Senin, 31 Agustus 2015

~~ Download Ebook We Need New Names: A Novel, by NoViolet Bulawayo

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We Need New Names: A Novel, by NoViolet Bulawayo

A remarkable literary debut -- shortlisted for the Man Booker Prize! The unflinching and powerful story of a young girl's journey out of Zimbabwe and to America.


Darling is only ten years old, and yet she must navigate a fragile and violent world. In Zimbabwe, Darling and her friends steal guavas, try to get the baby out of young Chipo's belly, and grasp at memories of Before. Before their homes were destroyed by paramilitary policemen, before the school closed, before the fathers left for dangerous jobs abroad.



But Darling has a chance to escape: she has an aunt in America. She travels to this new land in search of America's famous abundance only to find that her options as an immigrant are perilously few. NoViolet Bulawayo's debut calls to mind the great storytellers of displacement and arrival who have come before her-from Junot Diaz to Zadie Smith to J.M. Coetzee-while she tells a vivid, raw story all her own.

  • Sales Rank: #27190 in Books
  • Published on: 2014-05-20
  • Released on: 2014-05-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .75" w x 5.50" l, .65 pounds
  • Binding: Paperback
  • 320 pages

From Booklist
In Bulawayo’s engaging and often disturbing semiautobiographical first novel, 10-year-old Darling describes, with childlike candor and a penetrating grasp of language, first, her life in Zimbabwe during its so-called Lost Decade and then her life as a teenager in present-day America. What is at once delightful and disturbing is the fact that young Darling and her friends are so resilient amidst chaos. Darling must cope with absentee parents gone to who-knows-where, seeking jobs and a better life; abusive adults; and murdering bands of self-appointed police in a country gone horribly wrong. Yet she evinces a sense of chauvinism regarding her corrupt homeland when she joins her aunt in America. There she discovers a country that has fallen into a different kind of chaos, primarily economic. She and her new family struggle while America fails to live up to her hopes. Ultimately what lingers is Bulawayo’s poignant insights into how a person decides what to embrace and what to surrender when adapting to a new culture in a new land. --Donna Chavez

Review
Winner of the 2014 PEN / Hemingway Award for Debut Fiction

Winner of the 2014 Los Angeles Times Book Prize for First Fiction

Shortlisted for the 2013 Man Booker Prize

Winner of the 2014 Zora Neale Hurston/ Richard Wright Legacy Award for fiction

Winner of the 2013 Etisalat Prize for Literature

Finalist for the 2013 Guardian First Book Award

One of the New York Times Notable Books of the Year for 2013

One of National Public Radio's Great Reads of 2013



"A deeply felt and fiercely written debut novel ... The voice Ms. Bulawayo has fashioned for [Darling] is utterly distinctive - by turns unsparing and lyrical, unsentimental and poetic, spiky and meditative." --- Michiko Kakutani, The New York Times

"Bulawayo describes all this in brilliant language, alive and confident, often funny, strong in its ability to make Darling's African life immediate ... She demonstrates a striking ability to capture the uneasiness that accompanies a newcomers arrival in America." -- Uzodinma Iweala, The New York Times Book Review

"Writing with poignant clarity and hard-hitting imagery, Bulawayo delivers this first work as an offering of hope." --The New York Daily News



"Bulawayo mixes imagination and reality, combining an intuitive attention to detail with startling, visceral imagery ... This book is a provocative, haunting debut from an author to watch." - Elle

"Bulawayo, whose prose is warm and clear and unfussy, maintains Darling's singular voice throughout, even as her heroine struggles to find her footing. Her hard, funny first novel is a triumph." -- Entertainment Weekly

"Nearly as incisive about the American immigrant experience as it is about the failings of Mugabe's regime [in Zimbabwe]." -- National Public Radio

"Bulawayo's first novel is original, witty and devastating." ---People Magazine


"Ms. Bulawayo's artistry is such that we can't help but see ourselves in that wider world ... Darling is a dazzling life force with a rich, inventive language all her own, funny and perceptive but still very much a child ... It would be hard to overstate the freshness of Ms. Bulawayo's language, with words put together in utterly surprising ways that communicate precisely." ---Judy Wertheimer, The Pittsburgh Post-Gazette

"How does a writer tell the story of a traumatised nation without being unremittingly bleak? NoViolet Bulawayo manages it by forming a cast of characters so delightful and joyous that the reader is seduced by their antics at the same time as finding out about the country's troubles." -- Leyla Sanai, The Independent

"Bulawayo has written a powerful novel. Her gift as a visual storyteller should propel her to a bright future -- a dream fulfilled, no matter the country"-- Korina Lopez, USA Today

"NoViolet Bulawayo is a powerful, authentic, nihilistic voice - feral, feisty, funny - from the new Zimbabwean generation that has inherited Robert Mugabe's dystopia." -Peter Godwin, betselling author of The Fear and When a Crocodile Eats the Sun

"NoViolet Bulawayo has created a world that lives and breathes - and fights, kicks, screams, and scratches, too. She has clothed it in words and given it a voice at once dissonant and melodic, utterly distinct." -Aminatta Forna, author of The Memory of Love and Ancestor Stones

"An exquisite and powerful first novel, filled with an equal measure of beauty and horror and laughter and pain. The lives (and names) of these characters will linger in your mind, and heart, long after you're done reading the book. NoViolet Bulawayo is definitely a writer to watch." -Edwidge Danticat, award-winning author of Brother, I'm Dying and Breath, Eyes, Memory

"Fans of Junot Díaz, who, as fiction editor of Boston Review, published NoViolet Bulawayo's early work, will love her debut novel, We Need New Names ...Bulawayo's use of contemporary culture (the kids play a game in which they hunt for bin Laden and, later, text like their lives depend on it), as well as her fearless defense of the immigrant experience through honoring the cadence of spoken language, sets this book apart-on the top shelf." -- Kristy Davis, Oprah.com




One of National Public Radio's Great Reads of 2013





One of the New York Times Notable Books of the Year for 2013

Finalist for the 2013 Guardian First Book Award

"[Bulawayo] shows the beaming promise of a young Junot Diaz. With a style all her own-one steeped in wit and striking imagination-she movingly details the complexities of the immigrant experience."―The American Prospect

"A stunning debut... The hyper-imaginative and often surreal ways Bulawayo's narrator describes people, places, and experiences almost sound like things imagined in her sleep."―Flavorwire

About the Author
NoViolet's story "Hitting Budapest," the opening chapter of the novel, won the 2011 Caine Prize for African Writing. NoViolet's other work has been shortlisted for the 2009 SA PEN Studzinsi Award, and has appeared in Callaloo, The Boston Review, Newsweek, and The Warwick Review, as well as in anthologies in Zimbabwe, South Africa and the UK. NoViolet recently earned her MFA at Cornell University, where her work has been recognized with a Truman Capote Fellowship. She will be attending Stanford in the fall as a Wallace Stegner Fellow for 2012-2014. NoViolet was born and raised in Zimbabwe.

Most helpful customer reviews

81 of 85 people found the following review helpful.
A Great Debut
By Mocha Girl
My thoughts:

- An enlightening debut that takes the reader to Zimbabwe during the Mugabe regime. The subject matter is a bit grim as the novel opens with Darling and her friends leaving their shanty town to roam the finer neighborhoods in search of guava for food.

- We learn of the daily routines of the displaced civilians: the adults who neglect children in search for work in the mines and the borders; the games the children play to fight boredom and make sense of the dire futures.

- The author covers the political unrest and promise for "change" in the upcoming election; the hope, misogyny, and hypocrisy of religious doctrine; the social ills and financial ruin that befall a country under a corrupt dictatorship.

- The later half of the story explores the cultural nuances, language challenges, assimilation challenges as Darling relocates to America to stay with an aunt. The environmental differenced, culture shock, and disillusionment with an impoverished Detroit, Michigan.

