlywed couple steps into the sauna in their deluxe honeymoon suite--and never steps out again. When another couple is killed while boarding their honeymoon flight to Rome, it becomes clear that someone is targeting honeymooners, and it's anyone's guess which happy couple is next on the list.
FBI Agent John O'Hara is deep into solving the case, while Special Agent Sarah Brubaker is hunting another ingenious serial killer, whose victims all have one chilling thing in common.

As wedding hysteria rises to a frightening new level, John and Sarah work ever more closely together in a frantic attempt to decipher the logic behind two rampages. SECOND HONEYMOON is James Patterson's most mesmerizing, most exciting, and most surprising thriller ever.

• Sales Rank: #130458 in Books
• Brand: Brand: Little, Brown and Company
• Published on: 2013-06-24
• Released on: 2013-06-24
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 1.50" w x 6.50" l, 1.45 pounds
• Binding: Hardcover
• 432 pages

Features

• Used Book in Good Condition

Review
PRAISE FOR HONEYMOON:

"[Patterson] again shows his usual flair for brisk narrative, strong suspense and genuine twists...nearly impossible to stop reading."―Publishers Weekly

"Whether you're cuddled up in front of a fire or basking on a sunny beach, Honeymoon will be over all too soon."―BookReporter.com

"Honeymoon has the quick-cut pacing and visual snap of a screenplay."―BookPage.com

About the Author
James Patterson has had more New York Times bestsellers than any other writer, ever, according to Guinness World Records. Since his first novel won the Edgar Award in 1977 James Patterson's books have sold more than 300 million copies. He is the author of the Alex Cross novels, the most popular detective series of the past twenty-five years, including Kiss the Girls and Along Came a Spider. He writes full-time and lives in Florida with his family.

Most helpful customer reviews

31 of 35 people found the following review helpful.
Fast!
By KFitz
It was so good I read it to fast. Hard to put down and always wondering what was going to happen next. Well done!

27 of 31 people found the following review helpful.
Bad plot, bad characters, bad pace, bad writing
By Ashes
Let me preface this review by saying that I have never read James Patterson before. This was the first of his titles I have ever picked up, and disappointment doesn't even being to cover what I feel about it.
This book was just bad. Awful, in fact.
The plot was uninteresting and rushed. At no point did it feel like a crime novel - there was no suspense, no mystery, no deep insights into the minds of the people who were committing the crimes. It felt like a bad soap opera at best. At worst... I don't even have the vocabulary to describe what it was at worst, but I feel more assured saying so because if you'd read this book, you'd be aware that the authors don't either. It felt like they'd taken two different story lines and thrown them haphazardly and messily together. It was just plain awful. The pacing was ridiculous too. Some other reviewers called it "fast paced" - I'd call it rushed. It was like they just wanted to spit the story out as fast as possible without building anything up properly.
As for the characters, wow. Just wow. It was like twilight with the insta-love crap. This is meant to be a novel for adults, not preteen girls. Apart from being completely unrealistic, the characters were also just plain boring. Not to mention irritating. The whole "rebel who doesn't play by the rules" thing got boring after ten pages.
Not only all of that, but the book suffered some severe editing issues. Some of the ways things were phrased was just plain bad writing, and there were plot holes that were just bad editing.

I don't even remotely understand how this book has been highly reviewed. If you like crime/thriller novels, don't even waste your time. This was awful, and I'm sorry I paid actual money for it. If I could get a refund, I would.

46 of 56 people found the following review helpful.
honeymoon
By Donna M. Batton
As usual, Janes Patterson had me turning pages and not wanting to put the book down. This book, co-authored by Howard Roughan was a real thriller full of twists and turns. Very good read.

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Lucy lives on the twenty-fourth floor. Owen lives in the basement. It's fitting, then, that they meet in the middle -- stuck between two floors of a New York City apartment building, on an elevator rendered useless by a citywide blackout. After they're rescued, Lucy and Owen spend the night wandering the darkened streets and marveling at the rare appearance of stars above Manhattan. But once the power is back, so is reality. Lucy soon moves abroad with her parents, while Owen heads out west with his father.

The brief time they spend together leaves a mark. And as their lives take them to Edinburgh and to San Francisco, to Prague and to Portland, Lucy and Owen stay in touch through postcards, occasional e-mails, and phone calls. But can they -- despite the odds -- find a way to reunite?

