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Named an "Editors Choice" by The New York Times and a "Best Book of 2014" by Library Journal, The Philadelphia Inquirer, and The Kansas City Star The "Fresh Air" book critic investigates the enduring power of The Great Gatsby -- "The Great American Novel we all think we've read, but really haven't."
Conceived nearly a century ago by a man who died believing himself a failure, it's now a revered classic and a rite of passage in the reading lives of millions. But how well do we really know The Great Gatsby? As Maureen Corrigan, Gatsby lover extraordinaire, points out, while Fitzgerald's masterpiece may be one of the most popular novels in America, many of us first read it when we were too young to fully comprehend its power.
Offering a fresh perspective on what makes Gatsby great-and utterly unusual-So We Read On takes us into archives, high school classrooms, and even out onto the Long Island Sound to explore the novel's hidden depths, a journey whose revelations include Gatsby's surprising debt to hard-boiled crime fiction, its rocky path to recognition as a "classic," and its profound commentaries on the national themes of race, class, and gender.
With rigor, wit, and infectious enthusiasm, Corrigan inspires us to re-experience the greatness of Gatsby and cuts to the heart of why we are, as a culture, "borne back ceaselessly" into its thrall. Along the way, she spins a new and fascinating story of her own.
- Sales Rank: #407049 in Books
- Brand: Corrigan, Maureen
- Published on: 2014-09-09
- Released on: 2014-09-09
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.25" w x 5.88" l, .0 pounds
- Binding: Hardcover
- 352 pages
Review
""So We Read On" abounds in pleasures of the text, whether it is tracing the theme of water in "Gatsby," dipping in and out of Fitzgerald's biography so as to illuminate the novel or the state of mind of the man who wrote it, or ingeniously linking the book's underside -- its "shadowy atmosphere of criminals, bootleggers and violence" -- with a genre of hard-boiled novels and noir films that postdate it."--The New York Times Book Review
". . . entertaining and informative. . . . Corrigan successfully spreads her enthusiasm." Dallas Morning News
"Maureen Corrigan has produced a minor miracle: a book about The Great Gatsby that stands up to Gatsby itself."―Michael Cunningham
"No one is better at bringing a book to life than Maureen Corrigan. Her vividly personal evocation of Fitzgerald and The Great Gatsby is at once a labor of love, the story of a quest, and a mother lode of information and insight. As a biography of a novel, it reads like a novel."― Morris Dickstein, author of Gates of Eden and Dancing in the Dark
"Second only to the pleasure of re-reading Gatsby is the pleasure of talking to someone about it, and Maureen Corrigan is the ultimate someone: boundlessly erudite, blazingly funny, and infectiously passionate. . . . As with the book that inspired it, my only complaint about So We Read On is that it comes to an end."―Susan Choi, author of My Education
"An intoxicating cocktail of talent, celebrity, gangster noir, and the vicissitudes of reputation that create a classic."― Ron Rosenbaum, author of The Shakespeare Wars
"As pleasurable to read as Fitzgerald's. ... It's smart and compelling, persuasive without demeaning other interpretations...a gorgeous treat."―The Washington Post
"We have to be thankful to Maureen Corrigan for letting us in on her intriguing love affairs with great books, as in this wonderful account of her grand passion for The Great Gatsby. She reminds us that perhaps one true promise of that elusive green light at the end of the dock resides in our creative imagination, and the intimate relationship between a book and its reader."―Azar Nafisi, author of Reading Lolita in Tehran and The Republic of Imagination
"Corrigan's research was as intrepid as her analysis is ardent and expert, and she brings fact, thought, feelings, and personal experiences together in a buoyant, illuminating, and affecting narrative about one depthless novel, the transforming art of reading, and the endless tides that tumble together life and literature."― Booklist (Starred Review)
"A literary love letter... [Corrigan's] tone is lively and bright and her enthusiasm for the novel is infectious. You'll feel as if you're attending a lecture by your favorite prof or chatting with a brainy, bookish friend. Bursting with intellectual energy and fun facts, this paean to the 'great American novel will appeal to fans of Corrigan's book critiques and Jazz Age scholars, and will, one hopes, impel readers to pick up the brief work for the first (or fourth, or 14th) time."― Library Journal (Starred Review)
"So We Read On is a fine book on many levels, almost too many to list. This book is a love story about a book. It's an expression of love for one of the most lyrical and engaging and prescient novels in the English language. Maureen Corrigan writes not only with passion about her subject, she writes with an understanding of America and the elusive goal represented by the green light on Daisy's dock."―James Lee Burke
"Coaxing us aboard her narrative Tilt-A-Whirl, Corrigan spins us from topic to topic and back again, each revolution both reminding and enriching."
―Cleveland Plain Dealer
"Too genuine and moving to be resisted...[a] generous spirit warms every page of So We Read On."―The Boston Globe
About the Author
Maureen Corrigan is the book critic for NPR's Fresh Air, the Critic-in-Residence at Georgetown University, and winner of the Edgar Award for Criticism. She is the author of Leave Me Alone, I'm Reading (Random House, 2005).
Most helpful customer reviews
27 of 28 people found the following review helpful.