- Homesickness plagues both aunt and niece, and the realities of their one-way journey weighs heavily on the hearts and guilt burdens their sub-conscious; but the determination to make it in the US is the driving force toward success, so they work very hard and long for permanent, legal residency.

- The author gave me enough to easily empathize and sympathize with Darling, her friends and family. I enjoyed Darling's points of view, her voice, and her innocence.

- I absolutely LOVED the cross-cultural references, nuances, similarities/differences, and challenges: Interactions with non-Africans, African Americans; the notion of smiling; differences in child-rearing; the significance of a "name" and the need for new ones; views of education, the stigma and impact of AIDS, the dismantling of the family unit, etc.

- I'll definitely consider future work from this author.

0 of 0 people found the following review helpful.
Lush language and what-what
By Scott&Scott (aka Romentics)
We Need New Names is a lush, language-rich narration by a young African girl who gradually becomes an expat in Kalamazoo, Michigan. The narrator's voice has a wonderful innocence, even as she and her playmates (I'd say schoolmates but the teachers have all left the country and the school closed) play such games as "Find Bin Laden." She also has a special gift for capturing expressions on other characters' faces: "like she was hearing music inside her head and dancing to it" is a description of the expression of an aunt who has been complimented by an old flame who is marrying someone else.

The disintegration of the home country, the desperate desire to be somewhere else, and the bitterness of those left behind are rendered in muscular, lyrical prose studded with native ("our language" which is never identified) and childish phrases. The description of eating the guavas (on which she used to gorge herself as a child) for the first time since coming to the U.S. Is worth the price of admission: funny, tender, voracious, and yearning.

The only piece of this novel that hit a sour note for me was a chapter at the end of the book narrated by a "we" rather than the "I" in every other chapter. It consisted of a lyrical, wild description of the labor of largely undocumented newcomers to the US. While beautiful in its own right, and easily capable of being a brilliant standalone essay, it was oddly out of place, especially as our narrator herself had barely begun to work. It sounded like an angry political squawk in an otherwise equally powerful but more subtle birdsong that is ultimately more personal and persuasive.

53 of 58 people found the following review helpful.
Not Perfect But Close
By Robert B. Lamm
I have read quite a few books about the tragedy that seems to be pervasive in Africa - would-be liberators from tyranny and corruption take over, only to become more tyrannical and corrupt than their predecessors. "We Need New Names" tells the same story, but from a new perspective, at least for me - that of a 10 year-old girl whose life "before" has vanished into poverty and an absence of structure of any sort. The first half of the book tells the story of Darling in this environment, and the second half brings her to live with her aunt in the United States - in "destroyed" Michigan. She is something of a lost soul in both locales, even as she adapts and seems to fit into both places as best she can.

Ms. Bulawayo's writing is beyond impressive - stark yet fluid, cynical yet sweet. The book seems so real (not that a 60+ white guy in Florida would know), and I must say that I agreed with the blurbs on the back cover, which use words like "powerful," "beauty," "laughter," "pain," "nihilstic," "feral," "feisty" and "funny." At the same time, I can't quite give it five stars because notwithstanding its reality it keeps the reader at a distance and doesn't really tell a story as such; the ending is consistent with this, as the book just sort of ends. At the same time, I recognize that the gulf between Darling's story and my own life may just be too wide to create the kind of engaging empathy that I found the book lacking. So I hope Ms. Bulawayo will forgive me if I "only" give this very good book 4.5 stars.

There seems to be a new crop of authors writing about Africans becoming strangers in a strange land - "Ghana Must Go" and "Americanah" among them - but it's going to be hard for any of them to top "We Need New Names," and I urge you to read it.

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Rabu, 26 Agustus 2015

~~ Ebook Download The Spider's War (The Dagger and the Coin), by Daniel Abraham

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The Spider's War (The Dagger and the Coin), by Daniel Abraham

The epic conclusion to The Dagger and The Coin series, perfect for fans of George R.R. Martin.

Lord Regent Geder Palliako's great war has spilled across the world, nation after nation falling before the ancient priesthood and weapon of dragons. But even as conquest follows conquest, the final victory retreats before him like a mirage. Schism and revolt begin to erode the foundations of the empire, and the great conquest threatens to collapse into a permanent conflict of all against all.
In Carse, with armies on all borders, Cithrin bel Sarcour, Marcus Wester, and Clara Kalliam are faced with the impossible task of bringing a lasting peace to the world. Their tools: traitors high in the imperial army, the last survivor of the dragon empire, and a financial scheme that is either a revolution or the greatest fraud in the history of the world.

The Dagger and the CoinThe Dragon's PathThe King's Blood The Tyrant's LawThe Widow's HouseThe Spider's War

Writing as James S. A. Corey (with Ty Franck)
The Expanse (soon to be a major SyFy Channel television series)Leviathan WakesCaliban's WarAbaddon's GateCibola BurnNemesis Games

  • Sales Rank: #51013 in Books
  • Published on: 2016-03-08
  • Released on: 2016-03-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.38" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 528 pages

Review
"Everything I look for in a fantasy."―George R.R. Martin on The Dragon's Path

"Abraham builds on The Dragon's Path to create and sustain a rich, satisfyingly complex epic fantasy."―Publishers Weekly on The King's Blood.

"Prepare to be shocked, startled, and entertained."―Locus on The Dragon's Path

"It's as if Clint Eastwood went to Narnia...A pleasure for Abraham's legion of fans."―Kirkus on The Dragon's Path

"Abraham is fiercely talented, disturbingly human, breathtakingly original and even on his bad days kicks all sorts of literary ass."―Junot Diaz on The Long Price Quartet

"This smart, absorbing, fascinating military fantasy, exciting and genuinely suspenseful, will keep readers on their toes."―Publishers Weekly (Starred Review) on The Tyrant's Law

About the Author
Daniel Abraham is the author of the critically-acclaimed Long Price Quartet. He has been nominated for the Hugo, Nebula, and World Fantasy awards, and won the International Horror Guild award. He also writes as MLN Hanover and (with Ty Franck) James S.A. Corey. He lives in New Mexico.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Boring
By Michael Gorback
I really enjoyed this series up til now. I forced myself to read halfway through it hoping that it would eventually become more interesting. I finally gave up. I don't really care how the story ends. It's that boring.

0 of 0 people found the following review helpful.
Enjoyable
By Wally
I enjoyed the series. Abraham told the story via some interesting characters that were not part of the standard hero/villain typecast. There was plenty of action, both grand and intimate. The ending obviously sets up a sequel, which I plan to read.

1 of 1 people found the following review helpful.
The good guys win
By Amazon Customer
Not much to say. The good guys win.

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Kamis, 20 Agustus 2015

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Tomato Red, by Daniel Woodrell

In the Ozarks, what you are is where you are born. If you're born in Venus Holler, you're not much. For Jamalee Merridew, her hair tomato red with rage and ambition, Venus Holler just won't cut it. Jamalee sees her brother Jason, blessed with drop-dead gorgeous looks and the local object of female obsession, as her ticket out of town. But Jason may just be gay, and in the hills and hollows of the Ozarks that is the most dangerous and courageous thing a man could be.

Enter Sammy Barlach, a loser ex-con passing through a tired nowhere on the way to a fresher nowhere. Jamalee thinks Sammy is just the kind of muscle she and Jason need.