Smartly observed and wonderfully romantic, Jennifer E. Smith's new novel shows that the center of the world isn't necessarily a place. Sometimes, it can be a person.

• Sales Rank: #498560 in Books
• Published on: 2014-04-15
• Released on: 2014-04-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.25" w x 5.88" l, 1.05 pounds
• Binding: Hardcover
• 352 pages

From School Library Journal
Gr 7 Up—Lucy and Owen meet in a stalled elevator in their New York City apartment building when a blackout affects the northeast. The two are rescued and spend the remaining night wandering the dark streets, admiring the star-filled sky, and picnicking on the roof. The next morning the power returns and with it the reality of their situation. The two are pulled in opposite directions as Lucy and her family move to London and Owen and his father trek westward across the United States. Although they are separated by thousands of miles, the teens can't forget each other. Though fate initially brought them together, it is up to them to engineer a way to meet again. This contemporary YA novel focuses on themes of family, life after loss, and long-distance relationships. Readers will enjoy experiencing different cities and countries through the protagonists' eyes. Fans of Sarah Dessen, Elizabeth Eulberg, and Susane Colasanti will enjoy Smith's latest meet-cute romance.—Tiffany Davis, Mount Saint Mary College, Newburgh, NY

From Booklist
*Starred Review* The meet-cute master behind The Statistical Probability of Love at First Sight (2012) and This Is What Happy Looks Like (2013) delivers her best book yet, a straightforward, old-fashioned swoonfest that, in another time, would be a film starring Audrey Hepburn. One sweltering summer day, Lucy and Owen get stuck on an elevator in their New York City high-rise. Well, it’s her high-rise, really—Owen is the superintendent’s son living in the basement—but class differences vanish with only a few feet of breathing room. They are freed, and the few hours of citywide blackout that follow become an enchanted fissure in time wherein the two establish a deep connection. The bulk of the book details their winding paths back to “the heat and spark and flame” they found in the dark, as Lucy is tugged around Europe by her successful parents while Owen and his newly jobless father hit the American highways in search of work. Yes, it’s another take on An Affair to Remember, and no, there’s nothing new here. But it’s a classic dish served up with style, heart, and a long-distance yearning immediately recognizable to anyone who has had to love from afar. And Smith makes it all look as effortless as the charmed rapport between Lucy and Owen. Grades 8-11. --Daniel Kraus

Review
Praise for The Geography of You and Me:A VOYA Perfect Tens 2014 SelectionA YALSA 2015 Quick Picks for Reluctant Young Adult Readers SelectionA YALSA 2015 Teens Top Ten Nominee
* "The meet-cute master behind The Statistical Probability of Love at First Sight and This Is What Happy Looks Like delivers her best book yet, a straightforward, old-fashioned swoon-fest that, in another time, would be a film starring Audrey Hepburn."―Booklist, starred review

* "Fans of Smith's previous works, namely The Statistical Probability of Love at First Sight, and other love stories like John Green's The Fault in Our Stars and David Levithan's Every Day will like this novel, which is a similar combination of head and heart...A welcome addition to any library."―VOYA, starred review

"A heart-shaking exploration of a fragile long-distance relationship...Deftly romantic and anchored in an age when the Internet has made long distance a much more familiar concept for teenagers, this is a fantastic story."―Vanity Fair

"Truth about love always gets our attention, and this book will catch readers'."―Kirkus Reviews

"Fans of Sarah Dessen, Elizabeth Eulberg, and Susane Colasanti will enjoy Smith's latest meet-cute romance."―SLJ

"Smith has written a sweet, moody story that can also be deeply heartbreaking...There are plenty of romantic sigh-worthy moments, too, but it's Owen and Lucy's individual journeys that really hit home."―Publishers Weekly

"Smith captures the romantic sparks that fly in unusual situations and the way love can build even when circumstances keep people apart. If you like your romances with a bit of European adventure, some New York glamour, and a lot of honest heart, this one's for you."―E. Lockhart, author of The Boyfriend List and The Disreputable History of Frankie Landau-Banks

"The greatest space between two people is measured in emotions, not miles. The Geography of You and Me is a true, tender long-distance love story guaranteed to strike a resonant chord in hopeful romantics everywhere."―Megan McCafferty, bestselling author of the Jessica Darling series and Bumped