Green Light
By Brian Lewis
I have been enthralled with Fitzgerald since my teenage years, over 50 years ago, and expected to enjoy this. And for the most part I did. Dr. Corrigan, who teaches a course on Fitzgerald at Georgetown, knows her subject well and presents it competently. But I feel like she ran out of Fitzgerald material and relied on Corrigan material before the book came to an end. We get too much information about Corrigan and how difficult it was to track down sources or do the research for the book. I felt like I was getting the bibliographic notes section of the book, when I was still in the last chapter. The sections detailed the literary revival of Gatsby and Fitzgerald also seemed inconclusive.
As luck would have it, I have read five "books about books" in the last year or so. If you are similarly inclined, my personal rankings of them would be 1. The World's Most Dangerous Book, (about Joyce's Ulysess) 2. The Empire of Necessity (about Melville's Benito Cereno, 3.) Thomas Paine and the Rights of Man by Christopher Hitchens 4.) So We Read, and 5.) The Zhivago Affair, about Boris Pasternak and the effort to get Dr. Zhivago published.
26 of 27 people found the following review helpful.
Enriches THE GREAT GATSBY and those who read it
By Bookreporter
F. Scott Fitzgerald died at age 44, the victim of a turbulent life of alcohol, high living and emotional trauma. Unhappily, at his passing, he was not a revered star of the literary world. What would become his literary bequest to the world, his novel THE GREAT GATSBY, was barely an afterthought in literature. A few years before his death, Fitzgerald sadly discussed the book’s languid literary status in a plaintive letter to his editor, Max Perkins: “I wish it was in print. It will be odd a year or so from now when Scottie assures her friends I was an author and finds that no book is procurable….” Fitzgerald’s funeral would be eerily similar to that of Jay Gatsby --- barely anyone attended.
Today, 90 years after its publication, THE GREAT GATSBY is one of the most read books in the world. It is on the reading list of almost every high school literature class in America and is the one American novel that most educated Americans have read. SO WE READ ON asks why. And while author Maureen Corrigan cannot really answer that, she does offer readers wonderful insight into the life of its troubled author and some suggestions as to why readers seem to be “borne back ceaselessly” into its thrall.
Corrigan is the book critic for NPR’s “Fresh Air” and a professor of literature at Georgetown University. She teaches THE GREAT GATSBY as a labor of love, even going so far as to travel with her students to New York City to experience “the living text of the city.” She believes that Fitzgerald loved the Big Apple as he wrote the book. He had visited there while a student at Princeton and returned after military service. New York City of the ’20s suited his life aspirations. Part of Corrigan’s affinity for the classic work obviously stems from her love of New York. It is an enthralling combination.
For Corrigan, THE GREAT GATSBY is just about perfect, despite going against every expectation of what a Great American Novel should be. Length and plot development are not exhaustive, and the end is fairly predictable. Readers learn the basics of Jay Gatsby’s life but with very little detail. How he earned his fortune can still be debated, although most would attribute his money to some illegal activity. His early romance with Daisy also leaves many unanswered questions. Readers know very little about Nick, the narrator of the story. But perhaps it is the unanswered questions and the brevity of the novel that make it so majestic. It simply does not fit the mold for what most scholars would require of a great novel. It may not be hefty in pages, but it contains some of the most beautiful sentences ever written. Fitzgerald may suggest that the American Dream is a mirage, but his words serve to make it irresistible. The book’s brevity may contribute to its appreciation and greatness in another fashion: readers often return to it to savor its elegant writing once again.
SO WE READ ON discusses not only THE GREAT GATSBY but also its role in culture. Corrigan mentions the novel’s various movie versions. Surprisingly her favorite is the least known: the 1949 version starring Alan Ladd. It interprets the novel as an underworld crime saga as opposed to the more modern films that treat the book as a love story. One of the joys of reading comes from new discoveries. I anxiously await the opportunity to watch the one movie version of THE GREAT GATSBY that I have yet to see.
There is much more to enjoy in Corrigan’s paen to Fitzgerald’s novel. Readers are reminded of his brief Hollywood life and the tragedy that would envelop both him and his wife, Zelda. Corrigan reminds us that many great authors have been “one-hit wonders,” but laments Fitzgerald’s failure to reach his potential as a writer as a loss for literature, as well as a personal one. SO WE READ ON enriches THE GREAT GATSBY and those who read it.
Reviewed by Stuart Shiffman
20 of 23 people found the following review helpful.
A Brilliant Comprehensive Critique of "The Greatest" American Novel
By Susan Dormady Eisenberg
I'm an F. Scott Fitzgerald buff who rereads THE GREAT GATSBY every couple of years and visits his grave in Rockville, Maryland, as a routine outing, so Maureen Corrigan's comprehensive SO WE READ ON left me breathless as I devoured it twenty-four hours after its September 9th release. It was the GATSBY companion I'd been waiting for...without knowing it. I've always enjoyed Ms. Corrigan's reviews on NPR's "Fresh Air" and now I admire her insightful and accessible prose as she discusses Fitzgerald's elegiac novel from every possible angle. She helped me see this masterpiece with fresh eyes, and now I can't wait to read it again. One surprise she reveals is that Scott Fitzgerald does not garner the respect he deserves at American universities; he doesn't even warrant a seminar devoted solely to his works. I hope professors of literature reverse this trend, so students will read Fitzgerald as they're coming of age in college and not just in their high school years. Like Ms. Corrigan, I learn something new about THE GREAT GATSBY (and myself) each time I reenter Fitzgerald's complex world, and I believe his use of language is unrivaled, both among authors of his generation and our own. Read on, indeed.
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