  • Sales Rank: #445345 in Books
  • Published on: 2012-04-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .75" w x 5.50" l, .44 pounds
  • Binding: Paperback
  • 224 pages

Amazon.com Review
The hero of Daniel Woodrell's Tomato Red is the most endearingly out-of-control loser you're likely to meet. Sammy Barlach looks like a person "who should in any circumstances be considered a suspect"; clerks follow him through the supermarket when he shops, and the police pull him over simply from habit. But in spite of his looks, Sammy only wants to be loved, even if it's just by "the bunch that would have me"--and in the hardscrabble world of West Table, Missouri, that's a bunch you wouldn't necessarily want to meet. The novel begins with a heady Methedrine rush, as Sammy celebrates payday by letting himself be talked into robbing a nearby mansion. Even when his newfound friends disappear as he's breaking in, he persists: "You might think I should've quit on the burglary right there, but I just love people, I guess, and didn't." The break-in leads Sammy into an unlikely alliance with the Merridew family: Jamalee and Jason and their mother Bev, a prostitute in the town's ironically named Venus Holler. Flame-haired Jamalee dreams constantly of a different kind of life, and she plans on using Jason's extraordinary beauty as her ticket out of West Table. Jason, however, seems to be shaping up as what Sammy calls "country queer"--which, as Sammy observes, "ain't the easiest walk to take amongst your throng of fellow humankind."

Unfortunately for Jamalee, Woodrell's Ozarks is a place that rewards ambition with disaster. Here as in his five previous "country noir" novels, Woodrell writes with a keen understanding of class and a barely contained sense of rage. The residents of West Table's trailer parks and shotgun shacks share Sammy's sense of limited possibilities. "I ain't shit! I ain't shit! shouts your brain," Sammy thinks while wandering around the mansion, "and this place proves the point." Even when Jason sticks up for his own family, the way he does so is heartbreaking: "This expression of utter frankness takes over Jason's beautiful face, and he says, 'I don't think we're the lowest scum in town.' He didn't argue that we weren't scum, just disputed our position on the depth chart." With her mildewing etiquette guides and grandiose plans, Jamalee is the only character who doesn't share their sense of defeat, and she's the only one who, in the end, gets away--though she leaves behind her a trail of betrayal and heartache. By the time the novel's final tragedy rolls around, it seems both senseless and inevitable, as tragedies do in real life. Told in a voice that crackles with energy and wit, Tomato Red is sharp, funny, and more importantly, true. --Mary Park

From Publishers Weekly
"You're no angel, you know how this stuff comes to happen: Friday is payday and it's been a gray day sogged by slow ugly rain and you seek company in your gloom...." So begins the bravura first paragraph of Woodrell's sixth novel (after Give Us a Kiss). As readers of Woodrell's previous fiction will expect, we are in the Ozarks?in West Table, Mo., to be specific. Sammy Barlach, our narrator, is a case?at the moment, he's employed in the dog food industry, but he's just met a girl "with teeth the size of shoe-peg corn" who's well supplied with crank and, toward the end of their weekend spree, suggests that they rob a mansion whose owners are (notoriously) on vacation. In the course of executing this plan, Sammy meets fellow burglars Jamalee and Jason Meridew?a sister and brother pair from Venus Hollow who break into wealthy houses in order to try on clothes and make believe they are rich. Jamalee, however, plans to make it big by using her brother's remarkable looks to seduce, then blackmail, the wives of the rich. (The hitch: Jason's tenuous, possibly nonexistent, interest in hetero sex.) Meanwhile, Bev Meridew, their mother, supports herself as a freelance goodtime girl and occasional snitch. Sammy moves in with this incestuous group as Jamalee's idea of muscle until even he can't protect them or their dreams from the nastier elements of Venus Hollow. The dialogue and characters are what keeps this awkwardly plotted little number plugging along. Woodrell isn't interested in Li'l Abner cutouts. These figures are all bluff and sorrow, and Woodrell succeeds in giving their misfit poetry a genuine C&W resonance that lingers beyond the last page. (Aug.) FYI: Ang Lee is currently directing a movie from Woe to Live On, Woodrell's second novel.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
Woodrell (Give Us a Kiss: A Country Noir, Holt, 1996) has no quit in him. The more he writes, the more you feel for the characters, the sense of place, and the extraordinary stories of hopes, dreams, and just plain living. The journey back to West Table, MO, introduces us to Jamalee, Jason, and Bev Merridew. Each one is quirky and damaged by life as Ozark white trash. Hopes for escape are pinned on Sammy Barlach, who has never had much more pinned on him than misdemeanors. Woodrell's language is a lyrical blend of comic wit and redneck twang. His vast life experience brings a fresh, poignant look at Appalachian people. Keep 'em coming!?Shannon Williams Haddock, Bellsouth Corporate Lib. & Business Research Ctr., Birmingham, AL
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

171 of 175 people found the following review helpful.
This dawg'll hunt...but maybe you don't like hunting dawgs
By A Customer
If you read all the reviews listed, you'll see a pattern develop. Great reviews raving about the author's way with words, his ear for dialect, his ability to paint a stunning, if bleak, portrait of the 'great unwashed' that inhabit these hills that I call home. I grew up within 50 miles of Woodrell's current home, and I'm here to tell you, this is the real thing. That boy's hitting the nail on the head. But if you read further you'll find other reviews. In them, someone will say 'I wasted my money on a book about white trash. I forced myself to finish it'. I'm sorry to see reviews like that about any of Woodrell's books. I could be wrong, but I don't think he's writing books for folks who have to force themselves to finish 'em. He's writing for those of us who relish tales about no-account hillbilly 2-time losers making bad decisions and living to regret it. Consider this a warning, if you're not happy reading about small town yokels who're tired of their boring lives, disgusted with poverty yet unable to escape it, losers plotting revenge on the local gentry for stomping on their dreams, just building up steam and ready to smash the next bossman who looks at them the wrong way...stay away. Do us all a favor and just stick with something you'll enjoy. This stuff's not for you. Spend your money on something sweeter, or with more car chases or whatever you enjoy. Those among you who think you'd like to read well crafted novel's that happen to be about some of life's castaway citizens, books where every word has been considered and all the flab slashed away, c'mon in, the water's fine. Be careful, you want to watch out where you put your feet. Some yokel's been breaking bottles around here. If I catch him at it, I'm gonna skin him alive and roll him in salt. Open up that cooler and hand me one of them there liquid bread bottles, hear?

31 of 32 people found the following review helpful.
Tough and True
By sweetmolly
Sammy Barlach, wild and lyrical, crazy and philosophical, is automatically stopped by cops, followed around in a retail store by suspicious managers and someone you would probably cross the street to avoid. He is our narrator in this sharply satirical trailer park trash slice of life.
Sammy meets Jamalee and Jason Merridew while very unsuccessfully robbing a mansion. So far, the only thing he's managed to pilfer is a half-gallon of vodka, which he decides to drink then and there. Jamalee is a half-pint girl with hair the color "only a vegetable should have" and brother Jason is "the most beautiful boy in the Ozarks." Jamalee wants to get out of West Table, MO, and just maybe Sammy can help her. Sammy wants love or "any bunch that will have me." In Venus Holler they meet mother Sandra, a laid back, easy going, southern-to-her-fingertips whore.
Their antics are so funny, their energies and coping mechanisms so off the wall wild, I just gave in to helpless laughter. And yet, there is a sense of something preordained, sad and tragic about their existence. In ways both large and small, they are stripped of their dignity over and over again by the way they are perceived by society. "Society" ain't much in West Table, but it knows for a fact it's a world away from the likes of Sammy, Jamalee and Jason.
As the author shapes the rhythmic cadence of Sammy's story, the future is glimpsed and it's bad. It's been a long time since I have grown so fond of a character in a book. He has all the fascination of a train wreck waiting to happen. And then you shed a tear and knew it had to be.