"Jennifer E. Smith represents the absolute best in YA writing, and readers will carry this poignant love story in their hearts long after the last sentence is read."―Susane Colasanti, bestselling author of When It Happens

"The Geography of You and Me is a magic, magic book. It will take you to a place where we all want to live, where true love overcomes any distance."―Huntley Fitzpatrick, author of My Life Next Door and What I Thought Was True

"If it was just a travel story or just a love story, The Geography of You and Me would still be perfect, but it's both and more. I loved this book!"―Lauren Morrill, author of Meant to Be and Being Sloane Jacobs

Most helpful customer reviews

17 of 18 people found the following review helpful.
This is the reason why Jennifer E Smith is my favorite!
By Kristen @ Pretty Little Pages
I have a lot of love for Jennifer E. Smith. Her writing is flawless, and I always fall in love with her books. So whenever I got my hands on The Geography of You and Me, I knew I'd love it. I just didn't realize how much!

Lucy and Owen were meant to be from the very first page. I loved the way they interacted. It seemed so natural and realistic. With the few exceptions, I've never gotten this emotional over a bookish couple. But they just seemed real, y'all. With every twist and turn, my fingers were crossed for them to make it. Team Lowen forever.

The Geography of You and Me is the best of young adult contemporary romance. It has everything that makes a good one and so much more. It's been such a long time since I've felt this much of a connection to a story, and I'm in love with this feeling.

5 of 5 people found the following review helpful.
In Review: The Geography of You and Me by Jennifer E. Smith
By Kim
It seems like I waited forever for The Geography of You and Me. One of my favorite YA contemporaries was written by Jennifer E. Smith – The Statistical Probability of Love at First Sight, if you were wondering – and I love New York City. Of course I wanted to get my hands on this book. After initially being denied access to an ARC, I pre-ordered it and then got wrapped up in other books and didn't get around to it, even though it's been on my iPad this whole time. Then it was made available on NetGalley again and I was lucky enough to snag a review copy and I figured there's no time like the present to read it.

This book had a great setup and was, initially at least, set in the best city in the whole world. The first 25%-30% was fantastic. I loved Lucy and Owen introduction and the time they spent together the night of the blackout. I loved the author's description of the city during the blackout. I don't ever want to experience something like it firsthand, but thanks to Jennifer's descriptive writing, I felt like I was right there with them. Things started to go a bit awry for me once the characters went on their own journeys, but not because the story failed at that point, but just because I'm a sucker for romance and I wanted more. That was my only real problem with the book – the lack of MORE. More of Lucy and Owen together. More banter. More romance. More New York. More everything. Except travel. It definitely had enough of that.

Now I'm going to slightly contradict myself and say that, while I wanted more of Lucy and Owen in the same zip code, I loved how realistically Jennifer handled their time apart. The postcards were sweet and unexpected of teens these days. They weren't about the instant gratification of social media or email, but something deeper. They didn't wait around for each other – at least not completely. They each had relationships with someone else and, while that bothered me at the time because I was shipping Lucy and Owen, it was believable. These two had no idea if or when they would ever see each other again. It only makes sense they would try to recapture some of what they felt together with new people. I can't really fault them for it. I think it would have been easier for Jennifer to write a story where they sat and pined away for each other and didn't date anyone else. But it wouldn't have been as real, either.
I've seen some other reviews slamming the author's writing in some of the later chapters in the book. Personally, I enjoyed these chapters. They were some of my favorite moments in the entire book. I loved seeing the parallel in their lives in each new city they were in. There was a huge focus on waiting in this book and it was illustrated perfectly for me in these chapters.

In a nutshell, I *liked* The Geography of You and Me. It was better than the last of Jennifer's books that I read – This is What Happy Looks Like – but nowhere close to as good as The Statistical Probability of Love at First Sight, IMHO anyhow. The pace was slower than most YA contemporaries I read and at times I found my attention wavering a bit, but then I would get pulled back in with an event or turn of phrase. But mostly, I just really wanted to see what would happen in the end. This book wasn't as big on swoons as I hoped it would be, but I was able to appreciate it for what it was.

I received a copy of this book from the publisher, via NetGalley, in exchange for an honest review.

4 of 4 people found the following review helpful.
Just Short of Perfection
By Lili's Reflections
This is my second Jennifer E. Smith novel and I think that Smith pretty much guarantees absolute cuteness and fluffiness no matter what. While this one was not a complete grand slam the way THE STATISTICAL PROBABILITY OF LOVE AT FIRST SIGHT was, Smith easily hit it out of the park. She has solidified herself as one of my go-to feel-good authors.