20 of 22 people found the following review helpful.
Blood ,sweat, toil and tears
By F. J. Harvey
Woodrell is marketed , at least in the UK ,as a crime writer --his British publisher the estimable No Exit Press labelling them as country noir--but the subject matter is social class normally a covert as distinct from overt theme in crime writing .In particular they treat of the dispossessed ,the bottom feeders who must lie to cover up gaps in employment history all for the sake of menial low paid work which still denies them the cornerstones of human dignity namely choice ,spontaneity and purpose.
Tomato Red is narrated by Sammy Barlach who as the boojk opens is employed as a labourer in a dog food factory and has his foreman on his back the whole time . On a drunken Friday payday ,drinking with bar room buddies and fuelled by substances both illicit and alcoholic ,not to mention a heady dose of sexual bravado he , on a dare breaks into the home of an absent wealthy family and promptly passes out.He is awoken by Jamalee--aka Tomato Red for her distinctively dyed hair and her androgynous beautiful brother Jason They are not as he assumes and they pretend wealthy inhabitants of the home but trailer park inhabitants from the most despised part of their backwater town Venus Hollow.They flee when police arrive and Sammy is taken in by the pair and their mother Bev who is unashamedly a hooker and whose calm stoic dignity is a commanding presence in the book
Jamalee dreams of escape and views Jason -poor sexually confused Jason whose hard road is to be gay in a world where this is not an easy furrow to plough.Jason as magnet for sexual blackmail is the plan and Sammy the protector.In a heartbreaking but strangely funny scene she rehearses Sammy and Jason in good manners using an antedeluvian etiquette book role playing with plastic cups instead of cut glass.
These are intruders into the world of comfortable society whose life is around of small humiliations--Sammy is followed when entering a supermarket,simply because of his looks,police harrassment is common and the greatest enemy they face is the active collusion of there fellow blue collar citizens from the next tier above .
The book is not a comfortable read but all is not gloom.The narrative voice --Sammy -is wry and sharply funny;there is compassion Steinbeck ,Farrell,Algren et al the names usually associated with blue collar fiction ,all pall beside Woodrell for his clear eyed portrait of the dirt poor .He does not sentimentalise and the resolution is spot on.Escape is possible but only at the expense of your own kind.Witness if you will the actions of crabs in a basket; when one seeks to crawl out the others combine to pull him down
There is a bitter -sweet inevitabilty here which is moving .Not for eveyone but I am moved by him as by few other writers I am moved to anger by smooth voiced television hosts building a not insubstantial fortune on the back of people like those here and then exposing them to the baying hordes
We are all human and our destination is they same ultimately.We need reminding of this and Woodrell does it brilliantly.

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>> Ebook Red Sky in Morning: A Novel, by Paul Lynch

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Red Sky in Morning: A Novel, by Paul Lynch

A tense, thrilling debut novel that spans two continents, from "a writer to watch out for" (Colum McCann).

It's 1832 and Coll Coyle has killed the wrong man. The dead man's father is an expert tracker and ruthless killer with a single-minded focus on vengeance. The hunt leads from the windswept bogs of County Donegal, across the Atlantic to the choleric work camps of the Pennsylvania railroad, where both men will find their fates in the hardship and rough country of the fledgling United States.

Language and landscape combine powerfully in this tense exploration of life and death, parts of which are based on historical events. With lyrical prose balancing the stark realities of the hunter and the hunted, RED SKY IN MORNING is a visceral and meditative novel that marks the debut of a stunning new talent.

  • Sales Rank: #1371362 in Books
  • Published on: 2014-10-21
  • Released on: 2014-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .88" w x 5.50" l, .0 pounds
  • Binding: Paperback
  • 304 pages

From Booklist
The first novel by Irish author Lynch, based in part on historical events, traces the path of Coll Coyle from County Donegal to rural Pennsylvania during the late nineteenth century. By doing so, it bears comparison to Colum McCann’s Transatlantic (2013). In a nasty (though civil on Coyle’s part) confrontation to forestall eviction, Coll causes the death of his “master,” the landlord Hamilton, prompting Coll to flee. As the landlord’s ruthless agents, led by the malevolent Faller, pursue Coll across the Irish countryside and, inexplicably, to America, and as they brutalize those aiding him, including his brother, Lynch creates scenes that are almost ­nauseatingly hateful and graphic, though rendered in startlingly beautiful prose, not unlike the themes and style of Cormac McCarthy. The transoceanic passage that Coll endures is harrowing, and the vicious and exploitative railroad labor system in America, exacerbated by a cholera outbreak, adds to the unremitting terror of his plight. This is strong stuff by a promising young author. --Mark Levine

Review
"Lynch's language, which is musical, close, and alive, evokes something that seems quintessentially Irish....His combination of nightmarish poetry and heart-racing plot is what makes Red Sky in Morning so compelling, like a gorgeous, terrifying ghost story. You'll want to close your eyes and cover your ears, but find you can't turn away." ---Damaris Colhoun, Daily Beast

"Sumptuous and poetic....Lynch's sense of the period, and the huge disruptions in society which affected every single character, is clever and well informed, but he has taken a real and fascinating risk with the style." ---Colm Toíbín, The Guardian

"A novel of great beauty and violence from Irish writer Lynch....Lynch's poetic prose is gorgeous. He lovingly crafts every sentence."
---Kirkus Reviews

"Rendered in startlingly beautiful prose, not unlike the themes and style of Cormac McCarthy....This is strong stuff by a promising young author."
---Mark Levine, Booklist

"If Dublin-based Lynch's taut, absorbing, acerbically lyrical prose weren't enough, there's the intense and revelatory plot....Get it for all smart readers."
---Barbara Hoffert, Library Journal

"Paul Lynch has a sensational gift for a sentence, inherited from the likes of Cormac McCarthy, Sebastian Barry, and Daniel Woodrell. He is a writer to watch out for, staking a bid for a territory all his own."
---Colum McCann, author of Let the Great World Spin

"This book makes the literary synapses spark and burn -- forged in his own new and wonderful language, Paul Lynch reaches to the root, branch and bole of things, and unfurls a signal masterpiece."
---Sebastian Barry, author of The Secret Scripture

"Paul Lynch takes a giant first step with his debut, Red Sky in Morning. It is classic storytelling, rough and haunted people and the times that made them, powerfully conjured, written in language that demands attention. Lynch is bardic, given to sly and inspired word selections, with his own sprung rhythms and angled, stark musicality."
---Daniel Woodrell, author of Winter's Bone and The Outlaw Album

"Paul Lynch's writing is full of dark invention and brutal beauty. A raw and audacious talent which grips Irish writing by the neck."
---Hugo Hamilton, author of The Speckled People

"A textured thriller straight from the torment of Ireland's 19th century. Paul Lynch delivers a raw ancient world that Dickens would have recognized, and Roberto Bolaño too."
---Peter Behrens, author of The Law of Dreams and The O'Briens

"A cracking debut novel. Paul Lynch's startling, evocative prose veers closer to poetry.... This novel is a wonderful achievement."
---Kristoffer Mullin, The Sunday Times

"A compulsive read.... A combination of the poetic and the vicious. It unabashedly uses a 21st-century sensibility to subvert the conventions of the 'historical' novel."
---Arminta Wallace, Irish Times

"Muscular and opulent... the novel is ripe with spookily vivid writing. A very stylishly written book that takes the Irish novel into quite a different genre."
---The Examiner

About the Author
Paul Lynch is an Irish novelist and critic. He has written for Ireland's Sunday Tribune, the London Sunday Times, the Irish Times, the Sunday Business Post, the Irish Daily Mail, and Film Ireland. He lives in Dublin.

Most helpful customer reviews

11 of 14 people found the following review helpful.
An epic, in a relatively slim volume; BRILLIANT!
By Amazon Customer Al
How to start...?

I could simply say, that this book, was one of the best I have read. This would be true but - just because I say so - hardly likely to have readers falling over themselves to invest.

I could tell you that this tale, contains murder and death, sex, incest and prostitution, love, betrayal and incredible friendship, morality and immorality. This too, would be true but without context, just a list of titillating temptations, that give no indication or measurement of depth.

I could mention a manhunt, undertaken by a vicious sociopath/psychopath - who makes The Terminator, look like Mr Plod, the laughing policeman. This, though also true, could give little insight into the mind of this personification of empathic-less evil.

You see, the writer, Paul Lynch, doesn't just 'write a story'. He takes a spark, applies kindling and within a relatively short 200 plus pages, creates a firestorm that rages across a vast canvas, the heat of which, leaves the reader gasping for air. The characters are terribly believable. At no time, does the reader doubt ANYONE or any PLACE is ANYTHING but real.

I loved the author's non-use of parenthesis in the dialogue. This in no way, inhibits the reader but in fact, makes the pages seem clean, uncluttered and the prose free-flowing. To those, who might worry, that I am indicating this may be written in the style of Sebald, calm yourself...there are commas, full stops and no page long sentences, or lack of paragraphs to negotiate. There is, in fact, not one, wasted or superfluous word - let alone sentence - in the whole book.

Upon finishing this novel (in one day, two sittings, with a break for a speedily dispatched lunch) I picked up the rather slim volume and wondered, how Mr. Lynch had managed to squeeze the story, that I had just read, into so small a space? I thought about the scope of the novel and it did not seem possible that it could be contained withing the covers of this book. And yet, it must be so. Doctor Who's 'Tardis' came to mind....

I don't 'do' reviews normally. Put it down to laziness if you like but there always seems to be ten or forty readers, that have beaten me to it and for the most part, already expressed my views, in their review and so I have excused my lack of effort as a pointless exercise, reiterating that, which has already been made blatantly obvious by others, who do it so much better..
When I came to qualify my opinions, regarding this amazing novel, I was stunned to find, that no one had arrived before me, to sing the praises of Red Sky In Morning. Feeling as I do, I could not bring myself to just walk away, without a word.

This is a wonderful example of concise, succinct storytelling. There is a poetry here too. The imagery is captivating, the tension is breathtaking, the ambiguity teasing, the prose almost frugal. And yet, when you get (somewhat regretfully) to the end of this novel, it leaves you with the feeling that have ripped your way, hungrily, through an absolute epic.

I bought the 'hardback' and read it. I then noticed the price of the Kindle version and bought it again. I have already read it twice - a rare feat for me - but I can promise you, I will return again and again. I would get lonely for the characters otherwise.

I urge you to read this novel. I would also love to see some other reviews, from other readers. Am I the only one, on whom this novel has left such an impression...I don't, can't believe that.

I notice, Sebastian Barry thinks this book 'A masterpiece'. He knows a bit about writing, doesn't he?

Keep writing Mr Paul Lynch, I await your next offering with baited breath. Oh and.......thank you.

Chris Birrane

3 of 3 people found the following review helpful.
It's amazing
By Joe Hohmann
that so many thought this was the best book they ever read. While only 275 pages, I thought it would never end. If you asked me HOW it ended, I'd have to say, "I don't have a clue". I made no connection to the characters, which is a downer for me. Let's just say that I don't appreciate "creative" writing.

3 of 4 people found the following review helpful.
Not a light read
By J. W.
If you're looking for a light hearted tale, this is not it. There is no fairytale ending. This is a gritty, depressing story of the Irish coming to America as uneducated poor people. Not only does Coll have to avoid the psycopath chasing him, he has to try to survive cruel work and devasting disease. It points out that most immigrants had very difficult lives if they were of the lower classes. Even Blacks would not associate with the Irish at that time. America was built by tough people during very tough times. We must give thanks to our ancestors for persevering.

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Rabu, 19 Agustus 2015

~ Download PDF Triage X, Vol. 2From Yen Press

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Triage X, Vol. 2From Yen Press

When two police detectives get involved in their operation, the nurses of Mochizuki Hospital must wield their instruments-katana, machine gun, and pistol-with even greater precision to excise the cancerous Masaki. As each nurse uses her particular specialty to dispatch Masaki's thugs, Arashi pursues the root himself. Arashi may struggle with his piecemeal identity, but treating this human virus is something both sides of him are sure of...

  • Sales Rank: #650995 in Books
  • Published on: 2013-02-26
  • Released on: 2013-02-26
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.50" h x .50" w x 5.00" l, .35 pounds
  • Binding: Paperback
  • 160 pages

About the Author
Shouji Sato, artist of "Highschool of the Dead" and creator of "Triage X," has also released a great number of adult erotic titles as part of the doujinshi circles DIGITAL ACCEL WORKS and GEBOKUDOU.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Awesome!
By Mr.Ghostly
I really like this manga it is really a good read those who like action and a little romance feelings for the characters on the side all in all its a great manga and I would recommend this to anyone who likes action and some drama oh and make sure you are at least 16 or up before reading this manga it does have gore and nudity in it.

0 of 0 people found the following review helpful.
Great Second Volume
By Jeremy P
Another well-translated volume of Triage X. The plot progresses at a nice pace with a good amount of character development as the crew gets things done. While the story alone makes it worth the read, the art continues to be great and very detailed, with an appropriate amount of fan service. The reason I like the way Shouji Sato does fan service is because it's presented in a way that rarely distracts you from what's happening in the rest of the panel, but it's always there in abundance, should you care to glance at it. This volume's mostly action, but you can see the character's relationships deepen as trust builds. The fight scenes are a little over the top, but no more so than your standard action manga. I'm very satisfied with this manga and I'm looking forward to the next volume, which if memory serves me right, develops the story and characters even more.

0 of 0 people found the following review helpful.
I Love this series
By Toriality93
From the artist who did HOTD I like it I swear I forgot which char looked like Shizuka but she was hot and I have Vol1 and Vol2 now and have the HOTD series

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Minggu, 16 Agustus 2015

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David and Goliath: Underdogs, Misfits, and the Art of Battling Giants, by Malcolm Gladwell

Malcolm Gladwell, the #1 bestselling author of The Tipping Point, Blink, Outliers, and What the Dog Saw, offers his most provocative---and dazzling---book yet.

Three thousand years ago on a battlefield in ancient Palestine, a shepherd boy felled a mighty warrior with nothing more than a stone and a sling, and ever since then the names of David and Goliath have stood for battles between underdogs and giants. David's victory was improbable and miraculous. He shouldn't have won.

Or should he have?

In David and Goliath, Malcolm Gladwell challenges how we think about obstacles and disadvantages, offering a new interpretation of what it means to be discriminated against, or cope with a disability, or lose a parent, or attend a mediocre school, or suffer from any number of other apparent setbacks.

Gladwell begins with the real story of what happened between the giant and the shepherd boy those many years ago. From there, David and Goliath examines Northern Ireland's Troubles, the minds of cancer researchers and civil rights leaders, murder and the high costs of revenge, and the dynamics of successful and unsuccessful classrooms---all to demonstrate how much of what is beautiful and important in the world arises from what looks like suffering and adversity.

In the tradition of Gladwell's previous bestsellers---The Tipping Point, Blink, Outliers and What the Dog Saw---David and Goliath draws upon history, psychology, and powerful storytelling to reshape the way we think of the world around us.

  • Sales Rank: #6776 in Books
  • Brand: Brand: Little, Brown and Company
  • Published on: 2013-10-01
  • Released on: 2013-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.00" w x 5.75" l, .90 pounds
  • Binding: Hardcover
  • 320 pages
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  • Great product!