Told from two perspectives, THE GEOGRAPHY OF YOU AND ME follows a young love story across the globe. Both Owen and Lucy have very strong voices and they were easy to root for due to the fact that I was immediately invested in their stories. Both were experiencing sad moments in their lives and they were brought together by, oddly enough, an apocalyptic-like power failure spanning the entire East coast into Canada. I found the descriptions of New York City during the blackout to be very interesting and entertaining because of the fact that I live here. So, for any New Yorker out there, there's some instant entertainment here for you. For those of you who aren't New Yorker's, there's a small dystopian-like aspect to this book in the very beginning that I think many will enjoy.

But back to Lucy and Owen. It was very easy to identify with Lucy because of the fact that she tended to be an introvert who loved to wander. She preferred the company of her brothers or that of a good book before anything else. She reminded me a lot of me, and for that I will always love her. Owen is also easy to love because he's broken. Not in one of those broody types of ways, but his heart is truly broken over the sudden and unforeseen loss of his mother. He doesn't want to brood, but his life is at a standstill and he doesn't know how to dig himself and his father out of this rut. One catastrophic twenty four hour black out altered both of their lives unexpectedly after spending a mere thirty minutes stuck in a really hot elevator.

A huge aspect of this story that I adored was how the parents of our main characters were painted. I think that it's become a common (and hated) young adult cliche to have bad parents in stories. While Lucy's parents are slightly absentee in the beginning, it is explained and throughout this story that spans a year, we get to watch her relationship with her parents grow and become something really beautiful. I loved seeing Lucy and her mother begin to foster a true mother-daughter relationship. I also loved reading scenes with Owen and his Dad. Owen's father suffered really badly in the first half of the book, but watching him come to terms with the early passing of his wife and begin to be a father once again to Owen, his only son who loves him more than life itself, was genuinely touching. It was very realistic and I applaud Smith for making such solid families with believable emotional struggles.

The world traveler in me is also extremely satisfied with the huge amount of places covered in this story between both characters. Off the top of my head we were taken to New York City, San Francisco, Lake Tahoe, Pennsylvania, Portland, Seattle, Edinburgh (Scotland), London (England), Paris (France), and Prague. And every place felt different then the others. Smith really put detail into her descriptions and if I closed my eyes and imagined things, I could see myself there. Her usage of post cards to describe huge landmarks but also as a way for Owen and Lucy to communicate was very adorable as well. Not only did it remind me of how I communicate with my parents when I am overseas without them, but it made their relationship foster and grow in a really unique and cute way--just adding to the fluffiness, I tell you! I was rooting for these two from the get-go.

My one complaint that makes this story fall just short of perfection was that I was able to put it down multiple times. When I put my mind to it I finished it with ease, but there were parts where I struggled to focus. I actually walked laps around the seaport at one point because I wanted to keep reading but I couldn't bring myself to do so because we were at a lull in the story. A solid portion of the book easily held my interest, but I had to trudge through certain parts in order to get to those at times.

If you are a fan of fluffy and adorable contemporary reads with a flair of unusual dystopian-like circumstances and powerful stories of self-discovery, this is a great book for you. Jennifer E. Smith can really do no wrong.

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# Get Free Ebook Lies My Girlfriend Told Me, by Julie Anne Peters

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When Alix's charismatic girlfriend, Swanee, dies from sudden cardiac arrest, Alix is overcome with despair. As she searches Swanee's room for mementos of their relationship, she finds Swanee's cell phone, pinging with dozens of texts sent from a mysterious contact, L.T. The most recent text reads: "Please tell me what I did. Please, Swan. Te amo. I love you."
Shocked and betrayed, Alix learns that Swanee has been leading a double life--secretly dating a girl named Liana the entire time she's been with Alix. Alix texts Liana from Swanee's phone, pretending to be Swanee in order to gather information before finally meeting face-to-face to break the news.
Brought together by Swanee's lies, Alix and Liana become closer than they'd thought possible. But Alix is still hiding the truth from Liana. Alix knows what it feels like to be lied to--but will coming clean to Liana mean losing her, too?