From Booklist
*Starred Review* Gladwell’s best-sellers, such as The Tipping Point (2000) and Outliers (2008), have changed the way we think about sociological changes and the factors that contribute to high levels of success. Here he examines and challenges our concepts of “advantage” and “disadvantage” in a way that may seem intuitive to some and surprising to others. Beginning with the classic tale of David and Goliath and moving through history with figures such as Lawrence of Arabia and Martin Luther King Jr., Gladwell shows how, time and again, players labeled “underdog” use that status to their advantage and prevail through the elements of cunning and surprise. He also shows how certain academic “advantages,” such as getting into an Ivy League school, have downsides, in that being a “big fish in a small pond” at a less prestigious school can lead to greater confidence and a better chance of success in later life. Gladwell even promotes the idea of a “desirable difficulty,” such as dyslexia, a learning disability that causes much frustration for reading students but, at the same time, may force them to develop better listening and creative problem-solving skills. As usual, Gladwell presents his research in a fresh and easy-to-understand context, and he may have coined the catchphrase of the decade, “Use what you got.” --David Siegfried

Review
"Truly intriguing and inspiring, especially when Gladwell discusses 'desirable difficulties'....Gladwell's account of the journey of Dr. Emil 'Jay' Freireich is unforgettable." ---Hector Tobar, Los Angeles Times

"Provocative....David and Goliath is a lean, consuming read....The book's most crafty, engaging chapter ties together the Impressionist movement and college choices to highlight the fact that gaining admission to elite institutions, which we typically perceive as an advantage, is no guarantee of success." ---John Wilwol, San Francisco Chronicle

"As always, Gladwell's sweep is breathtaking and thought-provoking....I've long admired Gladwell's work." ---Joe Nocera, New York Times

"David and Goliath readers will travel with colorful characters who overcame great difficulties and learn fascinating facts about the Battle of Britain, cancer medicine and the struggle for civil rights, to name just a few topics upon which Mr. Gladwell's wide-ranging narrative touches. This is an entertaining book." ---Christopher F. Chabris, Wall Street Journal

"Fascinating....Gladwell is a master of synthesis. This perennially bestselling author prides himself on radical re-thinking and urges the rest of us to follow suit." ---Heller McAlpin, Washington Post

"What propels the book, like all of Gladwell's writing, is his intoxicating brand of storytelling. He is the master of mixing familiar elements with surprise counter-intuitions, and then seasoning with a sprinkling of scientific evidence....Gladwell is a master craftsman, an outlier amongst authors." ---Rob Brooks, Huffington Post

"Gladwell sells books by the millions because he is masterful at explaining how the world works---the power of critical mass, the arbitrariness of success, etc.---packaging his ideas in fun, accessible, and poignant vignettes." ---Lionel Beehner, USA Today

"Gladwell's most provocative book yet. David and Goliath challenges how we think about obstacles and disadvantages, drawing upon history, psychology, and powerful narrative talent to rethink how we view the world around us and how to deal with the challenges life throws at us." ---Susanne Jaffe, Columbus Dispatch

"The bestselling author behind the inventive Outliers, Blink, and The Tipping Point is back with another thought provoking theory that fascinates, entertains, and informs. He gives underdogs their due this time, challenging everything readers believe about facing-and conquering-life's stumbling blocks, using the 'real' story of David and Goliath and more to make his point." ---Celeste Williams, Fort Worth Star-Telegram

"Gladwell has made a career out of questioning conventional wisdom, and here he examines the allegedly unlikely triumph of the weak over the mighty and shows it's not so unlikely after all. 4 stars." ---Judith Newman, People Magazine

"The 50-year-old Canadian is a superstar, the most popular staff writer on The New Yorker and a hero in the frequent-flier lounge where journalism, social science, business management, and self-help hang out....It's a good story and he's got plenty more." ---Jeff Baker, The Oregonian

"Pop culture pundit Malcolm Gladwell is an idea blender, mixing concepts from vastly different sources (everything from business to science to the Bible) to produce new ways of seeing the world." ---Barbara O'Dair, Reader's Digest

"Engrossing.... Gladwell's singular gift is animating the experience of his subjects. He has an uncanny ability to simplify without being simplistic: clean and vivid Strunk and White prose in the service of peerless storytelling." ---David Takami, Seattle Times

"Contemporary society can't escape history when Malcolm Gladwell explains the world as he does with David and Goliath."---Jane Henderson, St. Louis Post-Dispatch

"In David and Goliath, Malcolm Gladwell explores the dynamics that inform and effect our everyday lives. By analyzing the Biblical account of the clash between David and Goliath, Gladwell presents a bold new interpretation of the lessons we should apply from it." ---Today Show

About the Author
Malcolm Gladwell has been a staff writer at The New Yorker since 1996. He is the author of The Tipping Point, Blink, Outliers, and What the Dog Saw. Prior to joining The New Yorker, he was a reporter at the Washington Post. Gladwell was born in England and grew up in rural Ontario. He now lives in New York.

Most helpful customer reviews

508 of 563 people found the following review helpful.
Entertaining but Lacking Scientific Rigor
By Book Shark
David and Goliath: Underdogs, Misfits, and the Art of Battling Giants by Malcolm Gladwell

"David and Goliath" is an interesting yet somewhat disappointing book about what happens when ordinary people confront giants. Best-selling author, Malcolm Gladwell provides many examples that range from the compelling to the dare I say feeble. That being said, the book is stimulating and it's never boring, it just lacked the brilliance that a book like his very own "Outliers" has. This provocative 320-page book is broken out into the following three parts: 1. The Advantages of Disadvantages (and Disadvantages of Advantages), 2. The Theory of Desirable Difficulty, and 3. The Limits of Power.

Positives:
1. Always engaging, provocative and a page turner. Gladwell is a gifted narrator.
2. Interesting subject, never boring. You never know what you are going to get from Gladwell. A great premise and title for a book, "David and Goliath".
3. Gladwell explores two main ideas through stories and keen observations. "What we consider valuable in our world arises out of these kinds of lopsided conflicts, because the act of facing overwhelming odds produces greatness and beauty. And second, that we consistently get these kinds of conflicts wrong."
4. A recurring theme that resonates throughout the book, "There is an important lesson in that for battles with all kinds of giants. The powerful and the strong are not always what they seem."
5. I absolutely loved the story of Vivek Ranadive's basketball team and where Pitino's trademark strategy came from. "The whole Redwood City philosophy was based on a willingness to try harder than anyone else."
6. The provocative discussion on the correlation of class sizes and educational success. Interesting angles (the concept of the inverted-U curve) and great water cooler material regardless on which side you fall on.
7. The concept of it is better to be a Big Fish in a Little Pond than a Little Fish in a Big Pond. "The phenomenon of relative deprivation applied to education is called--appropriately enough--the `Big Fish-Little Pond Effect.' The more elite an educational institution is, the worse students feel about their own academic abilities." Interesting findings that resulted from this observation.
8. An interesting look at dyslexia. "Dyslexia is a problem in the way people hear and manipulate sounds." This is where Gladwell goes into his theory of "desirable difficulties" and provides many examples of stories of success and overcoming challenges. The case of trial lawyer David Boies is one of overcoming the odds and making the most of his challenges.
9. Measuring personality through the Five Factor Model ("Big Five").
10. I enjoy historical references and this book offers a couple of intriguing stories. The "London Blitz".
11. Gladwell loves patterns and he has made it a trademark to share some of his favorites. "Twelve of the first forty-four U.S. presidents--beginning with George Washington and going all the way up to Barack Obama--lost their fathers while they were young."
12. A fascinating medical case study involving Jay Freireich and leukemia.
13. Case studies involving courage. The American civil rights movement. The fascinating story behind the iconic photograph (calm teenage boy being attacked by a snarling German shepherd) that captured the impetus of the historical movement.
14. The use of trickery, the art of survival and triumph even in the most hostile of environments.
15. The incendiary case study of Northern Ireland. "In Northern Ireland, the British made a simple mistake. They fell into the trap of believing that because they had resources, weapons, soldiers, and experience that dwarfed those of the insurgent elements that they were trying to contain, it did not matter what the people of Northern Ireland thought of them."
16. The principal of legitimacy. "Legitimacy is based on three things. First of all, the people who are asked to obey authority have to feel like they have a voice--that if they speak up, they will be heard. Second, the law has to be predictable. There has to be a reasonable expectation that the rules tomorrow are going to be roughly the same as the rules today. And third, the authority has to be fair. It can't treat one group differently from another."
17. The uplifting case of Jaffe and J-RIPpers.
18. The inception of the Three Strike rule and its shortcomings. "Clearly, then, there's a big difference between having no penalties for breaking the law and having some penalties--just as there's a big difference between a class of forty students and a class of twenty-five. On the left side of the inverted-U curve, interventions make a difference."
19. Understanding the limits of power. The case study of the Huguenots.
20. Notes linked.

Negatives:
1. No links to original sources.
2. No formal bibliography.
3. Lacks scientific rigor or depth. Gladwell mainly presents his side of the story and at times suffers from confirmation bias. It's ok to present opposing scientific views while defending your own.
4. I really have a tough time buying the notion that people succeed because of their difficulties, "The second, more intriguing, possibility is that they succeeded, in part, because of their disorder--that they learned something in their struggle that proved to be of enormous advantage." I look at it as overcoming challenges, making the best of what you have.
5. Some of the case studies are not for the faint of heart. The Candace Derksen story was particularly painful and difficult to read.
6. A misspell in the table of contents.

In summary, Gladwell's books are always provocative and fun to read. The biggest problem for Gladwell is to live up to expectations set by a book of the caliber of "Outliers" and frankly whether fair or not this book doesn't live up to it. It lacks panache and most importantly scientific rigor. That being said this book has moments of radiance and he always manages to entertain. Perhaps 3 stars is a bit low but rest assured all of Gladwell's books are worth reading. In short, this book will provide great water cooler material, read it and make your own call.

Further recommendations: "Outliers: The Story of Success", "The Tipping Point: How Little Things Can Make a Big Difference", and "Blink: The Power of Thinking Without Thinking" by the same author, "Drive: The Surprising Truth About What Motivates Us" by Daniel H. Pink, "Switch: How to Change Things When Change Is Hard" and "Made to Stick: Why Some Ideas Survive and Others Die" by Chip and Dan Heath, "The One Thing" by Gary Keller, "Quiet: The Power of Introverts in a World That Can't Stop Talking" by Susan Cain, "Rebounders: How Winners Pivot from Setback to Success" by Rick Newman, "The Power of Habit" by Charles Duhig, "What Money Can't Buy: The Moral Limits of Markets" by Michael J. Sandel, "Incognito: The Secret Lives of the Brain" by David Eagleman, and "The Better Angels of Our Nature: Why Violence Has Declined" by Steven Pinker.

510 of 581 people found the following review helpful.
Gladwell did it again.
By Derek Halpern
You might read some reviews that hate on this book.

They'll say they don't like his pseudo-scientific claims. They'll say he oversimplifies everything. They might even mention some "incidents" where they witnessed a deluge of "random" people who hated on this book... just a day after it's released.

But I believe those people have an agenda. An agenda where they decided they were going to hate this book before they even read it.

I'll explain.

When I buy a Malcolm Gladwell book, I don't expect in-depth analysis of hundreds of research studies. For that, I'll turn to someone like Eliot Aronson, Dan Ariely, or some new blood like Adam Grant. When I buy a Malcolm Gladwell book I expect to read compelling stories that bring a few pieces of key research to life. I also expect to be inspired by these stories. And in that regard, David and Goliath OVER DELIVERS.

#1 I loved the story of the impressionists

I won't ruin the story for you because I think you should buy the book and read it. But the short of it is this: When the impressionists were shunned from the high art society in France, they created their own art show. And their art became more popular. And today, their art is essentially priceless since the art they were showing in their 'offsite' art show totaled more than billion dollars worth of art.

What's funny about this story is the connection to Gladwell and today. Gladwell might get shunned by some nitpicking academics, and that's fine. He's not trying to break into the world of academia. He created his own world, and he's the guy selling millions of books.

This doesn't mean I hate academia though. I run a website called Social Triggers, and a podcast called Social Triggers Insider. My goal? To share the research from academia in language that layman can understand. So I dig academia.

That said, this story was inspiring because it reminds me (and I'm sure other people who read it) that it's not about being accepted by a system. Sometimes, you need to create your own system - and you'll be better off.

#2 We should all remember the inverted U curve

Again, Gladwell goes into this in more detail, but I loved this. It quite simply says, that just because you do more of something doesn't mean you're going to have more results. At some point, doing more can actually have the REVERSE effect. Doing more can actually make you do worse.

Even though he didn't use this analogy, I think about going to the gym. When you go to the gym once a week, you get poor results. Go twice, and better results. Go three, and maybe better results. But if you go 7 times a week, twice a day, you risk 'overtraining' and when you overtrain you actually risk getting worse results.

Based on those two stories alone, I believe this book is worth the read.

Now back to the naysayers...

The naysayers pick his books up and say it's too simple. And you know what? Just the other day, Gladwell said it best: "If my books appear oversimplified, then you shouldn't read them"

Why is that best?

Because if you think his books are too oversimplified, you shouldn't read them. You're NOT the audience.

He's not writing a book to be consumed by 1,500 academics. He's writing a book to inspire millions of people.

And that's why I have to say, Malcolm Gladwell did it again. Check the book out.

91 of 113 people found the following review helpful.
Simply disappointing -- Neither instructive nor insightful
By The Agnostic Apatheist
Let me begin by saying that "David and Goliath" is an easy read. If you are a fast reader with extra time on your hands, you can finish the entire book in one sitting. Gladwell is a good, entertaining writer. Having said that, I was disappointed with the content of his book. Thus, this review will focus on those points.

"David and Goliath" is about battling giants... at least, I'm sure that's what you thought when you bought the book. That's certainly what the subtitle states - "Underdogs, Misfits, and the Art of Battle Giants." However, you would only be partially correct. While there is some content related to battling so-called giants, the book's title is misleading. Most of the book is about advantages and disadvantages. The first section is about perceived advantages and how these advantages are often the source of disadvantage. The middle section is about perceived disadvantages and how these can be advantages. The last few chapters are about the limits of power, which is poorly connected to the overall theme of the book. Most of the stories had very little to do with battling giants, regardless of how you define the term "giants". In fact, Gladwell uses a very loose definition of "giants". Giants are anything that seems formidable.

Introduction: Goliath
Gladwell begins strong. He presents the story of David and Goliath but provides background to the story. The message to take away from the story is that David surprised Goliath. Goliath was expecting a sword-to-sword battle. Instead, David came out with his sling and took out the giant by refusing the play to Goliath's strengths, namely, his size. But Gladwell also mentions that what is perceived as Goliath's strength is also a source of weakness; Goliath likely had acromegaly (assuming the story is even historical). Acromegaly limited Goliath's vision requiring him to fight in close quarters; David would not fight Goliath on equal terms. In the end, David slays Goliath. Not a bad start to the book.

Chapter 1:
In this chapter, Gladwell presents the case of Vivek Ranadive, who was able to lead a team of basketball underdogs to the championship without any formal knowledge of the game. Moreover, Ranadive's players barely knew the rules when they began training. However, by focusing on physical conditioning and the lesser employed tactic of full-court press, Ranadive was able to wear down opposing teams and increase opportunities to steal the ball. This is clearly a story about the triumph of the underdog, and it is in-line with the title. Unfortunately, the Introduction and Chapter 1 are the best sections of the book. It goes downhill from this point.