• Sales Rank: #801803 in Books
• Published on: 2014-06-10
• Released on: 2014-06-10
• Original language: English
• Number of items: 1
• Dimensions: 8.63" h x 1.00" w x 6.00" l, .80 pounds
• Binding: Hardcover
• 256 pages

From School Library Journal
Gr 9 Up—Alix's world is turned upside down after falling for popular and confident Swanee, so much so that ditching her friends and playing by her love's rules seems almost too easy. When her mom breaks the news that Swanee has suddenly died of an unexpected cardiac arrest, Alix has a hard time accepting that her vivacious and seductive girlfriend is really gone. In Peters's newest offering, questions of love and honesty abound. After Alix gets ahold of Swanee's cell phone, she discovers texts revealing that Swanee had been carrying on an affair with another girl. To find out more about the mysterious L.T., she sends her a message, pretending to be Swanee, before ultimately tracking her down and giving her the news of Swanee's death. Alix finds out her name, Lianna, and that they share more than just a girlfriend in common. They begin spending more and more time together, and despite her best intentions, and the fact that she's falling hard for her, Alix can't bring herself to tell Lianna that she had sent the texts pretending to be Swanee. This dilemma, which naturally resolves itself into a happy high school love affair, is the largest conflict in the plot. Questions about Swanee's controlling nature arise, as do the effect her neglectful parents had on her and her sister, but the majority of the book leaves readers with what is largely a love story with a small mystery thrown in. The book does not focus on sexuality, and it's a pleasure to read a typical teen romance that just happens to be between two girls. Romance fans of any persuasion will be swept up in this slow-paced but ultimately sweet story.—Joanna Sondheim, Columbia Grammar & Preparatory School, New York City

From Booklist
So many lies. When her girlfriend Swanee dies suddenly, Alix is devastated to discover that Swanee has been secretly dating another girl, Liana. For complex reasons, Alix feels it is her responsibility to tell Liana of Swanee’s death. But in so doing, she creates a web of lies that will come to haunt her as the girls meet and bond over their mutual experience of betrayal. The bond quickly turns into friendship and then into love. Alix knows she must finally tell Liana the truth, but will it strengthen their relationship or destroy it? Peters has written another insightful, absorbing novel of relationships that is both emotionally and intellectually satisfying. Alix and Liana are multidimensional characters with whom readers will identify and empathize. Peters’ thematic treatment of lies and truth is nicely realized and never pedantic. This will have widespread appeal to both gay and straight readers and is another strong offering from a well-established, popular author. Grades 7-12. --Michael Cart

Review
Praise for Lies My Girlfriend Told Me:"This book tenderly explores themes of loss and forgiveness... Peters capably addresses teen LGBT relationships without making them the story's sole preoccupation."―Publishers Weekly

Most helpful customer reviews

3 of 3 people found the following review helpful.
A little...
By Gabrielle
I'm a little disappointed actually...I love every one of her books but I expected this one to be the best...I like the story and what the point of it is but I really thought there would be more to it. I love Julie matter what though!!! Thank you for everything you've done to help me through one of the hardest times in my life....

2 of 2 people found the following review helpful.
A worthy read but one of Peters' weaker efforts
By Zoe F.
The Good:

Both Alix and Liana are likable characters, and it feels easy to sympathize with the two of them. I also felt that Peters did a particularly superb job of introducing Liana. The character comes across as someone problematic and potentially dangerous before making Alix, and the reader as well, trust in her. It was a dangerous way to present Liana. Less talented writers have tried similar intros only to screw it up and leave their reader with a main character who inexplicably trusts someone the audience feels uncomfortable about. Peters handled it flawlessly.

Lies My Girlfriend Told Me also features a great deal of melancholiness, something you'd probably expect if you've ever read the author's other work, and it too is handled well and feels natural to the plot. The sadness, anger, and uncertainty which follows around Joss is certainly one of the stronger aspects of the book. Quite honestly, she's intriguing enough that I would probably read a spin-off centered entirely around her character.

The So-so:

It's a little difficult to buy into how the romance between Alix and Liana started. I understand that times of high emotional strain can cause people to perform actions which wouldn't be expected if they were thinking clearly, but it wasn't like they had one sudden odd moment of incredible passion. They simply went from agonizing grief to flirting and sex jokes, and they did it within the span of a week or two. I can't help but feel it would take the vast majority of people significantly longer to overcome the whole this woman is my dead girlfriend's illicit lover aspect. An investment in their relationship was still developed, but it would've come sooner and been deeper if the beginning had felt real.