Chapter 2:
Here, Gladwell focuses on school classroom size and how a perceived advantage - i.e. small class size - is actually a disadvantage. While a smaller class size may improve learning, there is a point where a very low class size can actually hurt student performance. While this topic is interesting in itself, it is only loosely connected to the notion of battling giants. In fact, the connection is an artificial one; I'm not even sure who or what the "giant" is supposed to be in this story. Is it the educational system? Is it student performance? Is it class size?

Gladwell's point is that advantages can be a source of disadvantage. However, he doesn't really tell you how to battle the so-called giant, whatever the giant is supposed to be in this story. If the giant is classroom size, then it would've been nice to state what the ideal classroom size would be for elementary or middle school or high school students. Instead, all you know is that class size shouldn't be too low, whatever "too low" means. But if we take his point to the logical extreme, he seems to imply that one-on-one tutoring may not have advantages. After all, that is the ultimate small class room. However, this has neither been my experience nor the experience of most parents who can afford private, one-on-one lessons for their children, whether in an athletics or academics. In fact, studies on expertise by K Anders Ericsson, whom Gladwell mentions in "Blink", states that individual mentoring or coaching is very important for achieving high levels of success.

Chapter 3:
Chapter 3 suffers similar problems with chapter 2. It is the story of Caroline Sacks. She was a high academic achiever in high school, but discovered that she was not good enough to compete in the Ivy Leagues. She loved science and wanted to pursue a career in a scientific field; however, she could not compete with the other students at Brown University. Gladwell's point is that she has a perceived advantage over most students - she had the ability to get admitted into Brown University. Nonetheless, this advantage became a source of disadvantage for her. She ultimately felt defeated by becoming a small fish in a big pond, and eventually chose not to pursue her love of science. Had she gone to a second-choice school, she might've been a high achiever and more successful. In short, it's sometimes better to be a big fish in a small pond, rather than always seeking to enter the big pond and finding out that you're only a little fish.

Once again, I'm not sure who or what the giant is in this story. If the giant is the Ivy League school, Brown University, then Gladwell is not really discussing how to successfully battle this giant. Gladwell's message is to choose another opponent to do battle with - i.e. choose a non-Ivy League school. In this case, the giant has defeated the underdog by getting the underdog to choose an easier opponent to fight. Isn't this the antithesis of the books' theme?

Chapter 4:
Beginning with chapter 4, the book takes a different turn. Gladwell begins focusing on disadvantages, suggesting that they can be a source of advantage. This is not a novel idea, but Gladwell stretches this idea to make his case. In this chapter he mentions that dyslexia is a perceived disadvantage but is a characteristic of nearly one-third of entrepreneurs, including Richard Branson, Charles Schwab, David Neeleman, and others. In other words, approximately 30% of entrepreneurs have dyslexia and may have become successful businessmen because of their dyslexia. Of course, the other possibility is that these entrepreneurs succeeded in spite of their dyslexia, rather than because of it. This point is merely dismissed by Gladwell without much consideration.

Nonetheless, anyone who has taken a basic statistics or critical thinking class should immediately see a flaw with Gladwell's reasoning. He seems to want his reader's to think that if a person is dyslexic then he/she has a 30% chance of becoming incredibly successful in business. But stating that 30% of entrepreneurs have dyslexia is not the same as saying that 30% of dyslexics are entrepreneurs. Moreover, if 30% of entrepreneurs have dyslexia, then that means 70% of entrepreneurs do not, and from empirical evidence, dyslexics struggle in academic fields throughout much of their life. Let's not forget that an overwhelming majority of jobs expect employees to be college educated, at least. There are also a large number of dyslexics in prison. Thus, while having dyslexia can be an advantage (if Gladwell is correct), it is not an advantage for most. Yet Gladwell seems to insinuate that dyslexia is not a problem at all; he just stops short of suggesting that dyslexia is something you might wish for your children and grandchildren because of the advantages it can provide. I guess that's why I'm not a multi-billionaire; I don't have dyslexia.

Gladwell goes on to present the story of two dyslexics, David Boies and Gary Cohn. Boies became a successful trial lawyer and Cohn became president of Goldman Sachs. Both were successful because they were forced to compensate for their dyslexia. They had to develop other skills that they learned to use to their benefit. So if dyslexia is a "giant", then the way to battle this giant is to compensate for it, rather than overcome it. In other words, the dyslexic isn't defeating his or her problem but circumventing the problem. In the end, I felt these stories were stretching the theme of the book.

The following quote from Gladwell summarizes this chapter: "Most people with a serious disability cannot master all those steps [i.e. steps to compensate for a disability]. But those who can are better off than they would have been otherwise, because what is learned out of necessity is inevitably more powerful than the learning that comes easily." That is, if you have a disability, you are not likely to be able to compensate for it; however, if you are one of the lucky ones who manage to compensate, then you have a good chance to be successful. This isn't really encouraging or instructive. It isn't even insightful.

Chapter 5:
The message of chapter 5 can be summed up in Nietzsche's famous quote, "What does not kill me, makes me stronger." But the chapter is longwinded and holds a superficial, even artificially created, relationship to the idea of battling giants. In this chapter, Gladwell points out that we are often afraid of fear, but the actual experience that we are afraid of is less frightening once it is experienced. But once again, as with chapter 4, the message of this chapter is not instructive or insightful.

Chapter 5 does provide one explanation for how heroes are created. Many so-called heroes and successful individuals have experienced death early in their lives - i.e. the death of at least one parent. As a result, they are often "disagreeable" individuals; that is, they go against the societal grain. They often take much abuse from the mainstream, but if these individuals can weather the storm, then they are often stronger in the end. Of course, a lot of prisoners have also lost at least one parent at a young age. So if you are looking for a way to think of this information in your own battles with "giants", you will have learned nothing by the end of the chapter. The take home message: hardship can be an advantage. This is true, but once again, Gladwell's message is not insightful.

Chapter 6:
This chapter is about the 1960s Civil Rights era. Gladwell reiterates the same theme from chapter 5 - i.e. what doesn't kill you, will make you stronger. But he also discusses some the questionable tactics that the Civil Rights activists used to win their political and legal freedoms. For example, Wyatt Walker's approach was to "use what we got" and win by "any means necessary". In fact, Martin Luther King Jr and Wyatt Walker used children to stir public attention for their cause, even allowing them to be jailed or beaten or nearly killed. Aside from the ethical issue of this tactic, Gladwell's message is to do whatever it takes when fighting a giant. But how far is this supposed to go? Would Gladwell condone similar attitudes and behaviors exhibited by paramilitary or terrorist groups? Isn't that basically what these groups think they are doing as well - doing whatever is necessary for their "rightful" cause? In the end, this chapter fits with the basic theme of battling giants, but raises other questions.

Chapter 7-9:
The last three chapters are about the limits of power. I'm not sure how these chapters fit into the overall theme of the book. The stories seem unconnected to the first two sections of the book, which focuses on advantages and disadvantages. While the chapters touch loosely upon the theme, the overall content is primarily a divergence from the theme. I felt that these chapters were added as fillers, rather than pertinent or important topics.

In fact, Gladwell spends a great deal of time talking about the legitimacy versus illegitimacy of power. After defining the differences, his point is that illegitimate power will not prevail in the end, and illegitimate power often leads to counterproductive results. In other words, there are limits to what you can expect from the use of power or force. However, the stories he shares to make his point seem disconnected to the rest of the book.

In short, "David and Goliath" is Gladwell's worst book. The only saving grace is his writing ability. In fact, the best chapter is the Introduction. Unfortunately, I felt that the book was less about battling giants and more a hodge-podge of diverse stories centered around a concocted theme in order for Gladwell to sell another book. There is nothing newsworthy, instructive, or insightful in its pages. Thus, I give this book two stars.

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