There's nothing necessarily detrimental about the Betheny character, but she's all sorts of underdeveloped. We're told within the first several pages that she and Alix used to be best friends and now aren't, but then she nearly disappears for the majority of the book. By the time she popped back in, her reintroduction treated as if it was an important event, I didn't even care. A few more details about the defunct friendship and reminders of her existence would have done wonders.

The Bad:

Swanee's behavior is never explained in any manner that felt satisfactory. The reader is just left to accept, since it's the only explanation we actually receive, that her parents immorality caused her to grow into someone who consistently lied and manipulated everyone around her. It seemed, quite frankly, insulting to my intelligence. Many people had great parents but behave awfully, and plenty of people had terrible parents but grew into great people. It's also never exactly explained how Swanee balanced her relationships without either party catching on, especially with all the required travel. She sets the story in motion, yet so much of what she did is just a giant completely unexplained or obviously hand waved plot hole.

The use of the cell phone as a plot device was extremely drawn out, predictable, and pointless. It also consistently worked to cause Alix to seem like she should win an award for being the paramount clueless person on the face of the earth. I don't know how many times I screamed at my book, "Throw the damn thing away, smash it with a hammer, or just get rid of it somehow! Don't keep holding onto it, stupid!" However, I'm certain it was a sizable count. I've read the bulk of Peters' books, so I know she's consistently capable of writing much more enthralling and believable suspense. Where was it, and why didn't her editor tell her to completely rewrite or just eliminate the phone angle? Now that's a suspenseful question.

Conclusion:

Where the book works, it works extremely well. It even has all of the components necessary for an excellent piece of fiction; nevertheless, it disappoints by not ever developing quite right, completely coming together, and living up to the potential which is obviously there. The most unsatisfying part? It comes from an author I know could have written something I'd be raving about. Lies My Girlfriend Told Me is worth your time if you're already a Julie Anne Peters a fan; however, those who are not acquainted with her work should probably choose one of the author's better efforts—Rage: A Love Story or Keeping You a Secret are my suggestions—instead of beginning with this one.

***/*****

1 of 1 people found the following review helpful.
An emotional and compelling read about trust, romance, and loss! Highly Recommend!
By Regina Niesen
A definite 5 star book! A compelling and emotional book about trust, romance, friendship, and loss. Alix thinks she has found true love in eccentric Swanee. A girl who is very sure of who she is in this world, a lesbian, and Alix's world soon only revolves around Swan. Alix has burned bridges with her other close friend to be only what Swan wants her to be. Alix changes who she fundamentally is to make sure that she is Swan's one and only. Then tragedy hits. While out running for her daily training, Swanee suddenly drops dead of sudden cardiac arrest. Nothing could be done to save her.

In the aftermath of her death, when Alix thinks nothing could get worse, she finds Swanee's cell phone that has 108 texts starting from the day she died from the mysterious L.T. It becomes obvious to Alix that this L.T. was more than just a friend, so Alix texts back pretending to be Swan. Eventually she learns that the girl is Liana and it is up to her to tell this girl that Swan is dead. When she finally meets Liana, Alix and Liana both come to realize the extent of the lies Swanee was telling them both. Together the girls heal from her death and destruction but on the way they fall in love... the right kind of love. But Alix realizes that she has to tell Liana that it was indeed her that was texting her in the beginning however she is afraid of losing Liana forever.

This is a heart wrenching book that I couldn't put down. The characters felt so close to my heart that I felt every emotion. The absolute destruction that Swanee put them both through made my heart ache but together the girls got through it and found true love, not one filled with lies and deceit. At one point in the book, Alix asks her mom if she ever had to make sacrifices for her dad. Done things she really didn't want to do? Her mother responds "I suppose I've adapted. We both have. But we never asked each other to sacrifice who we are as individuals... we compromised. We've given, not taken away. We've grown stronger together." This is the point in the book when Alix really gets what Swanee has done to her. She realizes that she was "...drifting...Swanee was trying to make her into someone I wasn't. Manipulating me. Making me feel inadequate...not only that, but pulling me away from my parents."

I can't recommend this book highly enough! It's not often that I read a book straight through, but I did with this one! When I feel that emotionally connected it can only mean that I have to give it a high rating and pass this work onto others. This is the first book I have read by Julie Anne Peters and definitely won't be my last! 5 stars!

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